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Perhaps best known as the film that Jessica Chastain’s role was cut from, Xavier Dolan’s upcoming drama is still plenty star-studded, featuring a cast that includes Natalie Portman, Jacob Tremblay, Thandie Newton, Susan Sarandon, and Kit Harington. Though little is truly known about the project — only a single 17-second teaser trailer has been released — it’s described as a reminiscence on the life and death of an American TV star (Kit Harington), as told through his then 11-year-old pen pal (Jacob Tremblay)
You can see Xavier Dolan reaching for something grand with this film, a bigger story than he has ever attempted before and even more romantic questions of identity and self, but while one of the problems of 'The Death and Life of John F. Donovan' is that there are too many questions being asked, it doesn't mean that any of them aren't worth asking. This is still a Xavier Dolan film, and for all the right reasons, even down to his continuing dissection of the complex relationships between mothers and sons, and when he has sure footing, his flashes of spectacle in this film are really wonderful. He also connects so beautifully with his cast, with almost all of them in perfect step with him. This isn't a hidden masterpiece, but it also is nowhere near a disaster. It's an arresting misstep from a deeply passionate filmmaker who cares about every frame, who is trying for something genuine and honest, and yes, he chooses the framework of the privileged and the white, but these are (for all their problems) our modern mythical figures. To Rupert, John is a god, a superhero, an ideal to reach for, and the ultimate understanding of the film is that it is far more important to be human than iconic. In many ways, through his journey to discover that for himself, this is the gift that John gives Rupert in his letters. 'The Death and Life of John F. Donovan' will be a curiosity in the (hopefully long) career of this gifted filmmaker, and to be honest, a failed curiosity from Xavier Dolan is still a film worth every second. - Daniel Lammin Read Daniel's full article... https://www.maketheswitch.com.au/article/review-the-death-and-life-of-john-f-donovan-xavier-dolans-flawed-but-fascinating-english-language-debut
Like the perfect ending of a great film - that is the way filmmaker João describes the end of his 10-year relationship with Hugo. Despite breaking up, they remained best friends. However, reentering the dating scene brought a whirlwind of emotions, revealing that reality can’t be controlled like a movie script.
Praxis peels away the layers of narrative even as Brian, the film's axis, struggles to create his true self. Brian, a writer on the verge of a breakdown, is aided by Joe and an Elusive Woman as he sifts through the fragments of his persona to discover his true core. Fighting against fear and the indifference of society - aptly symbolized by the medical establishment - his quest reflects the classical mythos of Proteus and the human search for meaning in the universe.
An obsessive mother, on the verge of a nervous breakdown. A father, carefully blotted out from all the family photos and a dreadful child-psychiatrist with unconventional methods - This is the summary of young Hazel's life, secretly attracted to boys...
Far from his home country of Brazil, a gay man goes on a San Francisco adventure with his friends in order to find the right hookup.
Quadruplet siblings (two boys and two girls) played by Vice Ganda were separated after birth when their grandmother steals two of the siblings (a boy and a girl) away from their mother. The stolen siblings lived a comfortable life in the US, not knowing that their mother and siblings, a gay and a lesbian, struggled to make ends meet in the Philippines. When the boy develops hepatitis that requires him to have a liver transplant from a compatible donor, their father tells them about their siblings in the Philippines, who may be possible candidates as donors. But once the siblings finally meet, pent up resentment and animosity between the girl and the gay siblings, has threatened the chances of the boy sibling's survival.
Samuel, the last free-diving fisherman, has lived isolated in the island of La Aguja since he was abandoned by his wife and son 15 years ago. His life is disrupted when his son shows up now as Priscila, a transgender prostitute from the streets of Santa Marta, Colombia.
A transgender woman takes an unexpected journey when she learns that she had a son, now a teenage runaway hustling on the streets of New York.
Suzanne Stone wants to be a world-famous news anchor and she is willing to do anything to get what she wants. What she lacks in intelligence, she makes up for in cold determination and diabolical wiles. As she pursues her goal with relentless focus, she is forced to destroy anything and anyone that may stand in her way, regardless of the ultimate cost or means necessary.
During the final weeks of a presidential race, the President is accused of sexual misconduct. To distract the public until the election, the President's adviser hires a Hollywood producer to help him stage a fake war.
"The Hours" is the story of three women searching for more potent, meaningful lives. Each is alive at a different time and place, all are linked by their yearnings and their fears. Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.
A hack screenwriter writes a screenplay for a former silent film star who has faded into Hollywood obscurity.