Où en êtes-vous, João Pedro Rodrigues ?

Exposition of two different processes of forensic identification in exhumed bodies with features of violence.

On a journey through the interior of the earth, we learn about the life and dreams of a swiss explorer who searches for caves and underground rivers in a sector marked by violence and armed conflict in Colombia. This underground labyrinth is a metaphor about a dark past, buried deep within the soul, where old war wounds heal with the infinite passage of time.

Experiments on the crystallization of various inorganic substances: crystallization from solution, crystallization from melt and vapour phase, mixed crystal formation, oriented growth, change from a metastable into a stable phase.

Short documentary on Belgian artist Piet Bekaert.

Athens. Nothing seems to move. The locals seem as still as statues. While at the same time, somewhere, a caryatid is escaping from a museum and a small group of people demands the destruction of all antiques. Would film be the only way to avoid stone-cold indifference?

Women of mature years talk about their marriage, their first time, their intimate relationship with sexuality. In the repetition of these ancestral rituals, the director questions her own lack of marriage, of children, and with it, a chain of mother-daughter relationships that is dying out.

A coast guard captain on a small Greek island is suddenly charged with saving thousands of refugees from drowning at sea.

This is funny or rather crazy adaptation of classical opera Carmen inspired by famous czech theatre Ypsilon play of the same name shot at various bizarre locations such as airport, botanical garden and winter forest.

Controversial cinéma vérité analysis of Havana’s lumpenproletariat in waterfront bars and cafés shortly after the failed Bay of Pigs invasion.

A 16 year old girl recalls the last moments of her summer vacation, spent with friends in the Laurentians north of Montreal. She reminisces about their talks on life, death, love, and God. Shot in direct cinema style, working from a script that left room for the teenagers to improvise and express their own thoughts, the film sought to capture the immediacy of the youths presence their bodies, their language, their environment.

This is a documentary done by a group of 2nd year students at the Bethel School of Supernatural Ministry. The documentary focused on God's heart to provide for His children. This is achieved through teaching and testimonies.