War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
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The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
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The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
Millionaire William van Luyn falls in love with his secretary Joan Thayer and marries her. Her family, part of "the great middle class" (as blowhard nephew Henry keeps reminding us), is happy for Joan, but reluctant to take charity from Will. He moves in with them, and they keep resisting, until one day he takes drastic action.
The life of a woman is transformed after she is diagnosed with a terminal disease, fired from her job and abandoned by her boyfriend. Given two months to live, she throws caution to the wind to pursue her dreams.
A recently widowed American begins an anonymous sexual relationship with a young Parisian woman.
Real estate agent John Dante has a problem. He's stuck with a house he can't sell. Despite his best efforts, he can't seem to overcome the house's past and the macabre tales that precede it in this haunting anthology. In the first story, THE MORNING AFTER, a group of friends wake up from the party of a lifetime to find a nightmare in the form of the worst bug invasion any homeowner has ever seen. Then there's Freddie Cooper and his band, FREDDIE AND THE GOBLINS; a tale of how Freddie's band mates try to kick him out and get caught up in the young singer's growing psychosis. With his hopes of selling the house fading, John is horrified to hear the story of Robbie, a young veteran of the war in Iraq, who returns home to live with his father Brad in FATHER LAND. Something isn't right, though, as Robbie's dark secret slowly bubbles to the surface. As the house's dark past comes to life, John becomes weary and is convinced the house is cursed and unsellable.
We have sex in Latvia! A light comedy about building relationships - with passion and funny misunderstandings. All characters of this movie are in desire for flirt - be it at a swingers' party or during a sudden encounter with a beautiful stranger on the balcony.
When Isabelle and Theo invite Matthew to stay with them, what begins as a casual friendship ripens into a sensual voyage of discovery and desire in which nothing is off limits and everything is possible.
Young real estate agent Clara Morales encouraged risky loans to her clients during the housing boom. She must now rescue her father’s home from foreclosure - a consequence of the loan she advised him to take.
This new version of Nagasaki's Yami utsu shinzô (1982) is neither a remake nor a sequel. It is both those things, and at the same time it is also a documentary, a portrait of the consequences of passing time, and an occasionally very funny reflection on what the hell the point is of all this filmmaking business anyway. Shigeru Muroi and Takashi Naito, back then young hopefuls willing to take chances, now among the most established and recognisable actors in Japan, return to play the roles they assumed in the 1982 film, each of their characters having gone their own way. Alongside, another young couple (Honda and the ever-brilliant Eguchi) find themselves in the exact same situation as their older counterparts 25 years earlier. Their paths cross, an opportunity arises: for the elder two to redeem part of their own lives, for the younger couple to find a helping hand in their darkest hour.
Genial, bumbling Monsieur Hulot loves his top-floor apartment in a grimy corner of the city, and cannot fathom why his sister's family has moved to the suburbs. Their house is an ultra-modern nightmare, which Hulot only visits for the sake of stealing away his rambunctious young nephew. Hulot's sister, however, wants to win him over to her new way of life, and conspires to set him up with a wife and job.