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Where did you get your luck, Valerie? Or does God pity the wicked? The Velvet Touch is directed by Jack Gage and collectively written by Leo Rosten, Walter Reilly, William Mercer and Annabel Ross. It stars Rosalind Russell, Leo Genn, Claire Trevor, Sydney Greenstreet and Leon Ames. Music is by Leigh Harline and cinematography by Joseph Walker. Ah, now then, is this a murder mystery in reverse? At the beginning we are shown the crime of murder, so we know the main character is guilty. The rest of the picture thrives on if Valerie Stanton (Russell) will either get caught by the law, own up, or become a victim of crime herself? The screenplay contains a flashback and that grand old devil of someone else being pegged for the murder. There's witticisms abound, with some wonderfully choice lines delivered with relish, while the cast turn in decent shows - Greenstreet doesn't show up till the 45 minute mark, but promptly waddles in and steals the film! Set to the background of the theatre it's unsurprising to find this is something of a theatrical drama rather than a film noir of the era. It has found its way into a couple of film noir reference books, without really being film noir as such. Certainly the photography is appealing to noir fans, and there's a dark passage of play that definitely comes out of noirville, but really it's a marginal entry. But hey! It's still a very good film that's recommended. 7/10
This is a very glamorous, but rather cyclical, drama about a theatrical impresario "Dunning" (Leon Ames) who discovers "Valerie Stanton" (Rosalind Russell) and turns her into a star of latter day stage equivalents of soap operas. Of course, there is their simultaneous romance that has long since lost it's sparkle and is now just the source of constant rancour between the two who now only need the other for financial reasons. Enter Walter Kingsford who offers her a much meatier part and Leo Genn as a British architect with whom she has actually fallen in love and the story builds to a rather predictable, messy, development. Up to this point, the on-off, up-down relationship/rivalry melodrama rather drags it all down a bit - despite Russell looking like the proverbial million dollars; and it is really only now with the arrival of Sydney Greenstreet as the deceptively charming investigating detective "Capt. Danbury" that the story becomes a little more interesting - he is a theatre buff, but can he see through the façade?
A struggling actress tries to help a friend prove his innocence when he's accused of murdering the husband of a high-society entertainer.
Based on Mariane Pearl's account of the terrifying and unforgettable story of her husband, Wall Street Journal reporter Danny Pearl's life and death.
Young Prince Nechljudov is summoned as a judge in a murder trial. A rich merchant was found dead in the room of the inn where he was staying and the prostitute Maslova was accused of the crime. Nechljudov recognizes in the woman the maid of the aunts he had seduced and abandoned years before and tries to convince the authorities of her of his innocence but to no avail. Convinced that he is responsible for her moral fall, he follows her to Siberia where she must serve her sentence.
A group of teenagers living in a housing project in the outskirts of Paris rehearse a scene from Marivaux's play of the same name. Krimo is determined not to take part, but after developing feelings for Lydia, he quickly assumes the main role and love interest in the play.
In occupied Paris, an actress married to a Jewish theater owner must keep him hidden from the Nazis while doing both of their jobs.
A young nurse, Alma, is put in charge of Elisabeth Vogler: an actress who is seemingly healthy in all respects, but will not talk. As they spend time together, Alma speaks to Elisabeth constantly, never receiving any answer.
During a writing slump, playwright J.M. Barrie meets a widow and her four children, all young boys—who soon become an important part of Barrie’s life and the inspiration that lead him to create his masterpiece. Peter Pan.
The Tudor Court is locked in a power struggle between its nobles and the Machiavellian Cardinal Wolsey, the King's first minister and the country's most conspicuous symbol of Catholic power. Wolsey's ambition knows no bounds and when his chief ally, Queen Katherine, interferes in the King's romance with Ann Bullen, he brings ruin upon himself, the Queen and centuries of English obedience to Rome.
Doctor Faustus is Christopher Marlowe's most renowned and controversial work. Famous for being the first dramatised version of the Faustus tale, the play depicts the sinister aftermath of Faustus's decision to sell his soul to the Devil's henchman in exchange for power and knowledge. In the first-ever staging of this menacing drama at the Globe Theatre, Matthew Dunster's production features Paul Hilton as the arrogant, power-hungry Faustus and Arthur Darvill as the sardonic Mephistopheles, and includes several impressive magical stunts along the way.
Seisho Music Academy, Siegfeld Institute of Music, and Seiran General Art Institute are to put on a play as part of an exchange program between the three schools. With Yachiyo supervising Siegfeld, she and the five middle schoolers meet with Claudine, Futaba, and Suzu. The play they will be performing is Seisho's popular program "The Wartime of Farewells". As it had been previously revived with Kaoruko and Maya in the lead roles, Claudine and Futaba participate with an extraordinary resolve; meanwhile, Suzu gains a keen interest in Siegfeld's newborn raw gems. Following Regalia, each of them has taken a step forward as a Stage Girl, but Shiro alone remains without a reason to stand on stage. Shiro has been a servant of the Siegfeld family since childhood, and has lived her life solely for Stella's sake, giving everything up for her. However, her reason of being is shaken up once a camaraderie between Stella and Ryoko starts to develop after their revue.
A screenwriter gets conned out of selling a script to a Hollywood producer by his brother, who pitches his own idea for a movie. This video recording of the 1982 Steppenwolf Theatre Company production was later broadcast by PBS.