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The tag line "When a girl has a heart of stone, there's only one way to melt it. Just add Ice." clearly shows how logical this movie is. I know, I was expecting this as I started watching but the real reason behind me chicking on it was it hilarity and comic value, in this regard it didn't disappoint. So many elements not to be missed, his swarve sophistication, dayglo pants and bike allow him to bypass the laws of physics entirely when jumping fences, cars and entering buildings. His high class vocabulary never stops, mumling phrases in wanna-be rap gibberish "Yo-yo, whatsup?", "sex me up", "you know, the chick that drives the horse" and the ever famous "drop that zero, get with the hero". Everywhere he goes he just oozes coolness into the situation, strutting on stage indoors at night wearing sun glasses rapping away then dry humping the girl he's been stalking who is obviously still concussed from being thrown from a horse earlier due to his antics. This movie cost 6 Million dollars to make in 1991 (today in 2015 that figure would be close to 11 million), most of this of course went on his 1 million salary and 4.9 Million on his clothing and general wardrobe/props leaving the rest for its awesome production values. Watch this film though, its funny in a way that it was never intended, totally trashed the directors reputation for 8 years after and it was pulled from the cinema after 3 weeks. Its the E.T game in movie form
Outrageously cheesy and the epitome of a vanity project (seeing Vanilla Ice kicking ass is the highlight) but admitteldly there is some charm here and there, plus can't say I never was entertained if only taking me back to those days with the music and clothes (not to mention the direction from David Kellogg who, according to IMDb, mostly done commercials outside of 1999's Inspector Gadget). **2.5/5**
Straight out of Jersey comes Patricia Dombrowski, a.k.a. Killa P, a.k.a. Patti Cake$, an aspiring rapper fighting through a world of strip malls and strip clubs on an unlikely quest for glory.
Craig and Smokey are two guys in Los Angeles hanging out on their porch on a Friday afternoon, smoking and drinking, looking for something to do.
Joe Gavilan and his new partner K. C. Calden, are detectives on the beat in Tinseltown. Neither one of them really wants to be a cop, Gavilan moonlights as a real estate broker, and Calden is an aspiring actor moonlighting as a yoga instructor. When the two are assigned a big case they must work out whether they want to solve the case or follow their hearts.
A tale of an inner city drug dealer who turns away from crime to pursue his passion, rap music.
A struggling rapper finds a way in when he is approached by a more respected, hardcore rapper.
Advertising executive Nick Beame learns that his wife is sleeping with his employer. In a state of despair, he encounters a bumbling thief whose attempted carjacking goes awry when Nick takes him on an involuntary joyride. Soon the betrayed businessman and the incompetent crook strike up a partnership and develop a robbery-revenge scheme. But it turns out that some other criminals in the area don't appreciate the competition.
With help from his friends, a Memphis pimp in a mid-life crisis attempts to become a successful hip-hop emcee.
Dolemite is a pimp who was set up by Willie Greene and the cops, who have planted drugs, stolen furs, and guns in his trunk and got him sentenced to 20 years in jail. One day, Queen B and a warden planned to get him out of Jail and get Willie Green and Mitchell busted for what they did to him.
A Reno singer witnesses a mob murder and the cops stash her in a nunnery to protect her from the mob's hitmen. The mother superior does not trust her, and takes steps to limit her influence on the other nuns. Eventually the singer rescues the failing choir and begins helping with community projects, which gets her an interview on TV—and identification by the mob.
Senator Walter Chalmers is aiming to take down mob boss Pete Ross with the help of testimony from the criminal's hothead brother Johnny, who is in protective custody in San Francisco under the watch of police lieutenant Frank Bullitt. When a pair of mob hitmen enter the scene, Bullitt follows their trail through a maze of complications and double-crosses. This thriller includes one of the most famous car chases ever filmed.
Will Freeman is a good-looking, smooth-talking bachelor whose primary goal in life is avoiding any kind of responsibility. But when he invents an imaginary son in order to meet attractive single moms, Will gets a hilarious lesson about life from a bright, but hopelessly geeky 12-year-old named Marcus. Now, as Will struggles to teach Marcus the art of being cool, Marcus teaches Will that you're never too old to grow up.