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MORE REVIEWS @ https://www.msbreviews.com/ "All the Old Knives holds an extraordinary cast and an interesting premise, but Janus Metz's uninspired execution turns a movie with immense potential into yet another generic work with little replay value. Chris Pine and Thandiwe Newton shine as the protagonists, and their astonishing chemistry transforms a simple dinner into the most captivating storyline of the entire narrative. However, the constant shifts between different timelines and distinct perspectives withdraw energy, pacing, and focus from Olen Steinhauer's decent screenplay. Furthermore, Laurence Fishburne and Jonathan Pryce are criminally underused. It's far from being a non-recommended flick, but it leaves a somewhat bitter feeling by the end." Rating: C
The scene is set in a fine restaurant where "Pelham" (Chris Pine) and ex-girlfriend "Celia" (Thandiwe Newton) and sharing some wine and considering who betrayed them many years earlier when their CIA operation around the hijacking of an airliner in Vienna went wrong. Ostensibly, "Pelham" is leading an investigation into the identity of the mole - it could be either of them, for all we know, or it could be their boss "Compton" (Sir Jonathan Pryce)... Sadly, though, John Le Carré this isn't. The narrative uses Pine's character as the conduit to interrogate all the potential suspects, and sadly that drags us into the solidly melodramatic aspects of his relationship with "Celia". On the plus side, that allows him to do what he has been trying to do ever since "Star Trek" (2009) - get his ass out on screen, but otherwise it is a terribly slowly paced affair. The espionage elements are largely subsumed into the relationship drama and frankly, neither Pine nor Newton have much to do in this dialogue heavy drudge of a film. It looks good, the production has a style to it; but quite simply not enough happens to keep it stimulating, the soporific lighting starts to take effects and after about 45 minutes I was really quite bored with it all. The ending is quite quirky, but it was all too little too late for me.
The close-knit community of Brackenmore is harboring a secret. After the untimely death of an uncle she never knew she had, Kate (Sophie Hopkins) is forced to return to her ancestral home, a tiny rural village in the South of Ireland. Soon after her arrival she meets Tom (D.J. McGrath), a mysterious young local who helps her to rediscover her long-neglected roots and forget about the anxieties of her life in London. The longer Kate stays in Brackenmore, the more she begins to realize that the eccentricities of its self-protective residents, may be more ominous than she first thought and the secluded family estate is harboring a dark and ancient secret. From the opening scenes of a fateful car crash to the shocking ending Brackenmore weaves its ways under your skin shifting between classic horror to the mysteries of the occult. Cinematographer Justin McCarthy keeps a steady hand as he captures the silent fear that begins to grow as Hopkins uncovers the dark horror that is Brackenmore.
Jack Shaw has experienced the terror first-hand. He's a top CIA agent who's tracked international killer-for-hire Carlos "The Jackal" Sanchez for over twenty years and barely survived Carlos' devastating bombing of a Parisian cafe. Now, he finally gets a break when he discovers Carlos' dead ringer: American naval officer and dedicated family man Annibal Ramirez.
Photographer Elliot Slater has inadvertently snapped the only existing photos of elusive jewel thief Omar. When Elliot leaves for a private vacation on an S&M island, he is followed by Omar, Omar's partner, Nina, and undercover police officers Fred and Sheila. Unaware of the number of people chasing him, Elliot enjoys his stay at the resort, and finds himself falling in love with head dominatrix Lisa.
Army psychiatrist Colonel Kane is posted to a secluded gothic castle housing a military asylum. With a reserved calm, he indulges the inmates' delusions, allowing them free rein to express their fantasies.
A man on the run takes another man's passport, only to find himself stuck with the identity of a street hustler.
Roustabout Stanton Carlisle joins a traveling carny and unsuccessfully schemes to figure out the mind-reading act of Mademoiselle Zeena and her alcoholic husband, Pete.
Palermo, Sicily, 1984. Examining magistrate Giovanni Falcone allies with Tomasso Buscetta, a former mobster, to defeat the clan of Corleone, the ruthless Mafia faction that rules Cosa Nostra with an iron hand, cruelly eliminating all those who dare to oppose its immense power: other criminals, policemen, judges, even innocent civilians. One of them wants revenge, the other wants justice. But only one can survive such an unequal fight.
Hakim Gregory escapes from prison by killing a number of guards, and returns to his hide-out abroad, to lead again his gang of drug trafficking and contract murders. Layton of the Secret Service must discover, and arrest him. The difficult mission almost becomes impossible with the rivalry of Layton's partner, Petula, the jealousy of his bride, Marion, the possible treachery of a Spanish woman, Dolores Arrabal, and yet a mysterious and sexy informant, Rosario... Too many women for Layton.
The CIA hears of a KGB scheme to assassinate the Soviet General Secretary and enlists Stoner, an agent retired for 10 years, to go to Russia to investigate. He verifies the plot, but then has trouble leaving the country. In the meantime, the U.S. policy makers struggle over whether or not to inform the Soviets of the plot. Stoner's problems are complicated by the renewal of an affair with Anna, a Russian, as he tries to convince her to defect.