El último velo

“1973” Is the tale on the life of three people who were born in Mexico City in the year of 1973, it starts since their first memory until today. The three of them want to be someone they can’t achieve, they share the dream of running away from the city, but finally they fail and find three different ways of personal destruction.

Portrait of daily life and its inhabitants at the pulquería “La Pirata”. A homage to all those who drink pulque, to ranchera music, to the “barrio” and to pulque.

A Mexican upper-class family suffers a great loss. After a while everyone seems to go on with their lives. But after 11 years, everyone will start to remember that tragedy and start the road to depression and self-pity, and possible self-destruction.

An emotional journey that takes us into one father – daughter relationship, through their struggles and dificultéis, ending in the house by the sea where they were happy together.

There are promises that are impossible to keep. My uncle José made such a promise as a child in 1963 to my mother Ana Luisa, to whom he declared a special kind of devotion. There are always bonds like this between siblings establishing mysterious complicites. This is what José declared to little Ana Luisa: "The day that you die, I´m going to die with you".

To the beat of punk and pop, Valentina and Joana pursue their most intimate and deepest dreams. On the road to success, they will find obstacles that will test their friendship. The harshness and absurdity of their lives, fuses with the sweet and sour story of a world where the party seems to go on forever.

A young man sets out to the small town where his grandfather once lived to learn the story behind his death. There he learns from the town elders not only what happened to his grandfather but stories about old times and the ways the town has changed.

An extraordinary film about memory, and specifically the fading memory of an 86-year-old political activist who has fought tirelessly against historical amnesia and for justice in Argentina. The director’s grandmother, Laura Bonaparte, was one of the founders of the Mothers of the Plaza de Mayo, formed during the 1970s by women whose children and family members had been disappeared by the Videla military dictatorship. Laura herself lost three children and their partners, including the director’s parents. Today, after a lifetime battling that the disappeared never be forgotten, Laura faces her own struggle to remember.

Takeda is a film about the universality of the human being seen thru the eyes of a Japanese painter that has adopted the Mexican culture.

Rodolfo and Beatriz are the parents of teenagers Jessica and Juan. Together they form a perfect dysfunctional family. Rodolfo leaves for work every morning, but actually he’s unemployed. Beatriz, worrying that she is looking older, has a flirtation with her buff gym trainer. Jessica finds herself in a love triangle with her boyfriend and her best friend. And, Juan’s girlfriend has a little surprise for him. This is the life of an ordinary middle-class family in Tijuana. While living under the same roof, they scurry about their days, trying to hide their secrets from one another. A fresh, clever and humorous portrait of a modern family unit.

Edgar is in love and obsessed with Maria, his neighbor, but the greatest obstacle in his quest for love is the oppressive environment in which he lives with his mother.