Christmas Under the Lights 2024 - Movies (Nov 28th)
Kneecap 2024 - Movies (Nov 28th)
River of Ghosts 2024 - Movies (Nov 28th)
Stargazer 2023 - Movies (Nov 28th)
Birdeater 2023 - Movies (Nov 28th)
Aftermath 2024 - Movies (Nov 28th)
Greedy People 2024 - Movies (Nov 28th)
Sincerely Truly Christmas 2023 - Movies (Nov 28th)
A Bluegrass Christmas 2024 - Movies (Nov 28th)
Heightened 2023 - Movies (Oct 2nd)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
Knox Goes Away 2023 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Sweethearts 2024 - Movies (Nov 28th)
A Little Womens Christmas 2024 - Movies (Nov 28th)
Suspicion 2024 - Movies (Nov 28th)
Operation Undead 2024 - Movies (Nov 28th)
The Lady of the Lake 2024 - Movies (Nov 27th)
Our Little Secret 2024 - Movies (Nov 27th)
Inside the Tower of London - (Nov 28th)
The One Show - (Nov 28th)
Andrea Mitchell Reports - (Nov 28th)
Chris Jansing Reports - (Nov 28th)
Katy Tur Reports - (Nov 28th)
The Great British Bake Off- An Extra Slice - (Nov 28th)
The Beechgrove Garden - (Nov 28th)
Gardening Australia - (Nov 28th)
When the Phone Rings - (Nov 28th)
Deal or No Deal - (Nov 28th)
Four in a Bed - (Nov 28th)
Richard Osmans House of Games - (Nov 28th)
The Chase - (Nov 28th)
What They Really Mean For You - (Nov 28th)
Smoggie Queens - (Nov 28th)
Live from the Other Side with Tyler Henry - (Nov 28th)
The Impact- Atlanta - (Nov 28th)
All the Queens Men - (Nov 28th)
The Kelly Clarkson Show - (Nov 28th)
Bangers and Cash- Restoring Classics - (Nov 28th)
Getting back in the dating scene after a long absence can be quite a challenge. With ever-changing conventions dictating what’s acceptable and what’s not these days, those who are out of practice can be left bewildered (especially those who were never particularly adept at modern-day courting to begin with). That’s very much the case with João (Artur Volpi), who just broke up with his partner of 10 years. He’s a nice guy, if a bit reserved and geeky, but certainly quite handsome and politely genial. Yet, even though he’s certainly open to getting back into the dating game, the ambitious Brazilian filmmaker is actually most anxious to begin work on directing a new arthouse movie from his own script. However, just as the production is about to launch, his funding gets pulled, forcing him to retool the screenplay for a potential new would-be backer. But, as he’s doing this, he develops writer’s block, unsure what kind of story he wants to tell. So, to occupy his time as he sorts out this issue, he investigates new dating opportunities, many of which prove to be more boldly “amorously assertive” than he’s accustomed to, revealing just how much he’s out of touch with current dating practices than he realized. In fact, when “hopeful” suitors discover that he makes movies, they suggestively approach him to put his talents to use for chronicling their erotic escapades – not with him but with other more willing participants. So, with no income in hand and in need of money, João relents, taking his filmmaking work in a decidedly different (and personally embarrassing) new direction. But this path gets him no closer to career or romantic fulfillment. So what’s he to do now? That’s what he needs to find out for himself. However, as promising as this premise might sound for a gay romcom/outrageous sex farce, writer-director Daniel Ribeiro seriously drops the ball by committing the cardinal sin of moviemaking in this genre – creating a picture that’s tediously dull. As this offering unfolds, it fails to generate giggles in either of the protagonist’s hapless undertakings, areas that should be rife with potential for yielding sidesplitting laughs. What’s more, for a movie that’s supposed to be heavy on eroticism, this release contains some of the most boring on-screen sex I’ve ever seen (explicit though some of it may be). And the picture’s lame attempts at incorporating supposedly creative narrative twists and more serious subject matter largely fall even flatter than its other failed material. The result is a finished product that fails to take advantage of the innate strengths it should have had going for it. It’s little more than a tiresome, uninteresting slog that seems far longer than its 1:40:00 runtime – and a seriously missed opportunity to make what easily could have been an admittedly cheeky but nevertheless uproariously funny comedy. So much for the perfect endings.
The first volume in a collection of gay shorts from the four corners of the world that will set your pulse racing. From the intense effects of first love, to a deliciously campy tale of a camping trip gone horribly wrong. This collection includes: The End of My World [Mój koniec świata] (2017), The Surf Report (2016), It Gets Better? (2016), and Killer Friends (2017).
In 1980's Madrid, five-year-old boy Ivan is confronted with the birth of his new brother. His sister is Dad's favorite, and the newborn will be Mom’s favorite. So where does that leave Ivan? If only he could grow wings and get away from it all...
Nina, an end-of-teenage orphan with mental problems, starts a new job as a garden cleaner when she meets Toni. They fell in love with each other, but soon Toni starts betraying Nina. In the meantime, Francoise is picked up at a psychic department of a Berlin hospital by her husband, Pierre. After seeing Nina, Francoise believes that she has found her kidnapped daughter Marie, but neither Toni nor Pierre believe her. Nina is unsure about what to think...
Tom Ripley is a calculating young man who believes it's better to be a fake somebody than a real nobody. Opportunity knocks in the form of a wealthy U.S. shipbuilder who hires Tom to travel to Italy to bring back his playboy son, Dickie. Ripley worms his way into the idyllic lives of Dickie and his girlfriend, plunging into a daring scheme of duplicity, lies and murder.
A biography of artist Frida Kahlo, who channeled the pain of a crippling injury and her tempestuous marriage into her work.
In post-9/11 New York City, an eclectic group of citizens find their lives entangled, personally, romantically, and sexually, at Shortbus, an underground Brooklyn salon infamous for its blend of art, music, politics, and carnality.
The story begins when Tyler O'Conner, a young gay author, visits a therapist and discovers that he suffers from an anxiety disorder commonly called "Analysis Paralysis" - an inability to take action without imagining the ways that each possible choice could go wrong. The problem is that, unchecked, the condition will lead Tyler into a state of complete inaction. To confront the disorder, Tyler decides to fight through his anxiety and ask his cute neighbor, Shane, out for coffee. Despite a flurry of imagined disasters, the date goes well, and Shane and Tyler ultimately become involved. Against all odds, the relationship moves forward, but not without every step of the way - sex, moving in together, and meeting Shane's parents - preceded by an avalanche of negative, albeit hilarious, fantasies.
In rural Iowa, a grocery cashier watches helplessly as classmates conceal their act of sexual violence against his teenaged step-sister. A hustler tricks for food, shelter, and intimacy during a winter in New York City. Mortality compels a father to leave his home in Los Angeles and move in with his daughter. Jonah Greenstein's gorgeously shot feature debut laces loneliness with beauty to create a film of startling cinematic intimacy.
Mitsuomi Kozuka quits his job due to his boss. He decides to return to his hometown for the first time in 10 years. The town is located in the countryside. There, Mitsuomi Kozuka meets Yamato Kumai. Yamato Kumai is the stepson of old man Kumai. The old man runs a farm near the home of Mitsuomi Kozuka's parents.
A gay man's worldview is challenged by the arrival of an unexpected guest at his brother's bachelor party.
The drug-induced utopias of four Coney Island residents are shattered when their addictions run deep.