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Tha Carter IV might’ve gone straight to No. 1, but the crits haven’t been too impressed, many lamenting that Lil Wayne’s new joint lacks the swaggering strangeness that made Tha Carter III such a phenomenon. (Perhaps not surprising after eight months in Riker’s Island.) But if you’re looking for the old Weezy, Adam Bhala Lough’s ride through Wayne’s world, filmed over six fly on the wall months as III broke wide, offers a deep dose – too deep for Wayne himself, who sued to block the movie after its 2009 Sundance debut. (At this writing it’s still in legal limbo in the States but widely available on DVD elsewhere.) Rambling and disjointed in a good way – style here utterly matches subject – The Carter finds Wayne alternately ensconced in Amsterdam and on the road, pursuing a hazy but remarkably productive creative path that somehow melds constant consumption of pot and “purple” (cough syrup-spiked soda) with a work ethic that would put most performers to shame: mic and mobile recorder are always to hand to catch the couplets Weezy spills readily off the dome (and invariably plays back – he never listens to any rap but his own). Immersed in the idiosyncratic internal rhythms of an artist who seems to live fully in the present and entirely according to his own beat, this insinuating doc burns slowly but builds surely, finding bits of revelation in a stonking live “A Milli”; misbegotten interviews with a poor Dutch journalist who has the temerity to bring up poetry and jazz (the movie’s Dont Look Back moment) and another who asks Wayne to envision his own death; or brief, quiet flashes where you suddenly remember there’s a guy called Dwayne Carter Jr. under all the layers of weirdness and weed.
For Jimmy Smith, Jr., life is a daily fight just to keep hope alive. Feeding his dreams in Detroit's vibrant music scene, Jimmy wages an extraordinary personal struggle to find his own voice - and earn a place in a world where rhymes rule, legends are born and every moment… is another chance.
With help from his friends, a Memphis pimp in a mid-life crisis attempts to become a successful hip-hop emcee.
The Donda 2 Performance Experience takes place in Miami, FL at the Loandepot Park with performances by additional special guests. Kanye performs Donda and showcases his new album.
The spotlight's on Parchís, a record company-created Spanish boy/girl band that had unprecedented success with Top 10 songs and hit films in the '80s.
Snoop Dogg's performace February 23, 2005 at Forest International- Bruxelles/Belgium. Songs include: Da boss Would Like to See you, Bump Bump, Murder Was The Case, The Shaznit, Tha Bidness, P.I.M.P., Deep Cover, G Thang, What the Difference, 2 of America's Most Wanted, Snoop's Upside Ya Head, Beautiful, Lodi Dodi, Next Episode, Pump Pump, Let's Get Blown, Gin & Juice, Lay Low- Freestyle, Drop it Like it's hot, Na Na Na Na Hey Hey Goodbye.
Time Is Illmatic is a feature length documentary film that delves deep into the making of Nas' 1994 debut album, Illmatic, and the social conditions that influenced its creation.
Big hits, booty dancing, stage dives, fan freestyles and of course, controversy, A$AP Rocky's debut Down Under tour had it all! At his sold-out Sydney show, hip hop's hottest star and 5000 rowdy fans got wild for the night at the Hordern Pavilion and we captured it all exclusively
Straight out of Jersey comes Patricia Dombrowski, a.k.a. Killa P, a.k.a. Patti Cake$, an aspiring rapper fighting through a world of strip malls and strip clubs on an unlikely quest for glory.
An aspiring DJ, from the South Bronx, and his best friend, a promoter, try to get into show business by exposing people to hip-hop music and culture.
A struggling rapper finds a way in when he is approached by a more respected, hardcore rapper.
