The Oyler House: Richard Neutra's Desert Retreat

Making Dust is an essay film, a portrait of the demolition of Ireland's second largest Catholic Church, the Church of the Annunciation in Finglas West, Dublin. Understanding this moment as a 'rupture', the film maps an essay by architectural historian Ellen Rowley on to documentation of the building's dismantling. Featuring oral interviews recorded at the site of the demolition and in a nearby hairdressers, the film invites viewers to pause and reflect on this ending alongside the community of the building. The film is informed by Ultimology, and invites its audience to think about the life cycles of buildings and materials, how we mourn, what is sacred, how we gather, what we value and issues of sustainability in architecture.

Three restoration students and scholars from all over the world meet in a Palladian villa in view of a conference on Palladio. Meanwhile, in the United States of America, a young university professor asks his mentors, Kenneth Frampton and Peter Eisenman, how to be able to transmit Palladio's humanistic values to the new generations.

In the heart of the Jordanian desert, the ancient city of Petra is full of mysteries. How was this architectural wonder created over 2,000 years ago? The technical prowess of Petra, an ancient city in southern Jordan, which was a wonder in the middle of the desert.

A documentary focusing on the rebuilding projects in Berlin after the fall of the Berlin Wall.

The construction of the Obelisco in Buenos Aires, Argentina.

This insightful documentary feature from PJ Letofsky serves as a profile of iconic Austrian-American Architect Richard Neutra, whose work and legacy have helped shape the modern understanding of design, architecture and the interconnected fabric of nature. Today, Richard's legacy lives on through his son, Dion, who has taken up his father's mantle after nearly three-decades under his mentorship.

Constructing freestone buildings on the cheap, Pouillon made a name for himself at the end of the 1940s in Aix-en-Provence and Marseille, shaking up his peers who only dreamed of towers and concrete bars. In Algiers, until Independence, he built in record time thousands of homes for the poorest, real urban projects inspired by traditional forms. In the Paris region, to build comfortable buildings quickly and well, nestled in the greenery, he becomes a promoter: this too adventurous bet leads him to prison and retains his reputation. Not very explicit about this complex affair, but seduced by a contemporary architecture that combines technical inventiveness and ancient references, Christian Meunier films by multiplying the angles of view. Today's lively atmospheres are interspersed with archive footage, while Pouillon's writings are read off. Moved, his collaborators evoke a demanding and generous man, with an infectious passion.

In this documentary, Marie-Claire Rubinstein reveals to us, through the testimonies of the inhabitants who live there, the architectural achievements of the French urban planner Fernand Pouillon in Algiers. In particular the vast complexes of hundreds of social housing units, including the most famous Diar E Saâd (1953), Diar El Mahçoul (1954) and Climat de France (1957). The historical context, during the war of independence is related by the historian Benjamin Stora and Nadir Boumaza. This documentary also evokes the personality of Fernand Pouillon in a post-colonial context.