Captain Blood: A Swashbuckler Is Born

Daniel Johnston stars in this psychedelic short film about an aging musician coming to terms with the dreams of yesteryear.

Ken Blanchard describes six keys to successful teamwork, all found in a Hollywood movie classic.

Two rabbis show the ruins of an abandoned synagogue to a group of primary school-age Jewish children, and stand by as the children dip bread in honey, drink wine, pray, and sing.

This movie is a choral of mothers and grandmothers. The old women who rise above the world in supreme beauty with tended waist, their eyes with reflected light, shriveled skin, gnarled and twisted hands suffering from polyarthritis deformans. Our mothers say goodbye having life-long carried the burden of the world. This farewell is quiet and discreet like their whole life was...

Find Fix Finish delves into the stories of three US-Drone pilots revealing the clandestine operational strategies practiced by the US Government.

This documentary captures the sounds and images of a nearly forgotten era in film history when African American filmmakers and studios created “race movies” exclusively for black audiences. The best of these films attempted to counter the demeaning stereotypes of black Americans prevalent in the popular culture of the day. About 500 films were produced, yet only about 100 still exist. Filmmaking pioneers like Oscar Micheaux, the Noble brothers, and Spencer Williams, Jr. left a lasting influence on black filmmakers, and inspired generations of audiences who finally saw their own lives reflected on the silver screen.

A short documentary exploring the ongoing relevance and power of 'Salò o le 120 giornate di Sodoma'.

Women of mature years talk about their marriage, their first time, their intimate relationship with sexuality. In the repetition of these ancestral rituals, the director questions her own lack of marriage, of children, and with it, a chain of mother-daughter relationships that is dying out.

Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.