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Endgame has all the components required for a spaghetti post apocalyptic flick from the early eighties. There is the totalitarian neo-fascist regime and the police in all black military uniforms, the cynical media and the televised gladiator games, the oppressed mutant people, the cars augmented with random metal junk, the motorcycles, the machine guns and the spikey melee weapons and even a wearable crossbow. While commoners are clad in rags, action oriented characters have raided the local opera house to complete their leather and studs motorcycle garb. The future takes place in a time where men are macho men and women are madonnas to the extent that the female lead perseveres through a rape by a silverfish villain while telepathically ensuring the male hero that everything is okay. It is cheesy with bad dubbing and the scenery is shifting from industrial areas and concrete vaults to sandpits and more sandpits. Apart from the aforementioned disturbing moments of discarded standards, Endgame is a surprisingly consistent and action packed movie that does not slow down or get boring. There are many moments for your own observations and riffs without breaking the spell. Finally the poster art has very little similarity with the actual movie and is at best "inspired by" - as also required by this particual subgenre.
After a man with extraordinary, and frighteningly destructive, telepathic abilities is nabbed by agents from a mysterious rogue corporation, he discovers he is far from the only possessor of such strange powers. Some of the other “scanners” have their minds set on world domination, while others are trying to stop them.
After a top-secret experiment misfires, a scientist may be the only man left alive in the world.
In 1993, the Search for Extra Terrestrial Intelligence Project receives a transmission detailing an alien DNA structure, along with instructions on how to splice it with human DNA. The result is Sil, a sensual but deadly creature who can change from a beautiful woman to an armour-plated killing machine in the blink of an eye.
Mad Max becomes a pawn in a decadent oasis of a technological society, and when exiled, becomes the deliverer of a colony of children.
Max Rockatansky returns as the heroic loner who drives the dusty roads of a postapocalyptic Australian Outback in an unending search for gasoline. Arrayed against him and the other scraggly defendants of a fuel-depot encampment are the bizarre warriors commanded by the charismatic Lord Humungus, a violent leader whose scruples are as barren as the surrounding landscape.
In 2013, there are no highways, no I-ways, no dreams of a better tomorrow, only scattered survivors across what was once the United States. Into this apocalyptic wasteland comes an enigmatic drifter with a mule, a knack for Shakespeare, and something yet undiscovered: the power to inspire hope.
In an apocalyptic future, a group of hunted resistance fighters led by Stacy try to find a simple chef named Alex Rayne, who holds the key to the annihilation of the cyborg army, controlled by Magnatron Corp.
Into the 9.6-quaked Los Angeles of 2013 comes Snake Plissken. His job: wade through L.A.'s ruined landmarks to retrieve a doomsday device.
Time-traveling bounty hunters find a doomed race-car driver in the past and bring him to 2009 New York, where his mind will be replaced with that of a terminally ill billionaire.
A group of National Guard trainees on a routine mission find themselves up against cannibalistic mutants in the New Mexico desert.
