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***Disturbing iconic slasher about a demented family in rural Texas*** After a van of young people picks up a psycho hitchhiker in east Texas they stumble upon a farm house of crazies, including a burly mute man with a mask made of human-skin. Tobe Hooper’s "The Texas Chainsaw Massacre" (1974) is a seminal, iconic slasher that’s genuinely disturbing and horrific because it plays out in a gritty, realistic manner. While some viewers might find a couple of scenes amusing, like Franklin in his wheelchair accidently rolling down the hill and, later, having a hammy fit in the dilapidated building, it doesn’t change the fact that this is a serious, unsettling horror flick. By contrast, Rob Zombie’s homage (or rip-off), “House of 1000 Corpses” (2003), wasn’t disturbing or horrific at all because he opted for an over-the-top, cartoony approach. It was colorful and amusing, yes, but not unsettling or horrifying. Other positives include the rural locations, cool nighttime sequences, e.g. the thorn bush, and the effectively photographed women with no raunch: Teri McMinn (Pam) and Marilyn Burns (Sally). They’re girl-next-door types, but alluring enough. So this is a standout film as far as serious slasher horror goes and I can understand those who give it a high rating, but horror movies are about more than just scaring & troubling the viewer. For me, the last act is overly one-dimensional, focusing too much on the eye-rolling demonic dirtbag family and a girl fleeing & screaming. It’s thoroughly manic, indeed, but also vacuous and uninspiring. The film runs 1 hour, 23 minutes; there’s also an 88 minute unrated version. It was shot in east Texas as follows: Round Rock (house), Bastrop (gas station/BBQ shack), Leander (cemetery) and Watterson (slaughterhouse). The house has since been moved to Kingsland and refurbished as a restaurant. GRADE: B-/C+
It's maybe not fair to appraise a film 50 years after it was made too harshly, but I found this really quite over-rated and annoying. Five travellers pick up an hitch-hiker in their van but quickly discover that he has a penchant for knives and, well he isn't quite the full shilling. Anyway they manage to get shot of him and arrive at a garage that has no petrol near the grave of the grandfather of the wheelchair-bound "Franklin" (Paul A. Partain) and his sister "Sally" (Marilyn Burns) who are travelling with her boyfriend "Jerry" (Allan Danziger) and friends "Kirk" (William Vail) and his girlfriend "Pam" (Teri McMinn). It's the latter two who set of for a swim and never come back. Concerned, "Jerry" goes off in search before, yep - the other two head off into the desert in the dark to see what's what. Pretty early on, we know just what has happened to the first pair and so fully expect the expected... Except, it doesn't quite pan out quite how we might anticipate - else how we could we ever have known about this story? It's all about the last twenty minutes and even then I found it all rather flat and noisy. Way too much of the sense of peril here comes from endless screaming, running about in the bushes in the dark and the behaviour of visitors who just haven't a clue about basic self-preservation. Who would set off into unknown terrain in pitch dark pushing a bloke in a wheelchair after three of their friends had gone missing? Once we meet the perpetrators, again it all just comes across as something that wouldn't look out of place in a Carry On film made in the Hammer House of Horrors - there isn't an hint of menace at any point amongst the faux gore and crescendo hysterics. It's clearly been made on a tiny budget and the production standards reflect that - the continuity is a bit of a joke with wounds that are there then not or windows that self-repair... Nope, perhaps I just wasn't in the mood but I found this really quite disappointing and funny - but not really in a good way.
**One of the best and most fascinating horror movies ever made.** Just as the title says it, it is wihout any doubt one of the best and most influential horror films ever made. Its production history is also quite fascinating. If you are into horror or slasher movies, you simply have to have seen and experienced it. Nuff said.
Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepared for the madness that lurks within.
Shaun lives a supremely uneventful life, which revolves around his girlfriend, his mother, and, above all, his local pub. This gentle routine is threatened when the dead return to life and make strenuous attempts to snack on ordinary Londoners.
When a Sumatran rat-monkey bites Lionel Cosgrove's mother, she's transformed into a zombie and begins killing (and transforming) the entire town while Lionel races to keep things under control.
In 1979, a group of college students find a Sumerian Book of the Dead in an old wilderness cabin they've rented for a weekend getaway.
Ash Williams and his girlfriend Linda find a log cabin in the woods with a voice recording from an archeologist who had recorded himself reciting ancient chants from "The Book of the Dead." As they play the recording an evil power is unleashed taking over Linda's body.
Ash, a handsome, shotgun-toting, chainsaw-armed department store clerk, is time warped backwards into England's Dark Ages, where he romances a beauty and faces legions of the undead.
A circus' beautiful trapeze artist agrees to marry the leader of side-show performers, but his deformed friends discover she is only marrying him for his inheritance.
During an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia SWAT team members, a traffic reporter, and his television-executive girlfriend seek refuge in a secluded shopping mall.
A group of survivors take refuge in a shopping mall after the world is taken over by aggressive, flesh-eating zombies.
Fifteen years after murdering his sister on Halloween Night 1963, Michael Myers escapes from a mental hospital and returns to the small town of Haddonfield, Illinois to kill again.
First-time father Henry Spencer tries to survive his industrial environment, his angry girlfriend, and the unbearable screams of his newly born mutant child.