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Seen this one a few times over the years, not great and Bryan Brown is a bit limited with the dramatic stuff but still an all around entertaining suspense-thriller. **3.5/5**
Have you ever seen the classic that is "I Dismember Momma"? It's a belter - all down to the amazing creative skills of visual effects man "Rollie" (Bryan Brown). At least, the US Government think so and so they engage him to help out faking some evidence of murder for a man they are subsequently going to put into witness protection. Meantime, New York's finest "McCarthy" (Brian Dennehy) is investigating that very crime, but he can't quite get to grips with why his federal colleagues are being less than helpful. As the story develops, it becomes quite clear that none of this is on the level and there is blackmail, extortion and real-life murder on the cards and pretty swiftly our faker is having to use all his skills and wits to keep himself alive as he hasn't a clue whom to trust. The audience knows a little more about who is pulling the strings than he does, but that doesn't really matter as the whole thing sort of splutters from the far-fetched to the downright silly, especially towards the end when his handler "Col. Mason" (Mason Adams) shows his true colours. Brown fitted the bill in "Breaker Morant" (1980) but otherwise I never quite knew why, aside from his looks, Brown made it on the big screen at all. He has a glint in his eye, but his acting is about as papier-mâché as many of his props and he delivers the pedestrian dialogue just as statically. It's a fantasy adventure in all but name - just add a few bullets, a fake moustache or two and lots of rain. Maybe next time don't opt for witness protection, just go sit in the Colosseum - it'd be safer, and certainly more fun to watch.
Violent crime is routine. Organized drug trade runs rampant in the face of powerless authority. And a vicious street gang holds dominion with a savage reign of terror. Welcome to Lincoln High! Here the cobras rule the school and everyone in it. Everyone except for Jeff Hanna.
In this fictional documentary, U.S. prisons are at capacity, and President Nixon declares a state of emergency. All new prisoners, most of whom are connected to the antiwar movement, are now given the choice of jail time or spending three days in Punishment Park, where they will be hunted for sport by federal authorities. The prisoners invariably choose the latter option, but learn that, between the desert heat and the brutal police officers, their chances of survival are slim.
A psychologist, an Englishman, a bellboy and a wounded female assasin have their fates crossed at a sleazy Bangkok hotel.
A bank accountant who moonlights as a high-priced call girl becomes embroiled in the lives of a money launderer, his seductive wife, and his bodyguard.
Boston is being terrorized by a series of seemingly random murders of women. Based on the true story, the film follows the investigators path through several leads before introducing the Strangler as a character. It is seen almost exclusively from the point of view of the investigators who have very few clues to build a case upon.
Detectives Jonas and Erik are called to the midnight sun country of northern Norway to investigate a recent homicide, but their plan to arrest the killer goes awry, and Jonas mistakenly shoots Erik. The suspect escapes, and a frightened Jonas pins Erik's death on the fugitive. Jonas continues to pursue the killer as he seeks to protect himself; however, his mounting guilt and the omnipresent sun plague him with an insomnia that affects his sanity.
A demented handyman comes to the rescue of a young woman, then imprisons her in his basement.
A career officer and his wife work with a police detective to uncover the truth behind their son's disappearance following his return from a tour of duty in Iraq.
Llewelyn Moss stumbles upon dead bodies, $2 million and a hoard of heroin in a Texas desert, but methodical killer Anton Chigurh comes looking for it, with local sheriff Ed Tom Bell hot on his trail. The roles of prey and predator blur as the violent pursuit of money and justice collide.
When a prostitute is found dead in a Los Angeles skyscraper occupied by a large Japanese corporation, detectives John Connor and Web Smith are called in to investigate. Although Connor has previous experience working in Japan, cultural differences make their progress difficult until a security disc showing the murder turns up. Close scrutiny proves the disc has been doctored, and the detectives realize they're dealing with a cover-up as well.
Having spent 10 years in prison for nationalist activities, Shack Twala is finally ordered released by the South African Supreme Court but he finds himself almost immediately on the run after a run-in with the police. Assisted by his lawyer Rina Van Niekirk and visiting British engineer Jim Keogh, he heads for Capetown where he hopes to recover a stash of diamonds, meant to finance revolutionary activities, that he had entrusted to a dentist before his incarceration. Along the way, they are followed by Major Horn of the South African State security bureau and it becomes apparent that he has no intention of arresting them until they reach their final destination