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Interesting mix of stunts and music that has its moments, mostly seeing the stuntwork while the music segments pretty much played the entire song and ran a little long. There's no real plot or character development and might try some people's patience, but will say Grant Page has his charms even if he isn't much of an actor. **2.5/5**
**_A marriage of 70’s stunt work and 70’s theatrical rock_** Popular Australian stuntman Grant Page travels to Los Angeles to work on a TV series and helps a fantasy-themed rock group with special effects & stunts for their live show. Meanwhile he develops a relationship with a journalist (Margaret Gerard). "Stunt Rock" (1978) contains interesting info on stunt work and its history with several entertaining stunt sequences, including myriad flashbacks to Grant’s last several movies, but it gives equal time to the real-life band Sorcery (not the group from Chicago), their songs and concerts. The story that links these two is given short shrift and the band members are clearly musicians/entertainers, not actors (in other words, they’re noticeably wooden). Page does fine as long as he’s working with real actors as opposed to the band members. Sorcery’s music is a meshing of 70’s bands like Alice Cooper, Sweet, Zeppelin, Styx and Boston, just hampered by vestiges of Woodstock, if you know what I mean. They later did the soundtrack for the heavy metal slasher “Rocktober Blood” (1984) in which they adapted their style to the early 80’s metal scene, improving their sound with songs like “I’m Back” and “Killer on the Loose” (check ’em out on Youtube). Monique van de Ven from the Netherlands joins statuesque Margaret on the female front as an actress on the show Grant is working on. As a documentary on 70’s stunt work, this is entertaining enough, but I had enough of Sorcery’s music & performances by about the 55-minute mark. They’re no slouches, they’re just not on the level of Alice Cooper or Kiss to maintain the viewer’s attention, as far as 70’s concerts go. The film runs 1 hour, 31 minutes, and was shot in Los Angeles and Sydney. GRADE: B-
Fired from his band and hard up for cash, guitarist and vocalist Dewey Finn finagles his way into a job as a fifth-grade substitute teacher at a private school, where he secretly begins teaching his students the finer points of rock 'n' roll. The school's hard-nosed principal is rightly suspicious of Finn's activities. But Finn's roommate remains in the dark about what he's doing.
In the seventies Strange Fruit were it. They lived the rock lifestyle to the max, groupies, drugs, internal tension and an ex front man dead from an overdose. Even their demise was glamorous; when lightning struck the stage during an outdoor festival. 20 years on and these former rock gods they have now sunk deep into obscurity when the idea of a reunion tour is lodged in the head of Tony, former keyboard player of the Fruits. Tony sets out to find his former bandmates with the help of former manager Karen to see if they can recapture the magic and give themselves a second chance.
The adventures of a small town Croatian family during the 1960s. The decade will leave eternal marks on all of their members, but most of the story focuses on the youngest one, a boy, Frula, who discovers the love and fashion of the time.
Johnny Knoxville and his band of maniacs perform a variety of stunts and gross-out gags on the big screen for the first time. They wander around Japan in panda outfits, wreak havoc on a once civilized golf course, they even do stunts involving LIVE alligators, and so on.
A man blinded in a childhood accident fights crime using his superhumanly-elevated remaining senses.
Frontman/guitarist Tom Petty, guitarist Mike Campbell, bassist Ron Blair, keyboardist Benmont Tench and drummer Stan Lynch opened their taping at WDR Studio-L in Cologne with the rarity “Surrender.” A cover of Chuck Berry’s “Jaguar and Thunderbird” was performed next, followed by “American Girl.” Other well-known originals filling out the setlist include “Listen To Her Heart” and “Breakdown.” The taping concluded with back-to-back covers of Bobby Troup’s “Route 66” and The Isley Brothers’ “Shout.”
In this documentary, which features unreleased demo tapes and very personal interviews, the band looks back at its beginnings, at major achievements, and at hard times.
A stuntman who dabbles as a petty thief for corrupt policemen decides to quit. His bosses do not let him go but, instead, he is tortured. His consistent brushes with the law earn him a prize on his head and attention from a daily.
A movies special effects man is hired by a government agency to help stage the assassination of a well known gangster. When the agency double cross him, he uses his special effects to trap the gangster and the corrupt agents.