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Pencil could have been a thrilling whodunit but it also wants to be a message movie that rails against private educational institutions, and in trying to be both, it fails to be a satisfying film. And to make matters worse, its premise isn't wholly original as well, for it is inspired from the Korean thriller 4th Period Mystery. The film begins promisingly with Nithin (Shariq Hassan), the school's student and the son of a film star, being murdered by an unknown assailant. Then, it goes back by a few months and shows us the various characters who have a motive to kill the boy — Shiva (GV Prakash), the school topper who is Nithin's bete noire; Maya (Sri Divya), Shiva's crush and a bold girl who rubs him the wrong way; teachers Nandini (Suja Varunee) and Sridhar (Thirumurugan) whose compromising video is in the boy's hands; Anthony Gonsalves (VTV Ganesh), another teacher whom he disrespects; the girl who Nithin is blackmailing; the local boy whom he beats up for hitting on a classmate; and so on. Maya finds Shiva in an incriminating set-up, but decides that he is innocent and together, they decide to track down the murderer before he can leave the school's premises. Barring the cliched and unnecessary romantic portions, Mani Nagaraj does a decent job of setting up the mystery in the first half. But the second half is a great let-down. While we expect a tense thriller, what we end up with are amateurish investigative scenes and mood-killing comedy that takes away every ounce of tension in the script. Just because the setting is a school, should the scenes be this juvenile? It is also marred by the choice of the actors who play the school's faculty. TP Gajendran plays the school's principal and his phone's ringtone is Kundrathile Kumaranukku kondattam! Should we say more? The dialogues hitting out at private schools also feel manipulative, especially the climactic monologue, though Abhishek saves it from being a mere rant with his sincere performance. Also, with the hero's character often designated to a secondary role (even during the investigations, it is Sri Divya's Nancy Drew-ish Maya who takes the lead), it is Shariq Hassan (making his debut) who walks away with the film with an arresting performance. The film feels alive whenever he is in the scene, which is why it is a pity that his character dies midway and has to merely be a dead body. Along with him, the film also becomes lifeless.
Black police officer Russell Stevens applies for a special anti-drug squad which targets the highest boss of cocaine delivery to LA—the Colombian foreign minister's nephew. Russell works his way up from the bottom undercover, until he reaches the boss.
When Guptan, a college lecturer, gets killed, the police suspect Gabriel to be the murderer. A girl takes help from her brothers, who are famous lawyers, in proving his innocence.
A tough Russian policeman is forced to partner up with a cocky Chicago police detective when he is sent to Chicago to apprehend a Georgian drug lord who killed his partner and fled the country.
Miss Marple believes she's seen a murder in a passing-by train, yet when the police find no evidence she decides to investigate it on her own.
Miss Marple and Mr. Stringer are witnesses to the death by heart attack of elderly, rich Mr. Enderby. Yet they have their doubts about what happened. The police don't believe them, thus leading Miss Marple to yet again investigate by herself.
A murderer is brought to court and only Miss Marple is unconvinced of his innocence. Once again she begins her own investigation.
During an annual board of trustees meeting, one of the trustees dies. Miss Marple thinks he’s been poisoned after finding a chemical on him. She sets off to investigate at the ship where he had just come from. The fourth and final film from the Miss Marple series starring Margaret Rutherford as the quirky amateur detective.
Based on the true story of a Russian serial killer who, over many years, claimed victim to over 50 people. His victims were mostly under the age of 17. In what was then a communists state, the police investigations were hampered by bureaucracy, incompetence and those in power. The story is told from the viewpoint of the detective in charge of the case.
Baltimore. New Year's Eve. A talented but troubled police officer is recruited by the FBI's chief investigator to help profile and track down a mass murderer.
When his boss is killed, Detroit cop Axel Foley finds evidence that the murderer had ties to a California amusement park called Wonder World. Returning to sunny Beverly Hills once more, Foley reunites with Detective Billy Rosewood to solve the case. Along with Billy's new partner, Detective Jon Flint, they discover that Wonder World is being used as a front for a massive counterfeiting ring.
Two Los Angeles homicide detectives are dispatched to a northern town where the sun doesn't set to investigate the methodical murder of a local teen.