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Virattu is a textbook example of what muddled script and bad acting can do to a plot with promise. The film could have been a racy 90-minute thriller on the lines of Hollywood films like Speed and Unstoppable, what with this one too boasting a one-line premise (a heist on a moving train) that would make many of our better commercial film directors slap their forehead and exclaim, 'Now, why didn't I think of that!'. Sujiv (Sujiv) and Sri (Erica) are partners in crime, extorting money from rich men with a weakness. She wants to turn straight while he enjoys committing crime. Meanwhile, Ammu, who has been brought up in a monastery, wants to go home, and gets a huge sum as cash for working all the years in the place. He believes the world is a nicer place and everyone is good. He comes in contact with the two leads and they get to the train station and encounter the villain, Kalki. Sujiv foils the attempts of his underlings, which infuriates Kalki, and stealing Ammu's cash becomes a matter of saving his reputation for him. This is quite good as a set-up and all director Kumar had to do was come up with inventive ways to stage the cat-and-mouse game between Sujiv and Kalki. But the scenes we get are hardly interesting, and there is no moment-to-moment vitality that this film needs. What we get, instead, are bland action sequences (even the one on top of the speeding train feels dull), an even blander gangster's moll ( Pragya Jaiswal), pointless songs, even more pointless comedy (where an ingratiating Manobala tries to do a Vadivelu), atrocious line readings, and equally terrible lip sync (quite a number of times we catch the actors mouthing the lines in Telugu!). Even the hasty last-minute twist fails to inject some excitement into the flaccid script.
After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits.
Harry Doyle and Archie Lang are two old-time train robbers, who held up a train in 1956 and have been incarcerated for thirty years. After serving their time, they are released from jail and have to adjust to a new life of freedom. and soon realize that they still have the pizzazz when, picking up their prison checks at a bank, they foil a robbery attempt.
The lives of Calcutta's most powerful gangsters - Bikram and Bala, changes when Nandita enters it. Then a counter-force takes charge and a thriller unfolds.
In Victorian England, a master criminal makes elaborate plans to steal a shipment of gold from a moving train.
When a vengeful New York transit cop decides to steal a trainload of subway fares, his foster brother—a fellow cop—tries to protect him.
After escaping from jail, outlaw Wes McQueen is convinced by his old partner in crime to do one last heist.
An insurance agent's greedy girlfriend with a taste for mink leads him to a life of crime.
Bob's daughter is sick, so Helen volunteers to take his place on the night run, unaware that the Blackhall gang intends to rob the train which carries a valuable gold shipment. Learning of Helen's peril, Bob and Tracy pursue the train by automobile, arriving just as the hijackers are about to explode a charge of dynamite under the rails.
The Olsen Gang is robbed in Spain and loses the millions they earned from their last heist. Egon has a plan to get the money back by robbing the National State Railways for a gold transport.
Buster is a small time crook who pulls a big time job. When he finds that the police will not let the case drop, he goes into hiding and can't contact his wife and child. He arranges to meet them in Mexico where he thinks they can begin again, but finds that he must choose between his family and freedom.
Arthur and Anatole are two little robbers. They want to rob money, money that will travel in a special train from Paris to Bruxelles. They don't know that other people have planned to do the same thing.
