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Jim Jarmusch's 2008 film The Limits of Control concerns a nameless hitman (Isaach De Bankole) as he prepares to carry out an assassination in Spain. It is not overtly stated that he is a professional, but his uncompromising posture, his unchanging expression and the omnipresent suitcase make it clear from the very first minutes of the film. Isaach De Bankole is perfect in this role, as he has a face that seems carved out of granite. The hitman's few intimations of humanity are thus all the more shocking. As the film proceeds, the hitman meets a series of individuals who send him onwards in his journey to pick up necessary equipment and finally confront his victim. These employees of his mysterious employer are left nameless, though often referred to by items they carry or other qualities: "Guitar" (John Hurt), "Blond" (Tilda Swinton), "Violin" (Luis Tosar), "Mexican" (Gael García Bernal), and "Molecules" (Youki Kudoh). In engaging the assassin in conversation to subtly convey their messages, they end up delivering eccentric monologues. Many critics lambasted these lines as so much metaphysical babble. In fact, everything said relates very directly to the plot, but this is the sort of film that demands a second viewing to really tie everything together, and those who fail to be intrigued enough on the first viewing to go on to a second may find this film a failure. Though Jarmusch alludes to America under the Bush administration at points, this is ultimately a psychological drama: the hitman's task and contacts represent only parts of his own psyche. While some have tried to view this as a simple Freudian struggle between the id, ego, and superego, I feel that Jarmusch is aiming for something more subtle, something that he has great difficult putting into words and, even with his best efforts, this film can only hint at. THE LIMITS OF CONTROL feels like a cinematic analogue to the late albums of Scott Walker, where the songs' characters, cultural references and "plot" only serve to express some burning flame in the artist's own psyche. Jim Jarmusch has always stated that his aesthetic is to absorb everything he can from prior films (and books, music, etc.) and let those inspirations reflect in his own films.The Limits of Control abounds with references to the film canon: Jean-Pierre Melville (namely "Le Samouraï"), Orson Welles ("The Lady from Shanghai"), Alfred Hitchcock, Aki Kaurismäki ("Le Vie de Bohème"), Alejandro Jodorowsky (that auteur's entire trippy aesthetic), and probably more that I just didn't recognize. The film's lack of conventional interaction between characters and the compilation of references ultimately makes THE LIMITS OF CONTROL feel relatively cold and lifeless compared to Jarmusch's many other films. Still, the visuals of the film make it a worthwhile experience in spite of its flaws. With Christopher Doyle, funny enough, working the camera, we get a number of beautifully composed shots that will prove memorable.
A drive-by shooting in Venice, California, changes the lives of five people forever. States of Grace tells the story of a homeless street preacher, Louis, a gang banger, Carl, an aspiring actress, Holly, and two young missionaries, Lozano and Farrell, in what critics have hailed as one of the finest films of the year and one of the best Christian-themed films ever made.
A movie about the travails of Jason (Mark Webber), a young gas station attendant and movie projectionist living in Nebraska. His encounters with various social difficulties and with Frances (Zooey Deschanel), a beautiful and enigmatic young woman leads to dramatic changes and decisions in his life.
Tweek City is a week in the life of Bill, a potentially closeted, half-Latino, small-time speed dealer in San Francisco's Mission District. Bill is stuck on an endless walk from one empty experience to the next. Only Bill's friend Jerm has the ability to connect and ground him in reality. When Jerm makes an ill-advised stage dive, Bill plunges into a downward spiral that takes him on a nocturnal journey through the streets of San Francisco and ultimately down to Los Angeles where he crashes his high school sweetheart's wedding. From his sleep-deprived, hallucinogenic state, Bill fails miserably in a desperate attempt to reconnect with his first and only love. With nowhere else to go, Bill jacks a car and ends up at the deserted drive-in theater of his childhood where he is forced to confront the ghosts that he had tried to leave behind.
Donner and his roomates are out of money and about to get evicted from their home. So as a diversion from their situation, he invites them to his father's cabin in the Canadian wilderness. They all go along, but soon learn that there's no cabin - he's really trying to find Sasquatch.
Two escaped convicts roll into the village of Happy, Texas, where they're mistaken for a gay couple who work as beauty pageant consultants. They go along with it to duck the police, but the local sheriff has a secret of his own.
Sherry Graham, a self-destructive makeup saleswoman, hopes a new man and business venture will provide her a fresh start. After her plans are foiled, she takes control of her life in a dramatic turn of events.
The lives of Eric, an ex hockey player, and his partner Sam, are thrown into turmoil when they are forced to take in Scot, a flamboyant 11-year-old.
Believing that bad karma is keeping him from realizing his dream, hip clothing designer Amer Atrash (Philippe Caland) attempts to orchestrate salvation - with unexpected results - in this indie drama. Pushed to the edge of financial disaster and facing marital woes, Atrash resolves to right a wrong he committed years earlier when his car accidentally struck Philip Blackman (Forest Whitaker), leaving him paralyzed.
A journalist goes in search of the truth after a series of brutal deaths and disappearances lead back to an urban legend about a serial killing clown that has stalked the woods of Century Park for over a hundred years.
A psychological thriller dealing with the dual persona a young man possesses and attempts to conceal throughout his ongoing sessions with his therapist.