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**_“The Big Chill” involving three former bandmates_** Three close friends born in the same week agree to meet when they turn 30 at the isolated SoCal abode of the artistic loner of the bunch (Wes Bentley). They were in an up-and-coming band in their youth but have since gone their separate ways. The female vocalist has stayed in the music business with moderate success overseas (Amber Tamblyn) while the drummer is now a tax lawyer with a family back east (Vincent Piazza). “3 Nights in the Desert” (2014) is a dialogue-driven Indie drama that meshes “The Big Chill” (1983) with bits of the underrated “The Perfect Age of Rock ‘n’ Roll” (2009), yet in the milieu of the empty ‘wasteland,’ akin to the later “Girl From Nowhere” (2017). The scenic desert cinematography is a highlight along with Tamblyn’s voluptuous beauty, which is contrasted by the concealed sadness of her character. Meanwhile this is arguably Bentley’s best role; with his intense demeanor, he fits it perfectly and is sometimes stunning. Yes, there is some awkward TMI dialogue in the first reel, but I think the writer was trying to get across how close these people were at one time and, therefore, how comfortable they are casually discussing the most intimate aspects of their lives at a campfire or wherever. As in “The Big Chill” and “Return of the Secaucus Seven” (1980), the protagonists talk about old times, where they’re at now, and future possibilities. Old grievances come to the fore while romantic flames reignite. Like those two prior flicks, the viewer could argue that the movie’s pointless, but that would be like saying it’s worthless to walk day-by-day with an aging, dear relative before they pass from this plane. How much is that worth? So, there are gems to mine, especially for those who’ve been in similar situations. Travis, for instance, still refuses to bend his artistic principles for what he considers fake success while Anna sees the practicality of compromise. Meanwhile Barry has settled for societal convention and “success,” but is he fulfilled and happy? He gives off the vibe of the proverbial “life of quiet desperation” despite his condescending scorn for Travis’ chosen circumstances. Needless to say, you have to be in a mood for a drama with a limited cast to appreciate this flick. I just saw “The Big Chill” and “Return of the Secaucus Seven” and, as far as I’m concerned, this is the best of the lot regardless of its budget-oriented shortcomings. After watching, you might be inspired to give an old friend or two a call. Go out to coffee or have a campfire. It’ll probably be worth it, even if things get too honest, too passionate, too… challenging. The film runs 1 hours, 22 minutes, and was shot in Agua Dulce in the desolate high country north of Los Angeles. GRADE: B
In vivid images, the documentary-like story of a drover and his family in the northern badlands of Brazil during the drought. A family in the search of new hope and destiny.
Obsessive scientist Nathan and his lover, the naturalist Lila, discover Puff: a man born and raised in the wild. As Nathan trains the wild man in the civilized ways of the world, Lila fights to preserve the man’s natural state. In the power struggle that ensues, an unusual love triangle emerges.
A drama about a Maori family living in Auckland, New Zealand. Lee Tamahori tells the story of Beth Heke’s strong will to keep her family together during times of unemployment and abuse from her violent and alcoholic husband.
Lisbon Story is Wim Wenders' homage to Lisbon and films. A sound engineer obtains a mysterious postcard from a friend who at the moment is filming a film in Lisbon. He sets out across Europe to find him and help him.
Under the pretense of having a picnic, a geologist takes his teenage daughter and 6-year-old son into the Australian outback and attempts to shoot them. When he fails, he turns the gun on himself, and the two city-bred children must contend with harsh wilderness alone. They are saved by a chance encounter with an Aboriginal boy who shows them how to survive, and in the process underscores the disharmony between nature and modern life.
Judy Berlin is an aspiring actress whose idealism is at odds with her small suburban community, where a solar eclipse induces town inhabitants (a lonely housewife, a frustrated schoolteacher, and a struggling filmmaker) to search for solace and understanding in themselves and one another.
Axl wants to find his long-lost father and rediscover his past. Vera just wants to forget hers as she tries to move on from heartbreak. Their stories come together in the melting-pot of 21st century London.
A recovering gambling addict attempts to reconcile with his family and friends but finds trouble and temptation when caught between feelings for his ex-wife and her dangerous hoodlum boyfriend.
A production company begins casting for its next feature, and an up-and-coming actress named Rose tries to manipulate her filmmaker boyfriend, Alex, into giving her a screen test. Alex's wife, Emma, knows about the affair and is considering divorce, while Rose's girlfriend secretly spies on her and attempts to sabotage the relationship. The four storylines in the film were each shot in one take and are shown simultaneously, each taking up a quarter of the screen.
Using almost no dialogue, the film follows a number of residents (both human and animal) of a small rural community in Hungary – an old man with hiccups, a shepherdess and her sheep, an old woman who may or may not be up to no good, some folk-singers at a wedding, etc. While most of the film is a series of vignettes, there is a sinister and often barely perceptible subplot involving murder.
After ten years, Sheldon returns from New York City to Paris, Georgia. His mother Evelyn, a laundress who is stubborn, ornery, opinionated, mean-spirited, insulting, and inflexible, has sent a ten-year-old boy who says he's Sheldon's son up to see Sheldon. Sheldon comes home to straighten things out. Old arguments flare up - between mother and son and between brothers. Sheldon wants no part of fatherhood or family. Then, someone else from New York shows up at Evelyn's door, bringing a new set of challenges. Will this family ever stop airing its dirty laundry? And what of Sheldon: where is his pride? Can he, in the words of James Baldwin, go where his blood beats and live the life he has?