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A SCREEN ZEALOTS REVIEW www.screenzealots.com In the latest indie to set itself out as an ‘intelligent’ alternative to the classic formulaic rom-com, “Maggie’s Plan” aims high, makes a strong effort, but sadly fails. It feels like another one of Woody Allen’s more cleverless films, one that has decent enough writing but struggles to elicit any genuine laughs.(This film is written and directed by Rebecca Miller, adapted from the original Karen Rinaldi story). Everyone’s favorite quirky hipster actress, Greta Gerwig, is perfectly cast at the titular character. Her charming demeanor works and plays well off of Ethan Hawke, who turns in one of his best performances as a professor of ficto-critical anthropology (if you find his title hysterically funny then you, my friend, are the target audience for this movie), and Julianne Moore (as a brilliant yet cold Columbia professor). The cast gives it their all; too bad these actors don’t have a better script to work with. This messy and uneven film can’t seem to make up its mind regarding the overall tone. It’s part screwball comedy, part hipster philosophy and part family dramedy. There’s a huge emphasis on a toddler (the admittedly cute Ida Rohatyn) that was lost on me as a non-parent. I think the kid stuff is just too much and is completely unnecessary to the story. Maya Rudolph and Bill Hader are wasted in unremarkable supporting roles; their characters are never developed and seem to exist solely for a few punchlines (that aren’t very funny). There’s only a shell of a plot and not much ever happens in relation to it. The film is just a bunch of talking and a string of cute incidents that are all (sort of) related to Maggie’s big plan. The film is very strained and the big “twist” ending is something that only a true moron couldn’t see coming from a mile away. **A SCREEN ZEALOTS REVIEW www.screenzealots.com** I didn’t hate this movie but I also can’t figure out who in the world to recommend it to. Maybe it would make a decent rental if you’re a fan of Gerwig or Hawke.
**Returning a product to the previous owner!** Kind of a refreshing romance-drama on the cheating/divorce theme. Written and directed by Rebecca Miller. A great comeback after the six years of gap, but not a masterstroke. The casting was very impressive, particularly it was Greta Gerwig's typical film. I mean, if you enjoy watching her films, then you would do the same for it. On the other hand, her signature performance kind of bored to me. I mean all her film character was kind of easy-go-lucky soft-touch and comedic girl, I want her to try the different roles and genres. Maybe that's the reason many people had turned it down. Ethan Hawke and Julianne Moore were in the decent supporting roles, but everybody shared enough screen to call its their film too and delivered some good lines. I had a good time with it, because it was better than I anticipated. The story was good and its entire narration they have developed it finely. Unfortunately, it is an R film, otherwise it could have been a film for all. Kind of it reminds us the Woody Allen's style of presentation. Because you know even in the tough times for film characters, they calm and coolly deals it. So that makes it is a stress free film, especially if you just had a bad day, it might help you cool down. But don't expect the loud laughs in the comedy parts, then you should not opt it. The overall film is worth a watch, but don't believe those who are saying it is too bad. It might be bad for them, though definitely not bad to bash it top to bottom. The critics thumbed it up, and if you welcome decent films, then go for it and decide yourself. The film has lots of good qualities, but this could be the last film of Greta I'll be watching if she does not appear in a distinct role in her next, because like I said I already bored of her in the same old. Finally, I feel I want to suggest it, but not to everybody, particularly not the youngster, the grown ups might like it better. _7/10_
A drama teacher's taboo relationship with an unstable student strikes a nerve in her jealous classmate, sparking a vengeful chain of events within their suburban high school that draws parallels to "The Crucible".
Marie violates tradition in a small German town of Lauscha, to become the first female glassblower in in 1890. Her glass ball decorations find a new market in America.
Maria marries a young soldier in the last days of World War II, only for him to go missing in the war. She must rely on her beauty and ambition to navigate the difficult post-war years alone.
Manhattan explores how the life of a middle-aged television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.
Gus Van Sant tells the story of a young African American man named Jamal who confronts his talents while living on the streets of the Bronx. He accidentally runs into an old writer named Forrester who discovers his passion for writing. With help from his new mentor Jamal receives a scholarship to a private school.
Over the course of five social occasions, a committed bachelor must consider the notion that he may have discovered love.
When an arranged marriage brings Ada and her spirited daughter to the wilderness of nineteenth-century New Zealand, she finds herself locked in a battle of wills with both her controlling husband and a rugged frontiersman to whom she develops a forbidden attraction.
Bank manager Frank and writer Patrizia meet by coincidence again and again at the airport. They commute between Dusseldorf and Paris, but behind their travels are two fateful stories. Frank wants to complete the business of his life, Patrizia visits her lover, who is in a coma since a car accident. For both life comes out of joint and they each suffer heavy losses. What connects them is the search for hold, a listener, the need to be needed and the hope that there is a beginning in each end.
Kylie, a wedding planner, has had a string of boyfriends who have all turned out to be gays, including Benj. Eventually, the two became best friends and business partners. When Diego, Benj's childhood friend, resurfaces and asks them to plan his wedding, Kylie sets out to prove that she's right again-that Diego, is indeed another closet case. Will she succeed?