War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
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Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
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Gold Rush - (Mar 29th)
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The Beat with Ari Melber - (Mar 28th)
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"Jeanne" (Maria Schneider) is flat-hunting when she encounters the predatory "Paul" (Marlon Brando) in an empty apartment where he proceeds to rape her. It turns out that he has recently lost his wife to suicide and is completely bereft - bewildered and almost feral in his attitude towards this girl. He rents the apartment and she comes back for more - always using the no names no pack drill routine as the sex becomes perfunctorily obsessional for both of them. The question is - can they both remain so dispassionate emotionally as their rendezvous become more intense, more humiliating for her and ultimately completely addictive? She is obedient in every way, and like most things reliably delivered on a plate the sex soon ceases to satiate his desires. He must completely control this young woman. She, meantime, is engaged to the aspiring film director "Tom" (Jean-Pierre Léaud) who remains blissfully oblivious of his fiancée's peccadilloes. In the end, it's going to be "Jeanne" who has to take control of her own life - but which way will she turn? For a film that's essentially about passion, this is an entirely sterile affair with little actual chemistry between the couple as Bertolucci exposes us to endless pointless female nudity, some clumsily choreographed sex and a surfeit of dialogue that doesn't generate steam so much as spray amidst a series of gratuitous nookie that did neither Brando nor the marginally more natural Schneider any favours. If it's supposed to be a penetrative look at the human psyche, or at our animal instincts, or maybe even at our dependencies, then I'm afraid it was all just too plodding, repetitive and undercooked. This just wasn't for me, sorry.
Precocious teenager Juliet moves to New Zealand with her family and soon befriends the quiet, brooding Pauline through their shared love of fantasy and literature. This friendship gradually develops into an intense and obsessive bond.
An aged father and his younger, mentally challenged son have been working hard every day to keep the bathhouse running for a motley group of regular customers. When his elder son, who left years ago to seek his fortune in the southern city of Shenzhen, abruptly returns one day, it once again puts under stress the long-broken father-son ties. Presented as a light-hearted comedy, Shower explores the value of family, friendship, and tradition.
Jesse, a small-time criminal, high-tails it to Los Angeles to rendezvous with a French exchange student. Stealing a car and accidentally killing a highway patrolman, he becomes the most wanted fugitive in L.A.
A self-assured businessman murders his employer, the husband of his mistress, which unintentionally provokes an ill-fated chain of events.
A trio of female soul singers cross over to the pop charts in the early 1960s, facing their own personal struggles along the way.
Caye is a young prostitute whose family is unaware of her profession. She meets her striking Dominican neighbour Zulema, an illegal immigrant, after she finds her in the bathroom, badly beaten up. They strike up a close friendship unbeknownst to Caye's xenophobic co-workers.
A veteran high school teacher befriends a younger art teacher, who is having an affair with one of her 15-year-old students. However, her intentions with this new "friend" also go well beyond platonic friendship.
Harold Crick is a lonely IRS agent whose mundane existence is transformed when he hears a mysterious voice narrating his life.
Budapest in the thirties. The restaurant owner Laszlo hires the pianist András to play in his restaurant. Both men fall in love with the beautiful waitress Ilona who inspires András to his only composition. His song of Gloomy Sunday is, at first, loved and then feared, for its melancholic melody triggers off a chain of suicides. The fragile balance of the erotic ménage à trois is sent off kilter when the German Hans goes and falls in love with Ilona as well.
When Isabelle and Theo invite Matthew to stay with them, what begins as a casual friendship ripens into a sensual voyage of discovery and desire in which nothing is off limits and everything is possible.
A wealthy New York investment banking executive hides his alternate psychopathic ego from his co-workers and friends as he escalates deeper into his illogical, gratuitous fantasies.