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Middle tier A&C picture boosted by Karloff's looming presence. Abbott and Costello Meet Dr. Jekyll and Mr. Hyde is directed by Charles Lamont and loosely based on the novel The Strange Case of Dr. Jekyll and Mr. Hyde written by Robert Louis Stevenson. It stars Bud Abbott, Lou Costello and Boris Karloff. Plot finds Bud and Lou as two coppers in old time London who become involved with the hunt for a monstrous killer. A hunt that brings them into contact with the mysterious Dr. Jekyll. It would be the fourth from last movie the popular comedy duo would make together, and the latest to see them paired with a famous monster from 30's cinema. Although it's a touch weak in the comedy stakes, and it does kind of feel like they are winding down after such a fruitful career, the film holds up well as a polished picture. The writers have varied the Jekyll & Hyde legend by actually having Jekyll himself be evil, wonderfully essayed by Karloff, and a couple of sequences are genuinely laugh out loud funny: think mouse head, think hypodermic needle; while the involvement of the Suffragettes in the story gives it some historical interest. It's also good on atmosphere, be it the moody streets of London, or Costello alone in a wax museum, Lamont and photographer George Robinson give it a creepy veneer before the anarchy breaks out. Unlikely to encourage new fans to their work, but a safe addition for those who enjoy the majority of their output. 7/10
In late-1970s suburban London, Chris and Marion have settled into a comfortable yet all-too-predictable middle-class existence. Chris receives an unexpected visit from his free-spirited friend Toni, a reunion that reminds him of a more carefree time in 1960s Paris. Now, with lingering doubts about his marriage bubbling up, Chris must make the choice between revisiting his youthful abandon with Toni or facing the here and now with Marion.
International terrorists attempt to kidnap a wealthy couple's child. Their plan comes unstuck when a deadly Black Mamba, sent by mistake instead of a harmless snake, escapes and the terrorists and several hostages are trapped in the boy's London home.
In foggy London Dr Jekyll experiments on newly deceased women determined to discover an elixir for immortal life. Success enables his spectacular transformation into the beautiful but psychotic Sister Hyde who stalks the dark alleys of Whitechapel for young, innocent, female victims, ensuring continuation of the bloodstained research. With each transformation Sister Hyde becomes the more dominant personality, determined to eventually suppress the frail, ineffectual Dr Jekyll forever.
A boy's Bar Mitzvah looks set to be a disaster when it coincides with the 1966 World Cup Final.
Jane is the subject of a twisted science experiment where she is placed in a parallel world and is forced to find a way to either alter her reality or be stuck in a time-loop, destined to repeat the same test over and over again, with no memory of her doing it before. But with each 'reset' she starts to retain fragments of memory. With clues pointing to the mysterious Wytness Quantum Research Centre, she tries to find a way out. (The film was shot entirely on an iPhone during the UK’s first lockdown.)
A psychiatrist treats a woman who is convinced that she turns into a killer leopard because of a family curse.
Greedy heirs wait in a mansion for a rich cat lover to die, only to learn her cats come first.
Stephen Poliakoff's parody of the spy-thriller genre. A Russian diplomat becomes convinced that he is at the centre of a Foreign Office plot.
Leaving their hometown of Fulchester in the North of England, Sandra and Tracey head for the bright lights of London, shagging and boozing their way to fame and fortune.
