Mafia Wars 2024 - Movies (Feb 2nd)
Mister Sleep 2024 - Movies (Feb 2nd)
From Embers 2024 - Movies (Feb 2nd)
An Unexpected Valentine 2025 - Movies (Feb 2nd)
Matt and Mara 2024 - Movies (Feb 2nd)
Alpacalypse 2024 - Movies (Feb 1st)
The Ultimate Stack A Poker Documentary 2024 - Movies (Feb 1st)
Baul Soul of Bengal 2024 - Movies (Feb 1st)
Blondie Glass Heart 2024 - Movies (Feb 1st)
The Paranormal UFO Connection 2024 - Movies (Feb 1st)
Kid Snow 2024 - Movies (Feb 1st)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Eternal Theater 2024 - Movies (Feb 1st)
Companion 2025 - Movies (Jan 31st)
The Fabulous Four 2024 - Movies (Jan 31st)
Homestead 2024 - Movies (Jan 31st)
Piglet 2025 - Movies (Jan 31st)
Absolution 2024 - Movies (Jan 31st)
Love Your Weekend with Alan Titchmarsh - (Feb 2nd)
Lidias Kitchen - (Feb 2nd)
Australian Idol - (Feb 2nd)
Scars of Beauty - (Feb 2nd)
Oceanfront Property Hunt - (Feb 2nd)
All Elite Wrestling- Collision - (Feb 2nd)
Lakefront Luxury - (Feb 2nd)
Jesse Watters Primetime - (Feb 2nd)
Hannity - (Feb 2nd)
Special Report with Bret Baier - (Feb 2nd)
The Ingraham Angle - (Feb 2nd)
Married at First Sight UK - (Feb 2nd)
The Masked Singer- AfterMask - (Feb 2nd)
Saturday Kitchen Live - (Feb 2nd)
Air Crash Investigation- Special Report - (Feb 2nd)
On Patrol- Live - (Feb 2nd)
Mayfair Witches - (Feb 2nd)
The Masked Singer - (Feb 2nd)
New York Homicide - (Feb 2nd)
Prosecuting Evil with Kelly Siegler - (Feb 2nd)
Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Viennese composer Wolfgang Amadeus Mozart.
Bregenzs Tales of Hoffmann is different from everything you saw before. The New York Times praised the thoughtfulness and creativity of Stefan Herheims new production, devised by the director as a search for ones own self in a sparkling drag show. A shining-toned (NYT) Hoffmann is embodied by tenor Daniel Johansson in the title role. He is supported by a fantastic cast: Rachel Frenkel is positively ideal as Muse and Niklausse (Kurier), Kerstin Avemo as Olympia is endowed with brilliant, cheekily extemporized coloraturas (Neue Zürcher Zeitung), Michael Volle sings the parts of Lindorf, Coppelius, Dr. Miracle and Dappertutto, the works four villains, with warmth and intensity (NYT) and Mandy Fredrich is a finelyphrased Antonia (Kurier).
La Rondine (The Swallow) is possibly the least performed of Giacomo Puccinis later operas, but is still just as much a masterwork as its more performed counterparts. Originally conceived as the composers first operetta, the work is an artful blend of opera and operetta, with a lighter mood than Puccinis other works. This live production filmed at the Deutsche Oper Berlin stars Dinara Alieva and Charles Castronovo in the lead roles. Renowned stage director Rolando Villazon sets this rendition, and the Orchestra and Chorus of the Deutsche Oper Berlin is conducted here by acclaimed Maestro Roberto Rizzi Brignoli.
Spain 1820. It's meal time at the cigar factory. Carmen spends her break in the square. Close by is Don José cleaning his weapons.
Margaret Williams directs this 2001 production of adaptation of Benjamin Britten's television opera based on a short story by Henry James. Performers featured include Gerald Finley, Peter Savidge and Josephine Barstow. The conductor is Kent Nagano. As pertinent now as then, OWEN WINGRAVE was composed by Benjamin Britten at the height of the Vietnam War. The opera poses the question: Is pacifism an act of cowardice? Or rather a desire to escape from the spiral of war and create world peace? To what extent do we determine our own futures? Should we let past events inform the decisions we make? Britten’s characters grapple with timeless issues in this gripping psychodrama.
Envy and conspiracy, but also passionate loves, jealousy, revenge and final forgiveness come together in the masterpiece of Verdi, which aroused the anger and prohibitions of censors of the time until the composer and librettist was compelled to make changes in it: from the original Sweden to far away Boston. The great Polish tenor Piotr Beczala returns to the Liceu with one of his opening credits, accompanied by the soprano Keri Alkema. Vincent Boussard’s sets reinforce the dark and mysterious atmosphere surrounding the piece, which features costumes by Christian Lacroix and Vincent Lemaire’s sober staging, which allows one to focus their attention on the dramatic core of the score. The cast, directed by a true specialist like Renato Palumbo, also presents a leader in Verdian song: Dolora Zajick.
Franco Corelli is featured in this 1954 filmed version of Leoncavallo's opera, along with Tito Gobbi. The film also features opera arias from "The Rose of Stambul," "Aida," "Cavalleria Rusticana," "Igemisco" and "Il Trovatore." 104 minuts, black & white.
Tony Award winner Bartlett Sher’s bold new production probes the psychological underpinnings of Verdi’s dynamic setting of Shakespeare’s great tragedy. At the helm of this performance is riveting conductor Yannick Nézet-Séguin, who brings out all the cascading emotions in Verdi’s turbulent score. Aleksandrs Antonenko is the Moor Otello, the triumphant general of the Venetian army who is ultimately brought down by the sly insinuations of his friend Iago (Željko Lučić). Sonya Yoncheva continues to win fans as Desdemona, Otello’s faithful and long-suffering wife. With Günther Groissböck as Lodovico and Dimitri Pittas as Cassio.
The Count Di Luna believes that his younger brother was murdered years before by a vengeful gypsy but still hopes that he may be alive. When he attempts to court the beautiful Leonora, he is enraged to discover that she has a lover – the troubadour, Manrico. Manrico and the Count duel, and afterwards Manrico reveals to Azucena, the woman he believes to be his mother, that when he had the opportunity to kill the Count he felt something holding him back.
Louisa Muller makes her Garsington directing debut and we welcome back Richard Farnes (Falstaff, 2018) to conduct with Sophie Bevan (Don Giovanni, 2012) as the Governess and British tenor Ed Lyon making his Garsington debut as Quint. A young governess is sent to a remote country house to care for two children. She becomes increasingly disturbed by their behaviour but is under strict instruction never to bother their guardian in London. Are they innocent or wicked, possessed or just high-spirited?
The priestess Norma loves Pollione, leader of the occupying force suppressing her people, and has borne two children by him. But Pollione’s love has withered, and he now loves Norma’s fellow priestess Adalgisa. Meanwhile, the people urgently look to Norma to lead their rebellion.