Forgive Me Father 2024 - Movies (Dec 2nd)
Juror #2 2024 - Movies (Dec 2nd)
The Final Days of Adolf Hitler 2024 - Movies (Dec 1st)
Once Upon a Time in Amityville 2024 - Movies (Dec 1st)
The Desiring 2024 - Movies (Dec 1st)
TMZ Presents The Downfall of Diddy Inside the Freak-Offs 2024 - Movies (Dec 1st)
Surprise 3 2024 - Movies (Dec 1st)
My Nanny Stole My Life - Movies (Dec 1st)
Princess Halle and the Jester 2024 - Movies (Dec 1st)
Route 60 The Biblical Highway 2023 - Movies (Dec 1st)
Believe in Christmas 2024 - Movies (Dec 1st)
Holiday Touchdown A Chiefs Love Story 2024 - Movies (Dec 1st)
Heightened 2023 - Movies (Oct 2nd)
Sebastian 2024 - Movies (Oct 2nd)
Knox Goes Away 2023 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Aiden 2024 - Movies (Nov 30th)
A Good Enough Day 2024 - Movies (Nov 30th)
Bringing Christmas Home 2023 - Movies (Nov 30th)
Never Let Go 2024 - Movies (Nov 30th)
Moving Houses NZ - (Dec 2nd)
The Real Housewives of Potomac - (Dec 2nd)
Married to Medicine - (Dec 2nd)
60 Minutes - (Dec 2nd)
90 Day Pillow Talk Before the 90 Days - (Dec 2nd)
Somebody Somewhere - (Dec 2nd)
Tracker - (Dec 2nd)
The Sunday Show with Jonathan Capehart - (Dec 2nd)
Before They Kill Again - (Dec 2nd)
Sister Wives - (Dec 2nd)
Alien Files- Reopened - (Dec 2nd)
Yellowstone Wardens - (Dec 2nd)
Holiday Wars - (Dec 2nd)
Sorry, I Didnt Know - (Dec 2nd)
Mark McKinney Needs a Hobby - (Dec 2nd)
Yellowstone - (Dec 2nd)
Homestead Rescue - (Dec 2nd)
90 Day Fiance- Before the 90 Days - (Dec 2nd)
Dune- Prophecy - (Dec 2nd)
Im a Celebrity... Unpacked - (Dec 1st)
Even at 1¾ hours long, it's still quite tough to enliven the detail from Tolstoy's story into a television drama - and a black and white one, too. This one tries quite hard but falls just a little short on the imagination front. Clare Bloom takes the lead as the lady going through the marital motions with a junior politician then she encounters "Prince Alexei" (Sean Connery). He's more of a princeling, really, but she falls hook line and sinker for him and pretty soon their temptation is arousing the suspicion of her husband (Albert Lievin) who warns her of the dangers of her behaviour - but there's no stopping them. Next thing, they have thrown caution to the wind and are living in sin. Her husband forbids her to see their son and the story follows her pretty torrid time trying to reconcile the troubles of her past and the joys of her future. Bloom shines here and Connery is energised in a fashion I've rarely seen as both deliver lively performances that illustrate well mid 1800s Russian attitudes, society and mores. The standard of production from the BBC is top notch with super attention to the detail of the costumes and the studio sets. Like many of their embryonic television dramas, the corporation managed to recruit an experienced cast adept at stagecraft. That gives us a sense of continuation as the story proceeds without looking too static. There is plenty missing, a few sub-plots ignored completely, but there's still more than enough of the gist to the story to carry this stylish presentation well enough. The imagination from book will never readily make for good cinema, but hats off to Rudolph Cartier for giving this a go.
Clint Barkley first sees Smoky as a runaway, and drives him back to the ranch where he meets the owner, Julie Richards. He is given a job on her ranch, but the head cowhand is doubtful about Clint and fears that since he refuses to talk about himself, he must have some dreadful secret in his past. Clint and Smoky become close to each other, weathering the hardships of Western life and the suspicions of others together, until one day, Smoky tragically vanishes. Will Clint ever see him again?
When Mari Gilbert's daughter disappears, police inaction drives her own investigation into the gated Long Island community where Shannan was last seen. Her search brings attention to over a dozen murdered prostitutes.
A ticking-time-bomb insomniac and a slippery soap salesman channel primal male aggression into a shocking new form of therapy. Their concept catches on, with underground "fight clubs" forming in every town, until an eccentric gets in the way and ignites an out-of-control spiral toward oblivion.
When their ocean liner capsizes, a group of passengers struggle to survive and escape.
20 volunteers agree to take part in a seemingly well-paid experiment advertised by the university. It is supposed to be about aggressive behavior in an artificial prison situation. A journalist senses a story behind the ad and smuggles himself in among the test subjects. They are randomly divided into prisoners and guards. What seems like a game at the beginning soon turns into bloody seriousness.
Suzanne Stone wants to be a world-famous news anchor and she is willing to do anything to get what she wants. What she lacks in intelligence, she makes up for in cold determination and diabolical wiles. As she pursues her goal with relentless focus, she is forced to destroy anything and anyone that may stand in her way, regardless of the ultimate cost or means necessary.
Wounded Civil War soldier John Dunbar tries to commit suicide—and becomes a hero instead. As a reward, he's assigned to his dream post, a remote junction on the Western frontier, and soon makes unlikely friends with the local Sioux tribe.
"The Hours" is the story of three women searching for more potent, meaningful lives. Each is alive at a different time and place, all are linked by their yearnings and their fears. Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.
A psychologist is sent to a space station orbiting a planet called Solaris to investigate the death of a doctor and the mental problems of cosmonauts on the station. He soon discovers that the water on the planet is a type of brain which brings out repressed memories and obsessions.
A pragmatic U.S. Marine observes the dehumanizing effects the U.S.-Vietnam War has on his fellow recruits from their brutal boot camp training to the bloody street fighting in Hue.
Oskar Matzerath is a very unusual boy. Refusing to leave the womb until promised a tin drum by his mother, Agnes, Oskar is reluctant to enter a world he sees as filled with hypocrisy and injustice, and vows on his third birthday to never grow up. Miraculously, he gets his wish. As the Nazis rise to power in Danzig, Oskar wills himself to remain a child, beating his tin drum incessantly and screaming in protest at the chaos surrounding him.