Come Worry with Us!

North London band Wolf Alice have had a rise to prominence that might have been bends-inducing were it not for their tightness as a group. In summer of 2015, the deliciously dark, hook-and-riff-filled sound of their debut album, My Love Is Cool, inspired the NME to crown it: "the debut of the decade". As a measure of their impact, BAFTA-winning filmmaker Michael Winterbottom joined the band on the road, capturing 16 different gigs and daily life backstage.

Martina and Lupita are two housemaids who steal shoes and clothes from their boss Marcela, trying to impress Lupita's boyfriend. When Marcela founds out about the robbery, she and her friend Marifer go looking for them to retrieve her stuff and bring them to justice. "What did you tell God?" is a comedy that uses Juan Gabriel's songs.

While flying to the first stop on their latest tour, the four members of the Australian music group The Seekers recall in flashback the origins of the group and their rise to success.

Since her debut at the age of 18, musician, civil rights campaigner and activist Joan Baez has been on stage for over 60 years. For the now 82-year-old, the personal has always been political, and her friendship with Martin Luther King and her pacifism have shaped her commitment. In this biography that opens with her farewell tour, Baez takes stock in an unsparing fashion and confronts sometimes painful memories.

Between light and darkness stands Olfa, a Tunisian woman and the mother of four daughters. One day, her two older daughters disappear. To fill in their absence, the filmmaker Kaouther Ben Hania invites professional actresses and invents a unique cinema experience that will lift the veil on Olfa and her daughters' life stories. An intimate journey of hope, rebellion, violence, transmission and sisterhood that will question the very foundations of our societies.

An atypical family portrait, directed by 34-year old Stéphanie Argerich, the daughter of pianists Martha Argerich and Stephen Kovacevich. The filmmaker follows her mother in particular, during concerts and in moments of greater intimacy, searching for answers that might shed light on the private spaces of a family that has always lived in the limelight of the international stage, where gaiety and madness rub shoulders with an absolute and overwhelming passion: music.

Filmmakers Holly Dale and Janis Cole explore the culture of Davie Street, located in the underbelly of Vancouver, where dozens of prostitutes work and live every day. Surprisingly, they find that the sex trade there is stable and largely non-violent, and that the women who work on Davie Street meet daily to discuss safety and health issues and don't use pimps. The film also includes candid interviews with the prostitutes and footage of negotiations with potential clients.