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Despite, or possibly because of, the Nazi occupation of Paris in 1942 the theatres and cinemas of the city are thriving. One of the most popular was in Montmartre and run by the Steiners. Now he's a Jew so they decide it best he leaves for the Vichy and the theatre in the hands of his actress wife "Marion" (Catherine Deneuve). Rather aptly, they decide to present a new play called "the Disappearance" and draft in "Granger" (Gerard Depardieu) to co-star with "Marion" under the director "Jean-Loup" (Jean Poiret). Now it's fair to say that "Granger" is a bit of a womaniser - but the object of his desires here, who happens to be the costumier "Arlette" (Andréa Ferrêol), wouldn't touch him with a flagpole. Their best laid plans as a troupe is to survive what's left of the war in one piece, and with dangers around every corner as well as rationing, they have their work cut out. As the story develops, we come to realise that both "Marion" and her co-star have secrets to keep and their make or break production will also be seen by the arch anti-semite critic "Daxiat" (Jean-Louis Richard) who could readily undo all of their hard work and see them all on the scrapheap. There's loads of chemistry here and François Truffaut manages to inject some dark humour into an environment that's admittedly riddled with fear, but that also presents us with some insights into the lives of these artistes who compete, contrive and contrast with each other in just about every aspect of their daily lives. It's a film about bravery, courage and determination - often found in the least likely of places, and Deneuve offers us a powerfully engaging characterisation that epitomises the concept of less is more. It takes it's time, so settle down with a glass of decent Malbec and you ought to enjoy some talent at the top of their game.
The lives of Erik Lanshof and five of his closest friends take different paths when the German army invades the Netherlands in 1940: fight and resistance, fear and resignation, collaboration and high treason.
A touching story of an Italian book seller of Jewish ancestry who lives in his own little fairy tale. His creative and happy life would come to an abrupt halt when his entire family is deported to a concentration camp during World War II. While locked up he tries to convince his son that the whole thing is just a game.
The true, harrowing story of a young Jewish girl who, with her family and their friends, is forced into hiding in an attic in Nazi-occupied Amsterdam.
In 1942, in an occupied Paris, the apolitical grocer Edmond Batignole lives with his wife and daughter in a small apartment in the building of his grocery. When his future son-in-law and collaborator of the German Pierre-Jean Lamour calls the Nazis to arrest the Jewish Bernstein family, they move to the confiscated apartment. Some days later, the young Simon Bernstein escapes from the Germans and comes to his former home. When Batignole finds him, he feels sorry for the boy and lodges him, hiding Simon from Pierre-Jean and also from his wife. Later, two cousins of Simon meet him in the cellar of the grocery. When Pierre-Jean finds the children, Batignole decides to travel with the children to Switzerland.
Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit-men from Algeria. They lead an unorthodox life, always on the run.
Dictator Adenoid Hynkel tries to expand his empire while a poor Jewish barber tries to avoid persecution from Hynkel's regime.
A young Jewish man is torn between tradition and individuality when his old-fashioned family objects to his career as a jazz singer. This is the first full length feature film to use synchronized sound, and is the original film musical.
A Jewish woman named Jettel Redlich flees Nazi Germany with her daughter Regina, to join her husband, Walter, on a farm in Kenya. At first, Jettel refuses to adjust to her new circumstances, bringing with her a set of china dishes and an evening gown. While Regina adapts readily to this new world, forming a strong bond with her father's cook, an African named Owuor.
Greg Focker is ready to marry his girlfriend, Pam, but before he pops the question, he must win over her formidable father, humorless former CIA agent Jack Byrnes, at the wedding of Pam's sister. As Greg bends over backward to make a good impression, his visit to the Byrnes home turns into a hilarious series of disasters, and everything that can go wrong does, all under Jack's critical, hawklike gaze.
Twelve episodic tales in the life of a Parisian woman and her slow descent into prostitution.
