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We are here for the same reason you are. "Warning: Spoilers" Children Of The Damned is directed by Anton M. Leader and written by John Briley. It's a thematic sequel to Village Of The Damned from 1960 which was based on the novel written by John Wyndham. Plot finds 6 children identified by UNESCO to have special powers that if used in unison could have devastating consequences for mankind. Interesting and atmospheric if ultimately lukewarm as a whole. Retreading the plot from the superior first film, it's amazing that this take actually has very little to do with the 1960 darling. Confused? Well you wont be watching this since it's very talky and the makers are intent on making us listen. Listen to some moral quandaries, Cold War politics and even a touch of existentialism. All nicely wrapped around 6 not very creepy kids who actually aren't very evil at all. The acting is fine, notably the taut turns from Ian Hendry and Alan Badel, while David Boulton's black & white photography carries a suitable bleakness to it. Well made but all too often dull; where Briley's script isn't as clever as it wants to be, the film is mostly saved by some technical smarts and a boldly gloomy ending. 5/10
When larcenous real estate clerk Marion Crane goes on the lam with a wad of cash and hopes of starting a new life, she ends up at the notorious Bates Motel, where manager Norman Bates cares for his housebound mother.
London, 1929. Frank Webber, a very busy Scotland Yard detective, seems to be more interested in his work than in Alice White, his girlfriend. Feeling herself ignored, Alice agrees to go out with an elegant and well-mannered artist who invites her to visit his fancy apartment.
A hack screenwriter writes a screenplay for a former silent film star who has faded into Hollywood obscurity.
It's a dreary Christmas 1944 for the American POWs in Stalag 17 and the men in Barracks 4, all sergeants, have to deal with a grave problem—there seems to be a security leak.
The mysterious Count Orlok summons Thomas Hutter to his remote Transylvanian castle in the mountains. The eerie Orlok seeks to buy a house near Hutter and his wife, Ellen. After Orlok reveals his vampire nature, Hutter struggles to escape the castle, knowing that Ellen is in grave danger. Meanwhile Orlok's servant, Knock, prepares for his master to arrive at his new home.
Terry Malloy is a kindhearted dockworker, and former boxer, who is tricked by his corrupt bosses into leading his friend to death. After falling in love, he tries to leave the waterfront and expose his employers.
Jeff Bailey seems to be a mundane gas station owner in remote Bridgeport, California. He is dating local girl Ann Miller and lives a quiet life. But Jeff has a secret past, and when a mysterious stranger arrives in town, Jeff is forced to return to the dark world he had tried to escape.
Michel takes up pickpocketing on a lark and is arrested soon after. His mother dies shortly after his release, and despite the objections of his only friend, Jacques, and his mother's neighbor Jeanne, Michel teams up with a couple of petty thieves in order to improve his craft. With a police inspector keeping an eye on him, Michel also tries to get a straight job, but the temptation to steal is hard to resist.
Manhattan explores how the life of a middle-aged television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.
A disturbed, aging Southern belle moves in with her sister for solace — but being face-to-face with her brutish brother-in-law accelerates her downward spiral.
From the moment she glimpses her idol at the stage door, Eve Harrington is determined to take the reins of power away from the great actress Margo Channing. Eve maneuvers her way into Margo's Broadway role, becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend, her playwright and his wife. Only the cynical drama critic sees through Eve, admiring her audacity and perfect pattern of deceit.