Aftermath 2024 - Movies (Nov 28th)
Greedy People 2024 - Movies (Nov 28th)
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Anthony Jeselnik Bones and All 2024 - Movies (Nov 26th)
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Smoggie Queens - (Nov 28th)
Bangers and Cash- Restoring Classics - (Nov 28th)
Emergency - (Nov 28th)
Second Chance Stage - (Nov 28th)
Holidazed - (Nov 28th)
Tyler Perrys Sistas - (Nov 28th)
Letters and Numbers - (Nov 28th)
The Chase Australia - (Nov 28th)
Taronga- Whos Who In The Zoo - (Nov 28th)
The Chase - (Nov 28th)
Return to Las Sabinas - (Nov 28th)
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Love Island Australia - (Nov 28th)
Big Freedia Means Business - (Nov 28th)
Gangland Chronicles - (Oct 1st)
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Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
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***Disturbing iconic slasher about a demented family in rural Texas*** After a van of young people picks up a psycho hitchhiker in east Texas they stumble upon a farm house of crazies, including a burly mute man with a mask made of human-skin. Tobe Hooper’s "The Texas Chainsaw Massacre" (1974) is a seminal, iconic slasher that’s genuinely disturbing and horrific because it plays out in a gritty, realistic manner. While some viewers might find a couple of scenes amusing, like Franklin in his wheelchair accidently rolling down the hill and, later, having a hammy fit in the dilapidated building, it doesn’t change the fact that this is a serious, unsettling horror flick. By contrast, Rob Zombie’s homage (or rip-off), “House of 1000 Corpses” (2003), wasn’t disturbing or horrific at all because he opted for an over-the-top, cartoony approach. It was colorful and amusing, yes, but not unsettling or horrifying. Other positives include the rural locations, cool nighttime sequences, e.g. the thorn bush, and the effectively photographed women with no raunch: Teri McMinn (Pam) and Marilyn Burns (Sally). They’re girl-next-door types, but alluring enough. So this is a standout film as far as serious slasher horror goes and I can understand those who give it a high rating, but horror movies are about more than just scaring & troubling the viewer. For me, the last act is overly one-dimensional, focusing too much on the eye-rolling demonic dirtbag family and a girl fleeing & screaming. It’s thoroughly manic, indeed, but also vacuous and uninspiring. The film runs 1 hour, 23 minutes; there’s also an 88 minute unrated version. It was shot in east Texas as follows: Round Rock (house), Bastrop (gas station/BBQ shack), Leander (cemetery) and Watterson (slaughterhouse). The house has since been moved to Kingsland and refurbished as a restaurant. GRADE: B-/C+
It's maybe not fair to appraise a film 50 years after it was made too harshly, but I found this really quite over-rated and annoying. Five travellers pick up an hitch-hiker in their van but quickly discover that he has a penchant for knives and, well he isn't quite the full shilling. Anyway they manage to get shot of him and arrive at a garage that has no petrol near the grave of the grandfather of the wheelchair-bound "Franklin" (Paul A. Partain) and his sister "Sally" (Marilyn Burns) who are travelling with her boyfriend "Jerry" (Allan Danziger) and friends "Kirk" (William Vail) and his girlfriend "Pam" (Teri McMinn). It's the latter two who set of for a swim and never come back. Concerned, "Jerry" goes off in search before, yep - the other two head off into the desert in the dark to see what's what. Pretty early on, we know just what has happened to the first pair and so fully expect the expected... Except, it doesn't quite pan out quite how we might anticipate - else how we could we ever have known about this story? It's all about the last twenty minutes and even then I found it all rather flat and noisy. Way too much of the sense of peril here comes from endless screaming, running about in the bushes in the dark and the behaviour of visitors who just haven't a clue about basic self-preservation. Who would set off into unknown terrain in pitch dark pushing a bloke in a wheelchair after three of their friends had gone missing? Once we meet the perpetrators, again it all just comes across as something that wouldn't look out of place in a Carry On film made in the Hammer House of Horrors - there isn't an hint of menace at any point amongst the faux gore and crescendo hysterics. It's clearly been made on a tiny budget and the production standards reflect that - the continuity is a bit of a joke with wounds that are there then not or windows that self-repair... Nope, perhaps I just wasn't in the mood but I found this really quite disappointing and funny - but not really in a good way.
**One of the best and most fascinating horror movies ever made.** Just as the title says it, it is wihout any doubt one of the best and most influential horror films ever made. Its production history is also quite fascinating. If you are into horror or slasher movies, you simply have to have seen and experienced it. Nuff said.
Hedonist Frank Cotton finds a mysterious puzzle box that summons the Cenobites, who open the doors to a dominion where pain and pleasure are indivisible.
Beautiful Mandy Lane isn't a party girl but, when classmate Chloe invites the Texas high school student to a bash in the countryside, she reluctantly accepts. After hitching a ride with a vaguely scary older man, the teens arrive at their destination. Partying ensues, and Mandy's close pal, Emmet, keeps a watchful eye on the young males making a play for Mandy. Then two of the students are murdered.
A young boy stays with his aunt and uncle, and befriends his cousin who's the same age. But his cousin begins showing increasing signs of psychotic behavior.
In a near-future world where petty thieves use the dark web to coordinate robberies, a destitute burglar is confronted with a malevolent presence in an apartment she found online.
A teenage boy and his friends face off against a mysterious grave robber, known only as the Tall Man, who employs a lethal arsenal of unearthly weapons.
In Germany, as graduate student Katie Armstrong researches cannibal killer Oliver Hagen for her thesis, she becomes obsessed with her subject and ultimately plunges into a lifestyle similar to Hagen's and the thousands of people like him.
When a comet passes close to the earth, machines all over the world come alive and go on homicidal rampages. A group of people at a desolate truck stop are held hostage by a gang of homicidal 18-wheelers. The frightened people set out to defeat the killer machines ... or be killed by them.
An invisible entity haunts a 19th century family, and family secrets soon begin to surface. Based on the true events of the only case in US History where a spirit caused the death of a man.
George Lutz, his wife Kathy, and their three children have just moved into a beautiful, and improbably cheap, Dutch colonial mansion nestled in the sleepy coastal town of Amityville, Long Island. However, their dream home is concealing a horrific past and soon each member of the Lutz family is plagued with increasingly strange and violent visions and impulses.
When a motley crew of strangers find themselves trapped in an isolated tavern, they must band together in a battle for survival against a family of flesh-hungry creatures.