Forgive Me Father 2024 - Movies (Dec 2nd)
Juror #2 2024 - Movies (Dec 2nd)
The Final Days of Adolf Hitler 2024 - Movies (Dec 1st)
Once Upon a Time in Amityville 2024 - Movies (Dec 1st)
The Desiring 2024 - Movies (Dec 1st)
My Nanny Stole My Life - Movies (Dec 1st)
Princess Halle and the Jester 2024 - Movies (Dec 1st)
Route 60 The Biblical Highway 2023 - Movies (Dec 1st)
Believe in Christmas 2024 - Movies (Dec 1st)
Holiday Touchdown A Chiefs Love Story 2024 - Movies (Dec 1st)
Heightened 2023 - Movies (Oct 2nd)
Sebastian 2024 - Movies (Oct 2nd)
Knox Goes Away 2023 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Aiden 2024 - Movies (Nov 30th)
A Good Enough Day 2024 - Movies (Nov 30th)
Bringing Christmas Home 2023 - Movies (Nov 30th)
Never Let Go 2024 - Movies (Nov 30th)
Music Box Yacht Rock A DOCKumentary 2024 - Movies (Nov 30th)
Joker Folie à Deux 2024 - Movies (Nov 30th)
Yellowstone Wardens - (Dec 2nd)
Holiday Wars - (Dec 2nd)
Sorry, I Didnt Know - (Dec 2nd)
Mark McKinney Needs a Hobby - (Dec 2nd)
Yellowstone - (Dec 2nd)
Homestead Rescue - (Dec 2nd)
90 Day Fiance- Before the 90 Days - (Dec 2nd)
Dune- Prophecy - (Dec 2nd)
Im a Celebrity... Unpacked - (Dec 1st)
The Equalizer - (Dec 1st)
Have I Got a Bit More News for You - (Dec 1st)
Highland Cops - (Dec 1st)
Martin Scorsese Presents- The Saints - (Dec 1st)
Countryfile - (Dec 1st)
Strictly Come Dancing- It Takes Two - (Dec 1st)
Saturday Kitchen Best Bites - (Dec 1st)
Sunday Brunch - (Dec 1st)
Face Jams Truckd Up - (Dec 1st)
Girl Meets Farm - (Dec 1st)
Lucky - (Dec 1st)
Devastating. Crazy to see Adele Exarchopoulos so young. You'll never hear the sound of a donkey braying the same way again
The novice actor Anne Wiazemsky is really effective as "Marie", a young woman who has shared most of her life with her donkey "Baltahzar". Initially her childhood pet, this creature has spent much of his life as the victim of inhumane treatment at the hands of subsequent owners - including her rather wretched boyfriend "Gérard" (François Lafarge) - that in may ways mirrors her own mistreatment and unhappiness. Unlike the human beings, though, "Balthazar" cannot communicate his feelings - he must quite literally just grin and bear it as he is used as a beast of burden, exposed to all weathers and generally neglected. Robert Bresson uses this scenario to compare and contrast the treatment of this animal with the way people treat each other - generous and engaging when they want something; brutal and selfish when they have or don't want it any more. This film offers us a depressing, yet curiously uplifting at times, view of the fickleness of youth and the intolerance of age - subtly. The dialogue is curiously aloof - almost superfluous as the story and their intertwined lives advance with an inevitability as certain and life and death itself. The photography is lingering and intimate, the pace gentle and it's touching. It is also real and gritty and plausible - and certainly a film that leaves you thinking.
Mia has locked herself inside her recently deceased mother's rundown, crumbling house. Armed with a litany of books detailing ancient cultures and rituals, she tries desperately to reach out to the other side and speak to her mother. But when she succeeds, she gets more than she bargained for. Waiting alongside her mother is something monstrous, something that Mia recognises instantly. As she tries to survive the night and escape the ritual alive, Mia is forced to confront a variety of evils - ones from both without, and from within.
Brimming with action while incisively examining the nature of truth, "Rashomon" is perhaps the finest film ever to investigate the philosophy of justice. Through an ingenious use of camera and flashbacks, Kurosawa reveals the complexities of human nature as four people recount different versions of the story of a man's murder and the rape of his wife.
When a beautiful young Grace arrives in the isolated township of Dogville, the small community agrees to hide her from a gang of ruthless gangsters, and, in return, Grace agrees to do odd jobs for the townspeople.
Anaïs is twelve and bears the weight of the world on her shoulders. She watches her older sister, Elena, whom she both loves and hates. Elena is fifteen and devilishly beautiful. Neither more futile, nor more stupid than her younger sister, she cannot understand that she is merely an object of desire. And, as such, she can only be taken. Or had. Indeed, this is the subject: a girl's loss of virginity. And, that summer, it opens a door to tragedy.
20 volunteers agree to take part in a seemingly well-paid experiment advertised by the university. It is supposed to be about aggressive behavior in an artificial prison situation. A journalist senses a story behind the ad and smuggles himself in among the test subjects. They are randomly divided into prisoners and guards. What seems like a game at the beginning soon turns into bloody seriousness.
Wounded Civil War soldier John Dunbar tries to commit suicide—and becomes a hero instead. As a reward, he's assigned to his dream post, a remote junction on the Western frontier, and soon makes unlikely friends with the local Sioux tribe.
During the final weeks of a presidential race, the President is accused of sexual misconduct. To distract the public until the election, the President's adviser hires a Hollywood producer to help him stage a fake war.
"The Hours" is the story of three women searching for more potent, meaningful lives. Each is alive at a different time and place, all are linked by their yearnings and their fears. Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.
Mateson gets divorced from Atisak after she finds out he has a mistress. When trying to make a living supporting herself and her daughter Pheung, she gets involved with a drug gang, and she and her daughter gets raped by the gang. She then goes on an atrocious killing spree seeking revenge leading her into madness.
A pragmatic U.S. Marine observes the dehumanizing effects the U.S.-Vietnam War has on his fellow recruits from their brutal boot camp training to the bloody street fighting in Hue.
Oskar Matzerath is a very unusual boy. Refusing to leave the womb until promised a tin drum by his mother, Agnes, Oskar is reluctant to enter a world he sees as filled with hypocrisy and injustice, and vows on his third birthday to never grow up. Miraculously, he gets his wish. As the Nazis rise to power in Danzig, Oskar wills himself to remain a child, beating his tin drum incessantly and screaming in protest at the chaos surrounding him.