The Resurrection of a Nation

The documentary film is not a search for the survived truth of the inhabitants of the Ruthenian village Ladomírová. It captures their subjective memories, often frozen in time and in everyday life. Only strong impressions of sadness, joy, suffering, which reflect the great history of the 20th century. There is no truth about the past, it is only the human mind that actually makes morytates - bloody enlightening stories and legends.

Dedicated to the Lemkos, who through their extraordinary love for the country overcame the trauma of massive deportations during the "Operation Vistula" and managed to return to their homeland. This film is a story about the fate of people from the annihilated Długie village, and it talks about Małastów village, where Lemkos, originally the dominant group, were transformed into a defenceless minority. Today, with admirable perseverance, they continue to fight for their rights. Above all, this is a film about love, which is the most precious thing.

In the Carpathian Mountains of 19th-century Ukraine, love, hate, life and death among the Hutsul people are as they’ve been since time began. Ivan is drawn to Marichka, the beautiful young daughter of the man who killed his father. But fate tragically decrees that the two lovers will remain apart.

In the dark days of Nazi occupation, a young Hutsul girl native to the Carpathian mountains falls in love with a wounded Soviet partisan. Their affair sets in motion a tragic chain of events, as her family turns against her with shocking results.

“The Carpathians are medieval!” one character bellows, and this tale of the tree-chopper Petro, his faithless wife Marijka, and various scheming businessmen and foremen does little to disprove the assertion. Interestingly filmed with a nonprofessional cast recruited from the region, Faithless Marijka may have a neorealist conceit, but its direction is utterly futuristic, filled with the lightning-fast montage techniques and low-angle camera of the Soviet avant-garde (along with its invigorating agitprop).

In a mountain village one woman's beauty and popularity with the men incurs the wrath of the others. AKA The Stray.

58 seconds is the story of a lost swimming race. The tense moments of preparation and anticipation of the spectators are brought to life, and during the race we get a glimpse of the swimmer's hard training. After the defeat, the swimmer's emotions are unveiled, and the closing moments flash images of a new beginning.

Dramatically portraying the Peasants' Revolt of 1381, the film reveals the conditions of virtual slavery which persisted throughout the Middle Ages, and the weaknesses of the feudal system; its oppressive tax structure, its cruelty and its social inequality

Kapwa, a Filipino term that means "togetherness" or "neighbor", is a recognition of a shared identity; an inner self that is shared with others. WHO WE BECOME is a story of kapwa and follows three Filipino women each coming into their political consciousness and discovering themselves during a pivotal moment in their lives.

David S. Goyer, Stan Lee, and Wizard magazine's Gareb Shamus discuss the shift from brightly colored superheroes of the 1970s to the darker antiheroes of the '80s and '90s.

The story of how Tetris was broken, fought for, and finally beat.