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Bit disappointed by this film. I saw the amazing short that was the basis for this film a few years ago, and it packed more punch in 7 minutes than this version packs in 105 minutes. Everyone does their job well, the acting is uniformly good, the cinematography and setting are great. The problem is, the story is too thin and lacks depth. There are a couple of interesting ideas, the 48 hour time-line of the infection, the wrist bands counting down the 48 hours. But the padding of the plot feels forced and ultimately unnecessary. Everything could have been and probably should have been wrapped up in a much shorter time frame, and that is why the short film worked so well. All in all, it was a good enough film, but considering the source it should have been amazing. 6/10
Had kind of hoped for more, but this is okay. _Cargo_ isn't **exactly** like any other zombie deal out there though, so if your demands are low enough, there's some value. Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole.
Bad watch, might watch again, and can recommend for survival / zombie fans. I'm not a big fan of Martin Freeman, but he's a decent actor, and boy do you get a lot of him. Anthony Hayes makes a decent villain, but Caren Pistorius doesn't get much else to do other than "be pretty". Susie Porter and Simone Landers give great performances, but they feel terribly underplayed, maybe because they almost share a role. It feels like most of the time the actors weren't on board with the movie, they were there, they showed up and read their lines, but there aren't a lot of scenes that feel big. Honestly it really drags on, not only are you dealing with the isolationist effect of being in wide stretches of wilderness, but even when they get where they're going, there is nothing, and they do almost nothing, a lot. With one of the main characters being a baby, there just isn't a lot of dialogue happening, and the key interactions we get are heavy philosophical moments, far too centered on human rights for the majority. It's not that the movie is "bad", and ultimately I like it for the survivor's story, it's that it's mostly empty. There is a version of this story that you could do as a twilight episode and it would probably be better because you have to make every moment count, where this seems to be filling the run time.
In a little house all for herself, an elderly woman moves through her day. While she tends to every chore on the docket, we learn some things about her. She has a green thumb, she speaks Polish while on the phone, she likes to nap. A prayer sounds. They are words from her mother-in-law, Polish poet Zofia Bohdanowiczowa, who was also displaced from her native Poland. Three generations meet, one by writing, one by living, and the third by the very making of this film, a composition of her ancestors through sound and image.
When David Smallbone's successful music company collapses, he moves his family from Australia to the United States in search of a brighter future. With nothing more than their six children, their suitcases, and their love of music, David and his pregnant wife Helen set out to rebuild their lives from the ground up. Based on a remarkable true story, a mum's faith stands against all odds; and inspires her husband and children to hold onto theirs.
Led by a strange dream, scientist Aki Ross struggles to collect the eight spirits in the hope of creating a force powerful enough to protect the planet. With the aid of the Deep Eyes Squadron and her mentor, Dr. Sid, Aki must save the Earth from its darkest hate and unleash the spirits within.
As the heir and current marketing director for one of the nation's biggest gun manufacturers, Liberty Wallace is indifferent to the atrocities made possible through her business and her CEO husband, Victor. On her way to see her actor lover, Liberty ends up chained to a food cart full of explosives - all at the insistence of "Joe", a sniper whose young daughter was a victim of gun violence, and who now has Liberty in his sights.
The retelling of France’s iconic but ill-fated queen, Marie Antoinette. From her betrothal and marriage to Louis XVI at 15 to her reign as queen at 19 and ultimately the fall of Versailles.
Starting his new job as an instructor at a New England school for the deaf, James Leeds meets Sarah Norman, a young deaf woman who works at the school as a member of the custodial staff. In spite of Sarah's withdrawn emotional state, a romance slowly develops between the pair.
Or shoulders a lot: she's 17 or 18, a student, works evenings at a restaurant, recycles cans and bottles for cash, and tries to keep her mother Ruthie from returning to streetwalking in Tel Aviv. Ruthie calls Or "my treasure," but Ruthie is a burden. She's just out of hospital, weak, and Or has found her a job as a house cleaner. The call of the quick money on the street is tough for Ruthie to ignore. Or's emotions roil further when the mother of the youth she's in love with comes to the flat to warn her off. With love fading and Ruthie perhaps beyond help, Or's choices narrow.
Fiona and Grant have been married for nearly 50 years. They have to face the fact that Fiona’s absent-mindedness is a symptom of Alzheimer’s disease. She must go to a specialized nursing home, where she slowly forgets Grant and turns her affection to Aubrey, another patient in the home.
Filmmakers from all over the world provide short films – each of which is eleven minutes, nine seconds, and one frame of film in length – that offer differing perspectives on the 9/11 terrorist attacks.
Louise, who has just written a novel, comes to Paris to meet with a potential publisher. While in the city, she stays with her older sister, Martine, who in many ways is the exact opposite of Louise: she lives in a fashionable neighborhood, is cold to others, and has snobby friends, while Louise lives in a small town and is thoroughly unpretentious. Louise's apparent happiness - and similarities to their mother - gradually gets on Martine's nerves.
Cecile is a decadent young girl who lives with her rich playboy father, Raymond. When Anne, Raymond's old love interest, comes to Raymond's villa, Cecile is afraid for her way of life.