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_**Artsy Southern Gothic with Joseph Fiennes, Elisabeth Shue, Dennis Hopper and Sam Shepard**_ A quiet man who’s a gifted writer (Joseph Fiennes) gets out of prison in Mississippi and immediately starts writing in his motel room while working at a nearby restaurant where he has to deal with the local loudmouth (Dennis Hopper). Meanwhile a woman struggles with her moral failings as she lives in an antebellum mansion (Elisabeth Shue). Sam Shepard, Justin Chambers, Deborah Kara Unger and Mary Stuart Masterson are also on hand. “Leo” (2002) is Southern Gothic that mixes elements of “Sling Blade” (1996), “Blue Velvet” (1986) and “Two Moon Junction” (1988) with a little “Forrest Gump” (1994). While nowhere near the entertainment level of “Forrest,” it’s arguably on par with the others. It was Mehdi Norowzian’s only feature-length film and his (currently) last one, which is a shame because it certainly shows that he knows how to make an aesthetically appealing motion picture. If you appreciate those movies, give it a try. I value it for its artistic style and the quality cast, but the storytelling could’ve been more compelling and less ambiguous on certain points. I’ll have to view it again soon to try to figure out those muddy aspects. I’d say more, but I don’t want to give anything away. The film runs 1 hour, 43 minutes, and was shot in Oxford, Mississippi, and Charleston, South Carolina. GRADE: B-
Single dad Richard meets Christine, a starving artist who moonlights as a cabbie. They awkwardly attempt to start a romance, but Richard’s divorce has left him emotionally damaged. Meanwhile, Richard’s sons—one a teenager, the other 6-years-old—take part in clumsy experiments with the opposite sex.
The lives of two incompetent young men from Brooklyn spin out of control after a friend returns from Florida with guns to sell.
An arrogant, high-powered attorney takes on the case of a poor altar boy found running away from the scene of the grisly murder of the bishop who has taken him in. The case gets a lot more complex when the accused reveals that there may or may not have been a third person in the room.
Sam Bowden is a small-town corporate attorney. Max Cady is a tattooed, cigar-smoking, Bible-quoting, psychotic rapist. What do they have in common? 14 years ago, Sam was a public defender assigned to Max Cady's rape trial, and he made a serious error: he hid a document from his illiterate client that could have gotten him acquitted. Now, the cagey Cady has been released, and he intends to teach Sam Bowden and his family a thing or two about loss.
Justin Cobb, a teenager in suburban Oregon, copes with his thumb-sucking problem, romance, and his diagnosis with ADHD and subsequent experience using Ritalin.
Following an unexpected tragedy, child psychologist Malcolm Crowe meets a nine year old boy named Cole Sear, who is hiding a dark secret.
A teenage thief tries to leave town to escape the violence that threatens him and he people he loves.
Dinner time in a remote home of a prairie family turns nightmarish when a band of blood spattered outlaws break through the front door in search of food, horses, and women. Nothing is as it seems in this constantly twisting genre bender.
A 10 year old girl escapes the grim reality of her situation by creating a world where all of her hopes and dreams come true.
Three generations of women survive the east wind, fire, insanity, superstition and even death by means of goodness, lies and boundless vitality.
An adaptation of the classic Dickens tale, where an orphan meets a pickpocket on the streets of London. From there, he joins a household of boys who are trained to steal for their master.