Road Wars - (Jan 30th)
Perfect Match - (Jan 30th)
Family Feud Canada - (Jan 30th)
The Nature of Things - (Jan 30th)
Homes Under the Hammer - (Jan 30th)
Celebrity Help My House Is Haunted - (Jan 30th)
Are We Changing Planet Earth - (Jan 30th)
Body Bizarre - (Jan 30th)
The 11th Hour with Stephanie Ruhle - (Jan 30th)
Married at First Sight UK - (Jan 30th)
Bargain-Loving Brits in the Sun - (Jan 30th)
Live PD Presents- PD Cam - (Jan 30th)
Florida Heat - (Jan 30th)
Ozark Law - (Jan 30th)
Pawn Stars - (Jan 30th)
Dateline- Secrets Uncovered - (Jan 30th)
After Midnight - (Jan 30th)
Watch What Happens Live with Andy Cohen - (Jan 30th)
A League of Their Own - (Jan 30th)
Tipping Point Australia - (Jan 30th)
Sam Schmidt lived out his boyhood dream as an IndyCar racer, winning races and earning the title of IndyCar "Rookie of the Year" along the way. That dream came to an abrupt end when Sam crashed into a wall at 200 miles per hour, leaving him a quadriplegic. Reengineering SAM pulls the curtain back and shows up close the serious implications of a life of paralysis on Sam and everyone around him. Sam's accident rendered him physically helpless, never being able to brush his teeth, much less drive again, until a dedicated group of some of the brightest minds today stepped up to build him a car that he could drive, using only his head. Through groundbreaking adaptive technologies, Reengineering SAM chronicles Sam Schmidt's inspirational road back to the Indianapolis Motor Speedway and shows the promise of freedom and mobility for almost anyone confined to a wheelchair.
An examination of the how television news in the US has covered war from Vietnam to the present day
This short documentary tells the story of one of the world’s most difficult and bizarre sporting events: The Barkley Marathons. This 100-mile footrace and its 60-hour time limit force athletes to run, crawl and climb an elevation gain equivalent to two treks up Mt. Everest. In nearly thirty years, only fourteen runners, out of over one thousand participants, have finished The Barkley.
Appalachian Journey is one of five films made from footage that Alan Lomax shot between 1978 and 1985 for the PBS American Patchwork series (1991). It offers songs, dances, stories, and religious rituals of the Southern Appalachians. Preachers, singers, fiddlers, banjo pickers, moonshiners, cloggers, and square dancers recount the good times and the hard times of rural life there. Performers include Tommy Jarrell, Janette Carter, Ray and Stanley Hicks, Frank Proffitt Jr., Sheila Kay Adams, Nimrod Workman and Phyllis Boyens, Raymond Fairchild, and others, with a bonus of a few African-Americans from the North Carolina Piedmont.
A short film about Pete Seeger and the birth of banjo music throughout the Southern United States.
A documentary about special makeup effects on low budget horror films. Includes behind-the-scenes footage from Murder Weapon (1989), Robot Ninja (1989), Ghoul School (1990) and Skinned Alive (1990).
Channel 4 documentary Britain's Racist Election follows the controversial 1964 Smethwick election battle between Peter Griffiths and Gordon Walker, fought on grounds of racial denomination
Gender Me is a road movie about Mansour’s voyage into the world of Islam. It is a personal odyssey through a world of taboos, filled with contradictory images. He explores questions regarding faith and gender in Islam with a special focus on the unusual stories of Muslim gays. Mansour is a homosexual Iranian refugee who has been living in Oslo for the past 18 years where he works as a pharmacist. Now he wants to travel back to Istanbul, where he lived for two years before he was granted asylum in Norway.
A documentary that explores the challenges that a life in music can bring.
Composed entirely of still photographs shot by Marker himself over the course of his restless travel through twenty-six countries, If I Had Four Dromedaries stages a probing, at times agitated, search for the meanings of the photographic image, in the form of an extended voiceover conversation and debate between the "amateur photographer" credited with the images and two of his colleagues. Anticipating later writings by Roland Barthes and Susan Sontag (who professed her admiration for the film) If I Had Four Dromedaries reveals Marker's instinctual understanding of the secret rapport between still and moving image.