Una identidad en absurdo Vol. 1

Interviews from 1999, with some queer artists, activists and bands about queer punk, feminist concepts and actions. Filmed during a trip to San Francisco.

Its main focus is on the plight of the Palestinians which can be seen as the most enduring residue of the modern encounter between the Arabs and the West. Edward Said traces the course of European involvement with the Near East via the Crusades to Napoleon's campaign in Egypt and the French and English entrepreneurs, adventurers and empire builders who came in his wake.

The documentary tracks the making of Reasonable Doubt, Hova's rise to stardom, and the legacy of the iconic album. Directed by Scheme Engine, the doc is broken up into segments named for the album's tracks ("Brooklyn's Finest," "Can't Knock The Hustle," "Politics As Usual" "Friend or Foe," "Dead Presidents II"). The film features interviews from members of the Reasonable Doubt production team (DJ Clark Kent, DJ Premier, Ski) as well as album cover photographer Jonathan Mannion, Reasonable Doubt guest artist Memphis Bleek, and Roc-a-Fella co-founder Kareem "Biggs" Burke. Lest you think the doc will be exclusively talking heads, the film also features footage of Jay Z performing tracks off the album in a studio and at Barclays Center.

In San Juan, Puerto Rico, hundreds of artists gathered to pay honor to the work of Puerto Rican artist Myrna Báez. La otra intención (The Other Intention) is an observational documentary that travels through the work of Myrna while visiting artists, such as Petra Bravo, Deborah Hunt, Yiyo Tirado, Gustavo Castrodad, the theater group Y no había luz, among others, to accompany them in their creative process of re-interpretation.

Crash 'n' Burn is an experimental film shot in and named after Toronto, Ontario's first punk rock club. (Not to be confused with Peter Vronsky's similarly titled 1977 documentary on the Toronto punk scene made for the CBC television network.) The film, shot on 16mm black-and-white stock, features performances by Dead Boys, Teenage Head, The Boyfriends, and The Diodes".

This feature length documentary tells the story of 1970's punk band The Gears - in their own words.

"In this half-hour documentary, Producer Sandra King provides an intimate portrait of a public phenomenon: Graffiti. Over an 18 month period, King and her crew followed the teenage members of a graffiti 'crew,' Vandals on the Street, as they painted and rapped and moved through the streets of downtown Newark. What emerges is a unique glimpse behind the 'tags' at the kind of inner city kids who write on walls, but who also make art; who create out of wedlock children, but who also form binding relationships; who drop out of school and never read a book, but who create their own brand of poetry through the medium of 'rap.'

They're called bar women, hostesses, or sex workers and "western princesses." They come from poor families, struggling to earn a decent wage, only to be forced into the world's oldest profession. They're the women who work in the camptowns that surround U.S. military bases in South Korea. In 40 years, over a million women have worked in Korea's military sex industry, but their existence has never been officially acknowledged by either government. In The Women Outside, a film by J.T. Orinne Takagi and Hye Jung Park, some of these women bravely speak out about their lives for the first time. The film raises provocative questions about military policy, economic survival, and the role of women in global geopolitics

A documentary film that highlights two street derived dance styles, Clowning and Krumping, that came out of the low income neighborhoods of L.A.. Director David LaChapelle interviews each dance crew about how their unique dances evolved. A new and positive activity away from the drugs, guns, and gangs that ruled their neighborhood. A raw film about a growing sub-culture movements in America.