War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
If you are a fan of "The Clash" then you might get more from this fly-on-the-wall, partially dramatised, documentary that follows their ascendancy in the UK towards the end of the 1970s. To give it some sort of narrative, there's a fan inserted into the mix and he serves as a conduit to not just the story of the four piece's musical journey, but also to illustrate a Britain that was wallowing after many years of ineffective government, out of control trades unions, and on the cusp of electing Margaret Thatcher (who does feature now and again telling us about the safety of old ladies walking along the street). What's interesting about their conversations is that the band vacillate entertainingly from the banal gibberish of stoned, drunk, opinionated would-be rock stars to perfectly lucid men with astute views of society and the causes of the misery which many of us Brits experienced at the time. The drama doesn't really work so well, but when they are on stage the thing can be quite electric, and the bands engagement with a wide demographic delivering some potently observational lyrics; plenty of ripe and vivid language, and some poor soul sent to the hotel corridor so another could get laid in their shared room brings some humour to it too. It's far too long and indulgently paced though, and there's not enough music to really stop in from becoming a bit too repetitive. Needs a shortening to tighten up the story, but still interesting enough.
After suffering a personal tragedy, and desperate for justice, Jacob Kanon, a veteran New York City police detective, embarks on the search for a twisted killer who is leaving a bloody trail of elaborate murders across Europe.
Based on the Alan Sillitoe short story. Tony, a worker at a cheese factory, is also a petty thief. He moves from robbery after robbery until he meets Doris, the daughter of the local ragman. Slowly, he falls in love with her and must decide whether he will stay a thief or start a new life with Doris.
Good policing doesn't necessarily mean doing everything by the book. But as the business of crime in London turns to favour the Albanians and Turks, how does a "good" policeman survive?
Set during a long, hot summer on the Thamesmead Estate in Southeast London, where three teenagers edge towards adulthood.
A down-on-his luck writer meets a movie producer, who asks him to write a screenplay on the condition that he visit locations for the film. Chaos ensues.
Sarah Jordan, an American living in London in 1984, is married to the son of a wealthy British industrialist. She encounters Nick Callahan, a renegade doctor, whose impassioned plea for help to support his relief efforts in war-torn Africa moves her deeply. As a result, Sarah embarks upon a journey of discovery that leads to danger, heartbreak and romance in the far corners of the world.
David Locke is a world-weary American journalist who has been sent to cover a conflict in northern Africa, but he makes little progress with the story. When he discovers the body of a stranger who looks similar to him, Locke assumes the dead man's identity. However, he soon finds out that the man was an arms dealer, leading Locke into dangerous situations. Aided by a beautiful woman, Locke attempts to avoid both the police and criminals out to get him.
The year is 1981, the German New Wave is at the peak. Harry, otherwise Sparkasse trainee, wants to make it big as a manager of the band of his friends, Apollo Schwabing. He has booked the band as the opening act for a concert where the group DAF are the headliners.
Germany 1982: The country is divided into two parts. Nele, coming from West-Germany, travels to East-Germany where she meets Captain, singer of a band. They fall in love with each other, but the regime "takes care" of their relationship, meaning: They can not see each other again. Germany 1990: The country is reunited. Nele starts searching their lost love...
Guillermo Gómez Álvarez explores the identity politics of Puerto Rico via archival footage from various sources that clash with nine original songs from local independent musicians and a thematic analysis from a psychoanalyst and a historian. From the juxtaposition the absurd becomes coherent and the coherent becomes absurd as Puerto Rican identity is defined and rejected almost simultaneously.