Zorion perfektua

David Imaz had to flee from the Basque Country in the mid-seventies, repudiated by his people, accused of betrayal. Despite having found happiness in California, his past still weighs him down and the feeling of guilt prevents him from being able to settle down and peacefully enjoy the last days of his life. Joseba Altuna, his childhood friend, comes to say goodbye and to settle the score while he's at it. It's been a long time since they saw one another, but the time has come to face the truth.

Arián, a young Basque girl, idealistic but naive, joins a ruthless terrorist gang and, hoping to prove her commitment, volunteers to participate in the kidnapping of the daughter of an important businessman.

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

Basque Country, Spain, 2011. A young woman who intends to flee to France due to the turbulent political situation stops in Zubieta, a border town where ancient myths and modern problems converge.

Xabi, a troubled boy, meets Iñaki, a member of the terrorist gang ETA who becomes his mentor and ideological inspiration. Some time later, Xabi is arrested for throwing a Molotov cocktail and confined in a juvenile detention center, where he meets Joel, a Mexican, and Driss, a Moroccan, with whom he manages to flee and reach Madrid with the purpose of finding Iñaki and joining the gang.

The story of two men on different sides of a prison riot - the inmate leading the rebellion and the young guard trapped in the revolt, who poses as a prisoner in a desperate attempt to survive the ordeal.

Ion is a seemingly normal guy whose life goes by without a hitch. A phone call; a meeting with a friend; small, unimportant everyday situations. One day he gets into a car with two other people. They cross the border between Spain and France. The next morning, their lives will change forever.

It's 8 AM in a summer morning from the 70's. Jon, an ETA member, is being chased by the police in the Old Town of San Sebastian. While he runs, he revises his whole life.

Two journalists investigate the criminal activities of the GAL (Grupos Antiterroristas de Liberación), a secret terrorist organization founded in the eighties and financed by leading figures in the Spanish government and security forces to hunt down and exterminate both members and collaborators of the terrorist gang ETA.

Bilbao, Basque Country, 2001: a ruthless terrorist attack shatters the family of police officer Carlos Martínez. Barcelona, 2013: Carlos leaves Mariusz, a Polish immigrant, in charge of his daughter and, offering vague excuses, returns to the Basque Country and rents a house in Lekeitio, a small village by the sea.

The story unfolds in Bilbao. Rocío (Emma Suárez), is in love with Mario (Antonio Banderas), a free rider with a lot of face that, to top it all, is partner of the business of her father, Domingo (Francisco Rabal) with whom she maintains incestuous relations. When Domingo passes away, both Mario and Rocío's mother have to put to the front of the business, finishing with the inheritance that could receive Rocío. In the midst of her frustration, a young business worker, secretly in love with Rocío, will try to have the legacy of her father end up in the hands of his rightful heiress.