Marijka nevěrnice

In the Carpathian Mountains of 19th-century Ukraine, love, hate, life and death among the Hutsul people are as they’ve been since time began. Ivan is drawn to Marichka, the beautiful young daughter of the man who killed his father. But fate tragically decrees that the two lovers will remain apart.

In the dark days of Nazi occupation, a young Hutsul girl native to the Carpathian mountains falls in love with a wounded Soviet partisan. Their affair sets in motion a tragic chain of events, as her family turns against her with shocking results.

In a mountain village one woman's beauty and popularity with the men incurs the wrath of the others. AKA The Stray.

The 20th century was the roughest in history for the Carpatho-Rusyns of Central Europe. After World War II, when they were declared Ukrainians by the new Communist regimes in every country where they live, Carpatho-Rusyns in Czechoslovakia and elsewhere became extinct overnight - and this was their existence for more than 50 years. But with the 1989 Velvet Revolution, led by the playwright and former dissident Václav Havel, Carpatho-Rusyn ethnicity revived in every country - including the United States. This is the story of that revival.

The documentary film is not a search for the survived truth of the inhabitants of the Ruthenian village Ladomírová. It captures their subjective memories, often frozen in time and in everyday life. Only strong impressions of sadness, joy, suffering, which reflect the great history of the 20th century. There is no truth about the past, it is only the human mind that actually makes morytates - bloody enlightening stories and legends.

Dedicated to the Lemkos, who through their extraordinary love for the country overcame the trauma of massive deportations during the "Operation Vistula" and managed to return to their homeland. This film is a story about the fate of people from the annihilated Długie village, and it talks about Małastów village, where Lemkos, originally the dominant group, were transformed into a defenceless minority. Today, with admirable perseverance, they continue to fight for their rights. Above all, this is a film about love, which is the most precious thing.

Raghava, who runs a breakfast center in his village, dreams of starting a small hotel in the city. Against his father's wishes, he plans to buy an old shop with his friend Gopal. The shop happens to be owned by Nageswara Rao, father of his love interest Sandhya. How will Raghava's love life and his dream to establish his own hotel clash?

Today, Leonor, a young teacher, flees to a small town in the mountains to try to recover from the death of her husband and the loss of the baby she was expecting. He takes refuge in the daily activity with the school children and the friendship he establishes with Miguel, a forestry agent. But the hostility of the inhabitants of the region and some visions that torment her lead her to believe that she is going crazy, as if an irresistible mysterious force led her to be related to that story of betrayal and death of seven hundred years ago. "La Loba", a strange woman despised by all, will end up revealing the truth of that fascinating and wonderful story.

Toxic masculinity has come to a head and this story explores the consequences not just for women, but for men. The phrase "toxic masculinity" is thrown around flippantly, and its potential root causes are very rarely explored. When a person is plagued with jealousy, they are willing to do almost anything in order to acquire what they desire. Our protagonist, August, internalizes the relationship that his best friend Wren shares with his girlfriend Julia as a direct, personal attack on him and his identity. Due to the fact August is not getting the same amount of attention and affection that he is used to from Wren, he goes behind Wren's back to manipulate Julia. August's internalized turmoil triggers an out-of-body experience that then drives him to make intimidating, coerced advances toward the people he loves.

A washed-up actor has a nervous breakdown and believes that he really is the movie monster that he has been hired to play. Created as an episode of Nigel Kneale’s “Beasts” horror anthology miniseries.