Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
The Substance 2024 - Movies (Jan 20th)
The Outrun 2024 - Movies (Jan 20th)
Love Over Money 2024 - Movies (Jan 20th)
Husband Father Killer The Alyssa Pladl Story 2024 - Movies (Jan 19th)
Surrounded by Spirits 2024 - Movies (Jan 19th)
A Nanny to Die For 2024 - Movies (Jan 19th)
Witness Underground 2024 - Movies (Jan 19th)
Laugh Proud 2024 - Movies (Jan 19th)
Admissions Granted 2024 - Movies (Jan 19th)
AI and the Future of Us An Oprah Winfrey Special 2024 - Movies (Jan 19th)
Australia The Wild Continent 2024 - Movies (Jan 19th)
My Argentine Heart 2025 - Movies (Jan 19th)
The Bear Lake Murders 2025 - Movies (Jan 18th)
The Return 2024 - Movies (Jan 18th)
Breathe 2024 - Movies (Jan 18th)
The Magicians Raincoat 2024 - Movies (Jan 18th)
Vindication Swim 2024 - Movies (Jan 18th)
Wipeout - (Jan 20th)
Pictionary - (Jan 20th)
Saint-Pierre - (Jan 20th)
Family Feud Canada - (Jan 20th)
Hamster and Gretel - (Jan 20th)
Bargain Hunt - (Jan 20th)
The Chase Australia - (Jan 20th)
Watch What Happens Live with Andy Cohen - (Jan 20th)
The Real Housewives of Potomac - (Jan 20th)
Silent Witness - (Jan 20th)
Snapped - (Jan 20th)
Room to Improve - (Jan 20th)
Darby and Joan - (Jan 20th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Fusing fact and fiction is a precarious undertaking for a filmmaker, especially when it comes to matters of clarity and credibility. And that’s where this latest offering from writer-director Kaouther Bin Hania misses the mark. This fact-based story about Olfa Hamrouni, a Tunisian single mother who loses her two eldest daughters, Ghofrane and Rahma, to the radical recruitment efforts of ISIL while trying to protect her two youngest daughters, Eya and Tayssir, from befalling a comparable fate struggles mightily to tell a coherent tale. The film clumsily mixes interviews with family members and dramatic reenactments of significant events featuring actors portraying the principals (some inexplicably playing several roles). To complicate matters, this release features an inordinate amount of superfluous material as well as seemingly important gaps in the story, often leaving viewers scratching their heads about how the narrative gets from one unrelated (and sometimes seemingly contradictory) development to the next. Add to that a relevant revelation that doesn’t appear until late in the film (with virtually no prior back story to support it), and you’ve got a patchwork accounting of what otherwise appears to be a moving and heartfelt tale that deserves greater intelligibility and a better overall delivery. What’s more, this offering includes a considerable amount of material about how this production is being put together, a modestly interesting sidebar that might make for an informative bonus feature, but the inclusion of these largely incidental segments within the primary narrative adds little and serves more to needlessly bog down the flow of the film. Given the foregoing, I’m at a loss to understand why this “documentary” (a term I use loosely) has received the amount of attention and adulation that it has garnered, especially in film festival and awards season competitions. Bin Hania has indeed established herself as a talented filmmaker in other releases (especially those of a purely fictional nature), such as the outstanding Oscar-nominated offering, “The Man Who Sold His Skin” (2020), but she seems out of her league here. That’s unfortunate since Olfa’s saga is one that appears to be well worth telling and doesn’t receive the treatment it truly deserves.
Encounter Point is an 85-minute feature documentary film that follows a former Israeli settler, a Palestinian ex-prisoner, a bereaved Israeli mother and a wounded Palestinian bereaved brother who risk their lives and public standing to promote a nonviolent end to the conflict. Their journeys lead them to the unlikeliest places to confront hatred within their communities.
A Los Angeles policewoman's partner has her pose as a stripper to lure a killer of strippers.
Based on the true events that occurred in the Appalachian Mountains, Mountain Devil recounts the frightening events of the night Frank Peterson and his friend spent the night in a secluded cabin stalked by something they could not explain. With only a few clues and journal entries we try to piece together the shocking events, and attempt to shed insight into one of the greatest mysteries of our time
A naïve but internet savvy 22 year old navigates the reality of her boring, small town Canadian life juxtaposed with the fantasy of her provocative and powerful Instagram celebrity.
Following the death of her mother Tessa (Pamela Rabe), a young woman, returns after many years to the weather-beaten family home on the shores of Sydney's Botany Bay. But the old family home begins to bring old wounds more and more to life. The story unfolds through flashbacks yet as it progresses the flashbacks merge into the present as it becomes apparent that the situation Tessa has returned to is very much the result of that which passed before.
An 18th birthday mushroom trip brings free-spirited Elliott face-to-face with her wisecracking 39-year-old self. But when Elliott’s "old ass" starts handing out warnings about what her younger self should and shouldn't do, Elliott realizes she has to rethink everything about family, love, and what's becoming a transformative summer.
Refuge(e) traces the incredible journey of two refugees, Alpha and Zeferino. Each fled violent threats to their lives in their home countries and presented themselves at the US border asking for political asylum, only to be incarcerated in a for-profit prison for months on end without having committed any crime. Thousands more like them can't tell their stories.
Liam wakes from a car crash with no memory of who he is. As he makes his way into town to look for help, he finds only dead bodies, all with strange pale eyes. Liam's first assessment is that a virus is present in the air, but he soon discovers the horrible truth: anyone who comes within a 50-foot radius of him dies instantly.
The life and work of stage designer ADOLPHE APPIA, originator of the most profound agitations in contemporary theatre. Through the dynamic alternation of animated drawings and choreographies specially conceived for the film, we discover the steps of his artistic evolution.
A vampire follows his instincts to a strip joint where he focuses in on one of the performers. He picks her for his meal because she is contemplating suicide, but he wants to share her life before taking it, and during the course of the evening they discuss their differences, their fears, and their lifestyles. As the moment of truth approaches, the woman becomes less sure that she wants to die.