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Despite trying to keep his swashbuckling to a minimum, a threat to California's pending statehood causes the adventure-loving Don Alejandro de la Vega and his wife, Elena, to take action.
A newly arrived governor finds his province under the control of the corrupt Colonel Huerta. To avoid assassination by Huerta, he pretends to be weak and indecisive so Huerta will believe he poses no threat. But secretly he masquerades as Zorro, and joins the monk Francisco and the beautiful aristocrat Hortensia in their fight for justice against Huerta and his soldiers.
Around 1820 the son of a California nobleman comes home from Spain to find his native land under a villainous dictatorship. On the one hand he plays the useless fop, while on the other he is the masked avenger Zorro.
Zorro aids an American gun-runner in his effort to supply arms to Mexican revolutionaries in their effort to overthrow Emperor Maximillian.
A bizarre Mexican film in which a Zorro confronts horror creatures. It is part of a series characterised by hybrid elements of this kind.
Don Diego Vega pretends to be an indolent fop as a cover for his true identity, the masked avenger Zorro. Preserved by the Academy Film Archive in 2012.
It has been twenty years since Don Diego de la Vega fought Spanish oppression in Alta California as the legendary romantic hero, Zorro. Having escaped from prison he transforms troubled bandit Alejandro into his successor, in order to foil the plans of the tyrannical Don Rafael Montero who robbed him of his freedom, his wife and his precious daughter.
In Old Calfiornia, an unscrupulous adventurer massacre Indians in order to find an ancient (and precious) talisman they are supposed to hide. Zorro will be on the rescue to protect both the pioneers and the Indians. This adventure has very little in common with the traditional swashbuckling backstage of Zorro's films but many elements of a western film.
