मस्ताना

A high profile defence lawyer is promised a Rajya Sabha seat if he wins a case of an accused with charges of killing two migrant children. However, there's much more than what meets the eye in this courtroom drama that explores the uncertainty of human mind and the journey of criminal discovery.

The film is set in a lower middle class chawl, an apartment building in Mumbai, a 20-year-old and unmarried Kamla, unable to handle the news of her pregnancy commits suicide. This makes her neighbourhood examine their own secrets and the choices they have made in their own lives.

A clingy husband haunts his irritated wife with a fossilized dodo for company. An exploration of love, way past its 'expiry' date.

Shekhar (Feroz Khan) helps C.B.I agent Rekha (Shahida) uncover a plot to smuggle military secrets out of the country.

Shahjada Ijjat Beg comes to India with his caravan and settles in a town in Gujrat. Here he falls in love with Sohani, who keeps a shop in metal pots. Ijjat Beg buys pot from her with whatever money he had and they were attracted to each other. Sohni dispensed with her servant and kept Ijjat Beg instead. This gave them more opportunity to meet. This was a scandal in the town and Sohni was perforce married to Rehaman who was slightly off his head. Sohni continued her meeting Ijjat Beg who went out fishing. When the atmosphere became to hot for them they jointly took a water grave for their love.

Aliah Rupawala, is a 24 year old Bohri Muslim girl from a very traditional family. She secretly becomes a Suicide Prevention Counsellor and on her first day she encounters a 52 year old man about to jump from the terrace of a high-rise. As she begins to try to bring him down, she is forced to confront why she became a Suicide Prevention Counsellor in the first place, and also share a lot of herself to get him to share and open up. Going all in, to save him, she begins to deal with and release the loneliness and grief in herself to be able to do the same in the caller. And in doing so, ends up healing not just her own heart, but also the heart of the man who has called, a man who has himself been a Suicide Prevention Counsellor for 15 years.

Satyagraha is the story of a son who yearns for a father. Of a father, who grieves for his lost son. Of a young woman who fights so hard with life that she has forgotten to love. Of an ambitious rabble-rouser, for whom action is the knee-jerk mantra. It is the story of how these four discover one another, and come together to raise hell, shaking the powers that be to their very roots! But, Satyagraha is also the story of an influential power-hungry despot who will stop at nothing to destroy them.

Amal, a young boy with an incurable disease is trapped inside the house by the local pandit-doctor’s orders. He spends the day chattering with passersby and villagers while daydreaming about those encounters later. When the chowkidar tells him the new building across the road from his house is a new Post Office belonging the Raja, Amal starts fantasising about visiting the King beyond the hills, and getting a letter or delivering the letters going all around, setting out from the confine of his house

Welcome Home is being touted as a psychological drama with lots of thrills. The movie follows a pregnant woman living in a house. She is visited by a few other ladies presumably some officials and ask her about her lifestyle.

Jayant Desai directs this melodrama centering on Kanhaiyalal (K. L. Saigal) who, according to a fortuneteller at his birth, will consort with a prostitute, grow skillful with a knife, and be sentenced to the gallows. As the film progresses, this unpromising prediction comes true, but in an unexpected manner. After a family tragedy, Kanhaiyalal and his mother find shelter in the home of a kindly whore named Saguna (Suraiya) who eventually sacrifices her life for that of the protagonist. Later, he becomes handy with a knife when he goes to med school and becomes a surgeon. As Kanhaiyalal matures, he and his mother battle against crime and poverty.

In the disputed territory of Kashmir, a young Muslim woman meets and falls in love with a Hindu man.