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_**Robbing a train of a shipment of gold in Victorian England**_ Written/directed by Michael Crichton and released in 1978/79, “The Great Train Robbery” was loosely based on the real-life Great Gold Robbery of 1855 that took place in England. Sean Connery plays the mastermind, Lesley-Anne Down his girlfriend and Donald Sutherland a safecracker with whom they team-up. I generally don’t like caper films because the protagonists are criminals, but Crichton wisely makes the characters played by Connery and Sutherland likable rapscallions; meanwhile Down is babelicious, in particular in her jaw-dropping first scene. Crichton intentionally made the movie more farcical compared to his novel and I appreciated the wit and low-key humor. I didn’t expect to like this movie, but it won me over. The film runs 1 hour, 51 minutes, and was shot primarily in Ireland (Dublin, Bray, Cork & Moate), but also Pinewood Studios, England. GRADE: B-/B
Seen this once before many years ago but decided to check out the new Blu-ray from Kino Lorber. A solid heist-thriller though what struck me was these thieves were stealing gold meant for British soldiers, so not exactly stealing from some corporation, and our lead played by Sean Connery had no issue murdering a guy. Even so, still found it entertaining and some suspense-filled scenes, among them a great sequence with Connery on top of a moving train. **3.75/5**
I think it's Jerry Goldsmith's opening theme that gives a clue that we're in for some fun antics on the railways! That's confirmed when Michael Elphick chucks some would-be robber from the speeding carriage down an embankment where he lands at the feet of "Pierce" (Sean Connery). This bowler hatted gent wouldn't have been out of place in the Reform Club at the start of "Around the World in Eighty Days", so is a natural at another gentleman's club where the manager of a bank is bragging about their impregnable transfer of gold to pay the soldiers of the Crimea. Hardly patriotic, but "Pierce" has his eyes on this bullion and so with the help of girlfriend "Miriam" (Lesley-Anne Down) and cracksman "Agar" (Donald Sutherland) sets about doing the impossible - robbing a ton's worth of gold from a moving train. Each key to the safe is kept separately, so they have to use their guile and wits to find them, copy them, and return them without anyone suspecting! It's this series of escapades that is quite fun to watch whilst shining a light on the double-standards of the Victorian elite. Can they all get away with it? Well this is one of those charismatic ensemble efforts that makes you hope that they do. There's mischief a plenty, some precision thievery and quite impressive acrobatics from the nimble Wayne Sleep along the way too. Hats off to Sutherland though. What was he doing with that cat in the coffin?
When an army commando finds out his true love is engaged against her will, he boards a New Dehli-bound train in a daring quest to derail the arranged marriage. But when a gang of knife-wielding thieves begin to terrorize innocent passengers on his train, the commando takes them on, one by one.
Laura Mansfield catches a glimpse of mob hit man Jackie Wales after he shoots her businessman father. At the police station, Laura identifies Jackie as the murderer, but the policeman in charge of the case, Lt. Brewster, lets him go, citing a lack of corroborating evidence. Outraged, Laura worms her way into the unsuspecting Jackie's heart, trying to snare him and mob-connected club owner Armitage in her trap.
A love story offering an intimate look inside the marriage of Winston and Clementine Churchill during a particularly troubled, though little-known, moment in their lives.
Ms. Isabel Archer isn't afraid to challenge societal norms. Impressed by her free spirit, her kindhearted cousin writes her into his fatally ill father's will. Suddenly rich and independent, Isabelle ventures into the world, along the way befriending a cynical intellectual and romancing an art enthusiast. However, the advantage of her affluence is called into question when she realizes the extent to which her money colors her relationships.
Young, wild poet Arthur Rimbaud and his mentor Paul Verlaine engage in a fierce, forbidden romance while feeling the effects of a hellish artistic lifestyle.
Controversy and legal problems follow Dr. Jack Kevorkian as he advocates assisted suicide.
In Northern Norway during the 1860s, a little girl named Dina accidentally causes her mother's death. Overcome with grief, her father refuses to raise her, leaving her in the care of the household servants. Dina grows up wild and unmanageable, with her only friend being the stable boy, Tomas. She summons her mother's ghost and develops a strange fascination with death as well as a passion for living.
Helene Alving leads an outwardly contented life. On the eve of the 10th anniversary of her husband's death, she is about to open an orphanage as a memorial to him. To mark this occasion, her bohemian painter son Oswald has returned from Paris. Helene plans to take the opportunity to tell Oswald the truth about his father. But ghosts of the past erupt during an eventful evening, bringing the facade of civilised family life crashing down.
In 1870s India, Charulata is an isolated, artistically inclined woman who sees little of her busy journalist husband, Bhupati. Realizing that his wife is alienated and unhappy, he convinces his cousin, Amal, to spend time with Charulata and nourish her creative impulses. Amal is a fledgling poet himself, and he and Charulata bond over their shared love of art.
An examination of Austrian psychologist Sigmund Freud's career when he began to treat patients diagnosed with hysteria, using the radical technique of hypnosis.