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I ran down like a clock. It was just as though I'd been wound up too tight and the spring broke. The Man I Love is directed by Raoul Walsh and adapted to screenplay by Jo Pagano and Catherine Turney from Maritta M. Wolff's novel. It stars Ida Lupino, Robert Alda, Andrea King, Martha Vickers, Bruce Bennett, Alan Hale and Dolores Moran. Cinematography is by Sidney Hickox. Loved by some, not so by others, Walsh's film is pretty much a soap opera meller with some faint noir shadings. The plot, that has more holes than a bullet riddled bucket, sees Lupino's torch singer return home for the holidays and complications arise in the love and lust department - for her, her family, and the ruthless nightclub owner played by Alda. There's a mature look at womanhood and masculinity in the post war years, with a poignancy factor boosted by it being set around the Christmas holidays. As usual Lupino is as watchable as ever - in fact into the bargain she's very sultry here as well - and there's some nifty noirish dialogue. However, as the story is intent on reflecting upon damaged love across the board, there's a distinct lack of fatalism or bitter cynicism to be found, thus explaining why many have be forced to put it in the soapy meller category. This is good film making, but for entertainment purpose it helps if you go into it not expecting a hidden film noir gem, but a pic of unhappy people wandering aimlessly in a melodramatic fog. 6/10
Two displaced ex lovers navigate the lonely streets of New York City in search for a definition to describe what their relationship once was.
The Davenport sisters have drifted apart over the years but when their Dad wins the lottery all he wants is having his girls home for Christmas. Getting over years of resentment proves a big task but it's pushed aside when their mother suffering from dementia loses the ticket. They put aside their differences to help find the ticket and in doing so get over their differences and finally learn to come together.
Writer Harry Block draws inspiration from people he knows, and from events that happened to him, sometimes causing these people to become alienated from him as a result.
A career driven professional from Manhattan is wooed by a young painter, who also happens to be the son of her psychoanalyst.
Copenhagen, Denmark, 1962. When a high-ranking Soviet official decides to change sides, a French intelligence agent is caught up in a cold, silent and bloody spy war in which his own family will play a decisive role.
This story starts in 1980 in Paris as the memories of Andrei Borodin, a Soviet agent, take the action back to 1943 during the Teheran meetings of Stalin, Roosevelt and Churchill. A high-ranking Nazi officer developed a plan to assassinate the three world leaders in order to undermine the Allied forces. He commissioned the German agent Max Richard to carry out his plan, but it failed miserably due to the quick action and thinking of Andrei. While in Teheran, Andrei met a French woman, Marie Louni, living in the city and they had a brief but intense affair. Nearly four decades later, the Nazi officer has been captured - but not for long. Freed by terrorists, the officer is hunting down the German agent who failed to carry out the planned assassinations. Max lives at Françoise, a young French woman, who hides him.
Melvin Udall, a cranky, bigoted, obsessive-compulsive writer of romantic fiction, is rude to everyone he meets, including his gay neighbor, Simon. After Simon is brutally attacked and hospitalized, Melvin finds his life turned upside down when he has to look after Simon's dog. In addition, Carol, the only waitress at the local diner who will tolerate him, leaves work to care for her chronically ill son, making it impossible for Melvin to eat breakfast.
A blue-collar worker on New York's depressed waterfront finds his life changed after he saves a woman attempting suicide.
Salvatore "Sal" Fragione is the Italian owner of a pizzeria in Brooklyn. A neighborhood local, Buggin' Out, becomes upset when he sees that the pizzeria's Wall of Fame exhibits only Italian actors. Buggin' Out believes a pizzeria in a black neighborhood should showcase black actors, but Sal disagrees. The wall becomes a symbol of racism and hate to Buggin' Out and to other people in the neighborhood, and tensions rise.
A young Jewish man is torn between tradition and individuality when his old-fashioned family objects to his career as a jazz singer. This is the first full length feature film to use synchronized sound, and is the original film musical.