To Hear Your Banjo Play

Documentary about the inhabitants, both human and animal, of the Belgian Congo. Released in 1958.

Unustatud rahvad (1970 - 1989) by Estonian composer Veljo Tormas is based upon six Balto-Finnic peoples traditions. Collegium Musicale choir brought the songs to different sides of Baltic coasts to liven current citizens connections for fleeting past and strengthen their identity.

Second Chance tells a story of Ukrainian orphaned children and the Canadian volunteers who spend their summers working along side them. The film follows first time volunteer and filmmaker, Adriana Luhovy, as she learns about the children and becomes witness to their strengths and resilience. Converging in Yaremche in the Carpathian Mountains of Ukraine, over 500 orphaned children come together from all over the country. At first quiet and fearful, they learn to trust one another and their counsellors. By countering heartbreaking statistics - 60% of orphaned girls are trafficked within the first year of leaving the orphanage; 50% of boys end up in jail; 10% commit suicide - the volunteers are dedicated to making a difference in the lives of orphaned Ukrainian children.

'A Mediocre Time' with Tom and Dan' was becoming a hit podcast...until big radio made them shut it down. Now, after quitting their terrestrial radio jobs and making the podcast a career, they will embark on their biggest event yet: showcasing their podcast at the Hard Rock Live!

In Neon, Bednarski recounts the history of Warsaw's neon signs from the pre-War period to modern times. He creates an overview of the neon signs which illuminated streets of Warsaw before the Second World War, depicts the use and role of neon signs in the times of social realism in the context of history and politics, and describes what has happened to them since 1989.

The second of two coproductions by the British Broadcasting Corporation and the National Film Board of Canada, People of the Seal, Part 2: Eskimo Winter is compiled from some of the most vivid footage ever filmed of the life of the Netsilik Inuit in the Pelly Bay region of the Canadian Arctic. Together, the two films provide insight and understanding of a culture now almost vanished, as they show the incredible resourcefulness of the Netsilik (People of the Seal) who have adapted to one of the world's harshest environments. Part 2: Eskimo Winter shows how Inuit families gather in communities on the sea ice to harpoon seal as they come up through breating holes in the ice. Also seen is the mid-winter season, a time of intense socializing in the communal igloo, with games, contests and ceremonial activities.

Folk-jazz composer/arranger Arthur Verocai was born in Rio de Janeiro. He has created challenging arragements and compositions for Brazilian artists Jorge Ben, Ivan Lins, Leny Andrade and Gal Costa. In 1972 Verocai recorded a self-titled solo LP. It is a stunningly innovative effort. It puts Verocai into a rarified field with the heavy string oriented music of Charles Stepney, David Axelrod and Frank Zappa. Released in a period marked by the Brazilian military government, the album fared poorly. Following its re-issue in 2003, the album has become a highly influential oft sampled classic (see Ludacris, MF Doom and Little Brother). The performance of this seminal 1972 record in its entirety brought the capacity Luckmann crowd to a stand still. According to Verocai, 'he had never played the record, alive or dead!' His delight can be seen on the DVD. The music has been mixed by Verocai himself in Rio. History turned on its head and musical justice served.

Eclat is a fascinating documentary about the work. We witness rehearsals by the Netherlands' Nieuw Ensemble, hear comments about the piece from the composer, conductor Ed Spanjaard and some of the musicians, and we see a full performance of the work. Eclat ("To burst out") is a beautiful example of the strangely lyrical pointillist style that Boulez had inherited from Anton von Webern. Aural pinwheels and shifting musical kaleidoscopes with stunning instrumental color is the only way to verbally describe what must be heard to be understood. This is definitely not for those who hate "modern" music. For those who respond to contemporary music, this piece is masterful and this film is a must-see!

Mama Wata is a goddess that provides Sierra Leone with riches. The waters of Goderich Bay, in Freetown, have been blessed with an abundance of fish. Idrissa, a local fisherman, and his neighbors know that the goddess looks over them; however, they must still battle against international commercial fishing boats, illegal fishing and drug traffickers. Sierra Leone, ranked as one of the world's poorest countries by the UN, lacks an education system, health facilities and suffers from staggering unemployment. The Children of Mama Wata portrays the dignity and faith and the day-to-day lives of the inhabitants of Goderich.

There are very few icons in Argentine culture capable of appealing to both popular and elitist tastes. Leonardo Favio was undoubtedly one of them. An unseasonable Peronist attached to the liturgy of his land, the director, born in the province of Mendoza, was and artist at every craft. a Renassaince man, but above all, a filmmaker. This is how "Favio: Chronicle of a Director" recaptures him, as a man of film who fed from radio, acting, music and painting in order to build up the handful of rhapsodies with which he adorned argentinean cinematography