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If a man is fool enough to get into business with a woman, she ain't going to think much of him. McCabe and Mrs Miller is directed by Robert Altman and Altman co-adapts the screenplay with Brian McKay. It's adapted from the novel McCabe written by Edmund Naughton. It stars Warren Beatty, Julie Christie, John Schuck, Keith Carradine, Rene Auberjonois and Bert Remson. Music is by Leonard Cohen and cinematography by Vilmos Zsigmond. A gambler and a prostitute become business partners in the remote mining town of Presbyterian Church, as their enterprise booms it comes to the attention of a large mining corporation who want to buy the action. Altman's grim and dirty slice of the Old West (Northwestern here to be precise) is a divisive picture in Western fan circles. In fact it's been said that it's more beloved by none Western fans and Altman acolytes than actual Western lovers. Put up as a flag bearer for the Anti-Western splinter, a mud and rags Oater for terminology purpose, there is no denying the quality on show across the board. Set in bleak winter time, Altman and his crew pour on the atmospherics in practically every frame, with the director using his familiar film making trademarks (overlap conversations, realistic movement of characters in framing shots etc) for maximum impact. With Cohen warbling his plaintive tunes at each story juncture, there's a haunting beauty on offer that belies the narrative thrust fronted by losers and dreamers. While Zsigmond brilliantly photographs the extreme difference between the homely feel of the interiors, with that of the cold snowy wilderness outside the doors, where the muted colours ooze period flavour. Purposely built for the film, the town of Presbyterian Church is a sea of mud, snow and timber, where the weather is perpetually dank, the surroundings enveloping chief protagonist McCabe like an unearthly portent. There are no great pyrotechnics here, and the story is being told in slow and deliberate time, which goes a long way to explaining why it is a divisive film, so any newcomers should be forewarned of this. Beatty and Christie in the title roles are superb, both defrocked of their star status beauty, they perform skilfully for realistic portrayals. Not an easy watch, but always riveting and fascinating, it for sure is a piece of art. A picture worthy of revisits when the mood is set for total immersion. 8/10
***Dreary, realistic Western about a brothel in a remote town in the Great Northwest*** A gambling businessman (Warren Beatty) rides into a secluded town near Puget Sound, Washington, and starts a house of ill repute with a professional madam (Julie Christie). When he arrogantly refuses the offers of a major corporation to buy him out, they send grim men to take care of the situation. Being a Robert Altman picture, “McCabe & Mrs. Miller” (1971) isn’t your typical Western, although the gunfight in the third act is reminiscent of “High Noon” (1952). The topic is unsavory, reveling in the ugly side of life and the Old West. On top of that, the first half is tediously mundane with an overuse of Leonard Cohen’s monotone folk ditties ("The Stranger Song", "Sisters of Mercy" and "Winter Lady"), although they fit the mood. There are glimmerings of light, however, and the town set is convincing, half-built for the movie. The unexciting opening sets the stage for a powerful second half. Hugh Millais as the hulking Butler is quietly menacing. There’s an unforgettable scene with Keith Carradine and Hans at a rope bridge (the latter’s name may not be Hans, but it looks like it). At the end of the day, “McCabe & Mrs. Miller” is professionally made and timeless (it’s barely aged at all). Whether or not you like it is a matter of taste. I have mixed feelings, but its positive points make it worthwhile. It’s vastly superior to Altman’s dreadful “Buffalo Bill and the Indians” (1976). At least he takes chances, even if they’re not always completely successful. The film runs 2 hours and was shot in the Vancouver area, British Columbia: West Vancouver (Presbyterian Church), Squamish (Bearpaw) & Howe Sound. GRADE: B-
Army psychiatrist Colonel Kane is posted to a secluded gothic castle housing a military asylum. With a reserved calm, he indulges the inmates' delusions, allowing them free rein to express their fantasies.
Three friends form a bond over the year, Johnathan is gay, Clare is straight and Bobby is neither, instead he loves the people he loves. As their lives go on there is tension and tears which culminate in a strong yet fragile friendship between the three.
During the times of King Arthur, Kayley is a brave girl who dreams of following her late father as a Knight of the Round Table. The evil Ruber wants to invade Camelot and take the throne of King Arthur, and Kayley has to stop him.
In 15th century France, a gypsy girl is framed for murder by the infatuated Chief Justice, and only the deformed bellringer of Notre Dame Cathedral can save her.
A 7 year love story between Ryota Hayama and Koharu Uemura from their first date to eventual marriage. Ryota and Koharu are high school students. Ryota is indifferent to people and says very little. Koharu is not afraid of to speak her mind and she has a bright personality. Since a game of rice bag jump, they begin to date. They date at a fast-food restaurant, realize they love each other at a family restaurant and finally swear their love on a dining table with white rice.
A tragedy strikes a young woman's life without warning or reason. She continues living while searching for meaning in a lonely world.
A writer's career — and entire life — suddenly goes off script when he falls prey to a dangerous web of criminals right before moving to Barcelona.
Agus and Kalis are in a romantic relationship. It's not a romantic romance, but their relationship is full of uniqueness.
In the late 16th century, after the death of Nobunaga Oda, Hideyoshi Toyotomi takes power. The age of war is about to end, but Hideyoshi Toyotomi's rule makes life difficult for the people. Monk Senko Ikenobo is a master of flower arrangement. He prays for peace in the world and tries to give hope to the people with flower arrangement. He becomes good friends with Rikyu. Rikyu is a monk and a politician. He has the most profound influence on chanoyu. Rikyu is forced to commit hara-kiri by Hideyoshi Toyotomi’s order. Monk Senko Ikenobo challenges Hideyoshi Toyotomi.
Tokunaga is an unpopular comedian. He meets a senior comedian, Kamiya, who holds a strong faith in comedy. They struggle to move forward as comedians.