The One Show - (Jan 18th)
Someday at a Place in the Sun - (Jan 18th)
Lopez vs Lopez - (Jan 18th)
Gold Rush - (Jan 18th)
The ReidOut with Joy Reid - (Jan 18th)
All In with Chris Hayes - (Jan 18th)
The Beat with Ari Melber - (Jan 18th)
Happys Place - (Jan 18th)
Deadline- White House - (Jan 17th)
The Bidding Room - (Jan 17th)
Bargain-Loving Brits in the Sun - (Jan 17th)
Cruising with Susan Calman - (Jan 17th)
The Traitors- Uncloaked - (Jan 17th)
Travel Man- 48 Hours in... - (Jan 17th)
The Bold and the Beautiful - (Jan 17th)
The Traitors - (Jan 17th)
Love During Lockup - (Jan 17th)
Love Island- All Stars - (Jan 17th)
For the Love of DILFs - (Jan 17th)
8 Out of 10 Cats Does Countdown - (Jan 17th)
By far, the SLOWEST horror film I've ever watched! Really don't waste the 95 mins it'll take to watch and be stupidly disappointed (stupidly, because you'll feel like an idiot for getting to the end of the film and realising you were being taken for one the whole time!). This film's writer/Director/producer(s) were clearly so besotted with false nostalgia for horror films of the 80s, that they misguidedly picked the worst flaws of the worst films of that era and replicated them here, believing themselves to be making something 'authentic' and true to that time. What they actually made would've been called crap then as much as it should be now! 90 mins of creeping around with no plausible characters, situations or even anything resembling actual *suspense*; then 5 mins of "whooaaah, look: blood and satanic ritual! Isn't that scary?!" Answer: NO, IT BLOODY WELL ISN'T! Now give me back the last 95 mins, you fools!
This one night changes everything for me. Ti West seems destined to be one of those horror film directors who forever will polarise opinions. For those of us who love the slow burn approach and admire his evident adoration of retro horror, then he hits the mark. Reference The House of the Devil and latterly The Innkeepers. If those two things don't strike a chord with you then it's very likely that The House of the Devil will drive you nuts - but not in a good way. Plot is simple, Jocelin Donahue plays student Samantha Hughes, who has found the ideal apartment to live in, but needs funds to pay the deposit. Sooooo, answering a flyer advertising for a babysitter, she winds up at some spooky house out in the sticks, where the job isn't exactly what was as expected, and, well the night isn't as expected either... It's her own fault really, if you ring the bell at a spooky isolated house and Tom Noonan answers the door, well then you should know better than not to run away! But I digress. West's film taps into the satanic panic that gripped certain parts of the states in the 70s and 80s, set in the early 80s the film is a vibrant homage to that era, with a real sense of time and place pulsing away as Samantha is set up for a night of god knows what. The house is a splendid old creaker and within it Samantha always looks to be one cat's whisker away from being in peril. West doesn't go for continuous boo-jump scares, he lets us and Samantha use our imaginations to unnerve all parties. The screw is slowly turned until hell comes to the party, moving things swiftly to a frenetic finale that closes with a final denouement that old nick himself would approve of. Dee Wallace Stone does a cameo to add more to the retro flavours, while Noonan and Donahue are superb. It's a film that is patient and asks you for your patience, so those of that ilk, and retro horror hounds too, will love it. Others, not so! 7/10
After watching _X_ and _Pearl_, I was very excited to dive deeper into Ti West's filmography, unfortunately for me this one does not live up to the hype. This movie has a very old school feel to it, giving me flashbacks to the original _Halloween_ and _Friday the 13th_ with its film quality, atmosphere, and audio effects/music. I really enjoyed this aspect, and it left me feeling somewhat nostalgic. These feelings did not carry over to the rest of the film. I thought the plot was fine, although the main characters incredibly stupid decisions were the catalyst for the entire story. This is fine in slashers or an action horror film as the kills are what you are there for, but with this it felt cheap and left me unsatisfied. The movie lingers on scenes all too often, resulting in a very slow pace. I understand these long-drawn-out sequences were supposed to build tension, but it was not effective, and left be bored. I really wanted to enjoy this more than I did and unfortunately the best I can give this is an average rating. **Score:** _51%_ | **Verdict:** _Average_
The pacing is AWFUL, scenes drag out that have no plot relevance. Other than that, it's a solid movie. It with a lot of fat trimming it could be a thousand times better. The movie takes place in the 1980s and the film used to do so really pulls in that grain.
In the 1930s, a sailor trying to prove that his brother was wrongly executed for murder finds himself becoming drawn into the occult world.
Manhattan socialite begins to fear for her troubled younger brother when he starts behaving bizarrely and he seems to have been friends with a backstreet murderer.
Bruiser is the story of a man who has always tried to fit in. He keeps his mouth shut, follows the rules, and does what he's supposed to do. But one morning, he wakes up to find his face is gone. All the years of acquiescence have cost him the one thing he can't replace: his identity. Now he's a blank, outside as well as in, an anonymous, featureless phantom. Bent on exacting revenge, he explodes. He isn't going to follow the rules anymore.
A high-school student and a drug pusher land in a nuclear-wasted river and come out zombies.
A sociology instructor finds her new teaching duties at a private college interrupted by the presence of a killer.
American astronaut Frank Douglas mysteriously disappears from his spacecraft as it parachutes to Earth. He is apparently replaced by or turned into a large, radioactive, humanoid monster. A team of scientists and military men attempt to capture the monster.
Fleeing from the cult that murdered his father, a teen is aided in his quest to find the lost city of the fabled Ziox by a secretive drifter.
A native of Sennwald, Anna Göldi arrived in Glarus in 1765. For seventeen years, she worked as a maidservant for Johann Jakob Tschudi, a physician. Tschudi reported her for having put needles in the bread and milk of one of his daughters, apparently through supernatural means. Göldi at first escaped arrest, but the authorities of the Canton of Glarus advertised a reward for her capture in the Zürcher Zeitung on February 9, 1782. Göldi was arrested and under torture, admitted to entering in a pact with the Devil, who had appeared to her as a black dog. She withdrew her confession after the torture ended, but was sentenced on June 18, 1782 to execution by decapitation. The charges were officially of "poisoning" rather than witchcraft, even though the law at the time did not impose the death penalty for non-lethal poisoning.
A deranged killer wearing a clown mask begins preying on a group of young women working at a phone-sex company.
"Stepfather" Jerry Blake escapes an insane asylum and winds up in another town, this time impersonating a marriage counselor. With a future wife and new stepson who love him, Blake eliminates anyone who stands in his way to building the perfect family.
A man and his brother on a mission of revenge become trapped in a harrowing occult experiment dating back to the Third Reich.