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Gutfeld - (Jan 18th)
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Say, how'd that Jane Eyre turn out? Bad Company is directed by Robert Benton and Benton co-writes the screenplay with David Newman. It stars Jeff Bridges, Barry Brown, Jim Davis, David Huddleston and John Savage. Music is by Harvey Schmidt and cinematography by Gordon Willis. Young men dodging the Union Army draft for the Civil War escape to the West in the hope of finding fortune and freedom. What actually awaits them is something completely different. The 1970s saw a slew of Westerns released that were a far cry from the golden frothy production line of the 1950s. Film makers big into the genre were quick to latch onto more sombre stories or quirky non conformist pieces. The climate of the World was changing and so directors and writers were comfortable in portraying the Wild West as not being romantic or heroic at all. One such gem is Bad Company. Benton's film quickly sets out its stall with its opening salvo, as Union soldiers round up young boys in child snatching fashion, all that is missing is big chins and lollipops. Enter one young man named Drew Dixon (Brown), a God fearing youngster packed off by his Mum to the West to start a richer life. Soon enough he is falling in with bad company, company fronted by Jake Rumsey (Bridges), the main man for a ragtag band of young thieves. The West painted here is a dour place, Rumsey's gang think nothing of robbing young children of their pocket money, or tormenting a feral feline. We are often throughout the picture reminded that folk come West for fame and fortune etc, but have found nothing but misery. A man quickly spies an opportunity to solicit his wife out to the young gang for $10 a pop, an elder gang think nothing of robbing the younger upstarts. Weapons have to be traded just for a meal (slop really...), and of course there is no honour among thieves, doing each other over will come naturally. And naturally pain, death and rude awakening are just a heartbeat away. And yet the pic is not without humour, much needed humour as it bears out the naivety of youth, or misplaced cockiness, or just in fighting camaraderie. There are laughs to be had here, some choice dialogue or a put-down, but given the nature of the story, a shock or heartache scene is never far away. A Technicolor production, the colours are however stripped down to autumnal filters, this perfectly aids the naturalistic flavours of this particular Western broth. Schmidt offers up a range of piano dirges, flitting between perky and morose as per the scene it accompanies. Cast are great, Bridges and Brown hold court in believable fashion, the other youngsters guided well by their director. Big Joe's (Huddleston excellent) gang consists of reliable character actors who Western fans will be pleased to see, such as Geoffrey Lewis (The Culpepper Cattle Co. High Plains Drifter), Charles Tyner (Jeremiah Johnson, The Outlaw Josey Wales) and Ed Lauter (Breakhart Pass, Dirty Little Billy). Myths of the West debunked, Bad Company is a must see for Western fans seeking the more earthy approach to Western story telling. 8/10
A gangster escapes jail and quickly makes plans to continue his criminal ways elsewhere, but a determined inspector is closing in.
A man embarks on a quest to make peace between two families fighting over the water problem in their district. In a bid to solve this crisis, he agrees to marry a girl from the rival family.
A french writer documents the seductive power of the beautiful Carmen, who has enchanted José, a young soldier, awakening his most fervent passions leading to tragedy. A path chained to obsession, jealousy, betrayal, and blood.
Two lovers try to die together in order to live forever. When they die at the same time, neither of them will experience the loss of the other person. This is the only time in their lives when they will never experience the inevitable loss of their lover, either by natural death or separation.
Enforcing the law within the notoriously rough Brownsville section of the city and especially within the Van Dyke housing projects is the NYPD's sixty-fifth precinct. Three police officers struggle with the sometimes fine line between right and wrong.
Charming desperado Ossy, carrying a deadly secret, tracks down his childhood pal Jimmy in Iceland. But Jimmy, now with a family and a regular job, will do anything to hide his past.
Married couple Jack and Terry Linden are experiencing a difficult period in their relationship. When Jack decides to step outside the marriage, he becomes involved with Edith, who happens to be the wife of his best friend and colleague, Hank Evans. Learning of their partners' infidelity, Terry and Hank engage in their own extramarital affair together. Now, both marriages and friendships are on the brink of collapse.
A ring of cattle thieves uses short-wave radio to communicate with each other. A trio of range detectives must find a way to capture the gang.
Valentine Casey is a Marshal in the desolate Tucson territory of the early 1900s. On Christmas Eve, his outlaw family pays him a disturbing visit. He must confront the sins of his past. He and his partner, U.S. Christmas, journey through the desert to a small town that the ruthless Henry Clan has hit in order to save Casey's love, Adelyne.
Ray is an aging ex-socialist who has become a bankrobber after seeing the demise of socialism in 1980s Britain. Teaming up with a gang of other has-beenish crims, he commits one bank job too many. The gang dissolves in a murderous flurry of recriminations.