Zerophilia

A comedy based on fourth novel out of "Decameron" by Giovanni Boccaccio.

A bored bisexual millionaire picks up a young destitute street artist and whisks her away to her villa in Saint Tropez. They meet a dashing local architect and both fall for him, setting in motion a ménage à trois of deception and betrayal.

Erika Kohut, a sexually repressed piano teacher living with her domineering mother, meets a young man who starts romantically pursuing her.

In Los Angeles, a colorful assortment of bohemians try to make sense of their intersecting lives. The moody Dark Smith, his bisexual girlfriend, her lesbian lover and their shy gay friend plan on attending the wildest party of the year. But they'll only make it if they can survive the drug trips, suicides, trysts, mutilations and alien abductions that occur as one surreal day unfolds.

Gabriel is a young, aspiring musical composer whose life seems stuck in the First Act. When his new musical number gets a critical reception, a theatre colleague, Perry, tells Gabriel that he needs to get a life before he can write about one – so he heads straight for his local gay bar.

Five years after their summer together in Barcelona, Xavier, William, Wendy, Martine and Isabelle reunite.

A comedy-drama about best friends - one a straight woman, Abbie, the other a gay man, Robert - who decide to have a child together. Five years later, Abbie falls in love with a straight man and wants to move away with her and Robert's little boy Sam, and a nasty custody battle ensues.

This rock opera tells the story of one year in the life of a group of bohemians struggling in late 1980s East Village, New York, USA. The film centers around Mark and Roger, two roommates. While a tragedy has made Roger numb to new experiences, Mark begins capturing their world through his attempts to make a personal movie. In the year that follows, they and their friends deal with love, loss, and working together.

Sam is a shy, mysterious and inconspicuous teenage girl, who falls in love with Troy, leader of an ultraviolent teenage gang, who does not feel physical pain, nor knows what love is. Together, against everyone and everything, they will face a series of obstacles trying to separate them, meanwhile figuring out what love and pain are. Debuting at Curtas, French filmmaker Elsa Rysto presents a love story mediated by ultraviolence, in a modern variation on the classic story of Bonnie and Clyde – or of the more contemporary Mickey and Mallory from “Natural Born Killers”. “Love Hurts” is a simple yet sensitive narrative about the so-called growing pains.

Otto and Ana are kids when they meet each other. Their names are palindromes. They meet by chance, people are related by chance. A story of circular lives, with circular names, and a circular place where the day never ends in the midnight sun. There are things that never end, and Love is one of them.

The New York club scene of the 80s and 90s was a world like no other. Into this candy-colored, mirror ball playground stepped Michael Alig, a wannabe from nowhere special. Under the watchful eye of veteran club kid James St. James, Alig quickly rose to the top... and there was no place to go but down.