El último velo

A Mexican upper-class family suffers a great loss. After a while everyone seems to go on with their lives. But after 11 years, everyone will start to remember that tragedy and start the road to depression and self-pity, and possible self-destruction.

Edgar is in love and obsessed with Maria, his neighbor, but the greatest obstacle in his quest for love is the oppressive environment in which he lives with his mother.

Ivan lives with his mother in the daily routine. Without prior notice, Jacobo, the oldest son who was absent, comes back home; desperate for his own situation he decides to start a short trip with his younger brother, Ivan. All along the journey they will learn to understand each other, they will try to make up for lost time and rebuild their affective bonds.

Ivan, a Uruguayan political exile living in Mexico, returns to his country after his father's death. The reencounter with his empty home will push Ivan to look back in time in order to come to terms with the past.

Cecilia is a young woman. Mateo is a boy. They are friends and work together on the subway. Faced with a financial hardship, a security guard makes Cecilia an offer in exchange for money. After much hesitation she accepts; this leads her to make a devastating decision.

An extraordinary film about memory, and specifically the fading memory of an 86-year-old political activist who has fought tirelessly against historical amnesia and for justice in Argentina. The director’s grandmother, Laura Bonaparte, was one of the founders of the Mothers of the Plaza de Mayo, formed during the 1970s by women whose children and family members had been disappeared by the Videla military dictatorship. Laura herself lost three children and their partners, including the director’s parents. Today, after a lifetime battling that the disappeared never be forgotten, Laura faces her own struggle to remember.

The attack on a popular singer known as Pachito -who becomes the favorite candidate to win the presidential election in an imaginary Latin American country- is the starting point of several stories, including: the alleged murderer, a police officer investigating the disappearance of the murdered body and an architect hired to design the mausoleum to the memory of the possible dictator.

A train enters a soap factory. Inside it, hidden travellers, immigrants. One of them gets out of the train. In the factory she finds relief, help, solidarity.

After the death of a patriarch, a family must try to continue on with a disturbing, ritualistic tradition.

The relationship between beautiful Emilia (Elizabeth Cervantes) and her imaginative young daughter, Alicia, is tested in this understated Mexican drama. Disoriented after moving to a new apartment and left to herself when her mother starts bringing men home, Alicia takes refuge in dreams that soon become nightmares, especially after she begins to fear that her mom has become possessed by the vampirish man next door. With a keen eye for the rhythms and struggles of contemporary Mexican family life, this film illuminates the secret worlds of lonely children while never straying from its true subject: the uncommon love between a single mother and her child.

In an unnamed Latin American country that closely resembles Mexico, the government fights a rural insurgency with torture, assault, rape, and murder. Soldiers descend on a town, cutting off the rebels from their cache of ammunition hidden in a field. A family of grandfather, son, and grandson are among the rebels in the hills. The grandfather, with his violin over his shoulder, tries to pass the checkpoint, ostensibly to tend his corn crop. The commanding officer lets him pass but insists on a daily music lesson.