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**_A Masterpiece of Cinematic Art -- Captivating and Reverent_** The head Death Row guard at a Tennessee prison during the Depression (Tom Hanks) observes a new inmate, a black man named John Coffey (Michael Clarke Duncan), who is condemned to death for the rape and murder of two little girls. He and his fellow guards become intrigued by the gentle giant and conclude that there's no way he could be guilty of the crime. Who, then, is guilty? And will the guilty party get away with it. "The Green Mile" expertly mixes film genres: It's part prison flick, part supernatural mystery and part drama. It was adapted from Stephen King's novel by director/writer Frank Darabont and released in 1999. If you're not an admirer of Stephen King books/films (I'm not), DON'T let that deter you from viewing this beautiful and spiritually-profound film; it's by no means a typical horror story, although it does have a couple of horrific scenes. Running 3-hours, it's over my limited attention span, and yet it's somehow utterly engrossing, even on repeat viewings. It's character/dialogue driven, unique and unpredictable. Don't mistake this for a run-of-the-mill prison flick. The fact that it largely takes place in a prison in the 1930s is a secondary issue. This is a powerful supernatural mystery/drama. **SPOILER ALERT** (Don't read this next paragraph unless you want to consider possibilities about the character John Coffey) John Coffey's last name is, evidently, derived from an ancient Sumerian word, kophi, which means "winged creature." Hence, John could be viewed as a angel or messenger from the Almighty. Actually, John is a type of Jesus Christ verified in six ways: (1) His initials are JC. (2) He's good-hearted and can easily recognize true evil. (3) He miraculously heals people. (4) He pronounces and executes divine judgment. (5) He is sacrificed even though completely innocent. And (6) He offers eternal life (in a sense), as evidenced by the extended life-span of the Hanks character and the mouse "Mr. Jingles." **End SPOILER ALERT** Don't miss out on this cinematic masterpiece.
"Edgecomb" (Tom Hanks) is in charge of the prison officers who tend to the inmates on death row. He's a decent man who, with the help of his partner "Howell" (David Morse) tries to carry out his task as humanely as possible. Their team also numbers the truly odious "Percy" (Doug Hutchinson). He's an incompetent coward, but he also happens to be the nephew of the state governor, so tends to get away with his obnoxiousness towards the prisoners. That nasty behaviour becomes more pronounced when the giant "Coffey" (Michael Clarke Duncan) arrives. Also newly arrived is a small mouse which befriends, much to the chagrin of "Percy", a fellow inmate (Harry Dean Stanton) and oddly enough it seems to help keep the peace as people come and go. Things take quite an intriguing turn when some physical contact between their gentle giant and "Edgecomb" seems to cure his liver complaint. As the officer realises that this man may well possess healing hands, he and his team begins to bond with him. Meantime, the ghastly little "Percy" screws up his first execution causing an effect straight out of a Wes Craven film and Sam Rockwell's psychopathic "Wild Bill" arrives to liven things up. It's actually Rockwell who steal this for me. His performance is viscerally effective and he really does commit to the role. It's over 3 hours long but the acting is almost perfect as these characters develop and the story unfolds reconciling the brutality of racism, crime and punishment with the attempts at humanity and decency applied by virtually everyone whose lives are touched by these scenarios - even amongst the staff who struggle at times to keep their own priorities in kilter. One of Stephen King's much better stories with depth to the personas, a good baddie to loathe and a message of redemption delivered subtly but powerfully.
Great acting by everyone involved, but the story is just not my cup of tea. If you like fake miracles (no shortage of people that do) and fantasy storylines, like prison guards that are humane and empathic (on death row nonetheless), then you might enjoy this more. I, however, will stick to more realistic fantasy, like mages fighting orcs and that sort of thing, and leave this in the trash pile of conservative media.
An American gets a ticket for an audience participation game in London, then gets involved in a case of mistaken identity. As an international plot unravels around him, he thinks it's all part of the act.
Forensic psychologist and detective Alex Cross travels to North Carolina and teams with escaped kidnap victim Kate McTiernan to hunt down "Casanova," a serial killer who abducts strong-willed women and forces them to submit to his demands. The trail leads to Los Angeles, where the duo discovers that the psychopath may not be working alone.
The mutilated body of a six year old girl is found in a water hole. The girl is identified as the missing daughter of Claudia. However, only two peices of evidence could be used to identify her; a bracelet with her name on it near the crime scene, and the fact that her right leg was three inches longer than her left. All other methods of identification were removed from her body. Five years later Claudia, now addicted to tranquilizers, receives a phone call from someone claiming to be her daughter, asking for her mother to come find her before 'they' kill her. Other mysterious clues show up, further indicating that Claudia's daughter is indeed still alive, and very much in danger. Claudia, a run-down ex-cop, and a parapsychology reporter put together the clues to discover Angela's whereabouts
One day in 1984, Todd Bowden, a brilliant high school boy fascinated by the history of Nazism, stumbles across an old man whose appearance resembles that of Kurt Dussander, a wanted Nazi war criminal. A month later, Todd decides to knock on his door.
Alex Corvis, a man wrongly executed for the murder of his girlfriend, returns from the dead and sets out to find the real killer.
In a far-future time ruled by the supernatural, a young girl requests the help of a vampire hunter to kill the vampire who has bitten her and thus prevent her from becoming a vampire herself.
William Thatcher, a knight's peasant apprentice, gets a chance at glory when the knight dies suddenly mid-tournament. Posing as a knight himself, William won't stop until he's crowned tournament champion—assuming matters of the heart don't get in the way.
Lincoln Rhyme was the department's top homicide detective and leading expert in criminal forensics until an injury left him paralyzed, depressed, and incapable of working. But when a gruesome murder in Manhattan leaves detectives baffled, they call on Rhyme to help solve the mystery. Amelia Donaghy, a rookie cop whose quick thinking preserved a gruesome murder scene, is enlisted by Rhyme to be his on-the-scene forensics expert. With Amelia reluctantly acting as Rhyme's able-bodied go-between, the pair piece together cryptic clues the killer leaves behind at the scene of the crime, hoping to catch the grisly serial killer.
Schultze is an accordion player and newly without work. When the local music club celebrates its 50th anniversary, his taste of music changes unexpectedly.
Three lovable party buds try to bail their friend out of jail. But just when the guys have mastered a plan, everything comes dangerously close to going up in smoke.