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_**Saharan quest to a lost city with John Wayne and Sophia Loren**_ A no-nonsense guide in Timbuktu (Wayne) agrees to take a man (Rossano Brazzi) to find ancient ruins his father claimed existed. A voluptuous woman of dubious reputation joins the expedition (Loren), which naturally affects both men. "Legend of the Lost" (1957) is a desert adventure with amusing dramatics that no doubt influenced the Indiana Jones flicks of the 80s, but not as much as Charlton Heston’s “Secret of the Incas” (1954). Whilst some of the altercations during the journey seem manufactured, I’ve traveled with actual people who constantly create this kind of drama, so it’s not exactly unrealistic. Other than Wayne and Sophia in the cast, the best feature is the actual Saharan locations, especially the ruins of Leptis Magna (which in real-life is located an hour’s drive east from Tripoli on the coast). The weak link is the dubious transformation of a certain character, which isn’t properly resolved or adequately explained. In ways this reminded me of a Conan desert yarn, just minus the sword & sorcery. The film runs 1 hour, 49 minutes, and was shot in Libya (Zliten, Leptis Magna, Libyan Desert, etc.) with studio stuff done in Rome, which is due north across the Mediterranean Sea. GRADE: B-
I quite liked the idea of John Wayne and Sophia Loren searching for Egyptian treasure, but sadly this - though colourful - is really pretty disjointed. There is virtually no chemistry between either star, or with co-star Rossano Brazzi ("Paul") with whom Loren is ostensibly in love until their loot-hunting desert escapades begin and she starts to fall for the Duke. To give it it's due, Henry Hathaway did ship 'em all out to Libya so the settings are authentic enough but the story is predictable and fairly dull - and the score heavily over dramatises what dramatic moments there actually are. Both have considerable screen presence, but sadly this is a jigsaw of a film where the pieces just don't fit together. As an adventure film, it veers more towards being a romance, and as a romance it just falls a bit flat... Perhaps with a stronger supporting cast, it might have worked better but as it is - it's just another Wayne western just in a different desert.
The story of Ace Eli Walford, a 1920s stunt flyer who barnstorms around the country, taking his eleven-year-old son Rodger with him as he goes from town to town. The place is rural Kansas, and the time is midsummer in the early nineteen-twenties, not long after World War I. Eli (Cliff Robertson), a barn storming pilot who has the emotional make-up of an 11-year-old, and Rodger (Eric Shea), his 11-year-old son who possesses the wisdom of the ancients, set off to see the world, which means flying all the way to San Willow. To Eli, San Willow seems to be as fabled as Xanadu and quite as remote. In essence, "Ace Eli and Rodger of the Skies" is about the adventures of Rodger and Eli getting from nowhere to nowhere. Eli, a killer with the ladies at first, always leaves them unsatisfied. He seems to have a sex problem. Rodger spends a lot of his time getting his dad out of scrapes. He also drinks, smokes and goes to sleep at night crying for his deceased mom.
David, a robotic boy—the first of his kind programmed to love—is adopted as a test case by a Cybertronics employee and his wife. Though he gradually becomes their child, a series of unexpected circumstances make this life impossible for David.
Despite trying to keep his swashbuckling to a minimum, a threat to California's pending statehood causes the adventure-loving Don Alejandro de la Vega and his wife, Elena, to take action.
Though she can spin wild tales of passionate romance, novelist Joan Wilder has no life of her own. Then one day adventure comes her way in the form of a mysterious package. It turns out that the parcel is the ransom she'll need to free her abducted sister, so Joan flies to South America to hand it over. But she gets on the wrong bus and winds up hopelessly stranded in the jungle.
The scientist father of a teenage girl and boy accidentally shrinks his and two other neighborhood teens to the size of insects. Now the teens must fight diminutive dangers as the father searches for them.
When space galleon cabin boy Jim Hawkins discovers a map to an intergalactic "loot of a thousand worlds," a cyborg cook named John Silver teaches him to battle supernovas and space storms on their journey to find treasure.
The plane carrying wealthy Charles Morse crashes down in the Alaskan wilderness. Together with the two other passengers, photographer Robert and assistant Stephen, Charles devises a plan to help them reach civilization. However, his biggest obstacle might not be the elements, or even the Kodiak bear stalking them - it could be Robert, whom Charles suspects is having an affair with his wife and would not mind seeing him dead.
Intent on seeing the Cahulawassee River before it's turned into one huge lake, outdoor fanatic Lewis Medlock takes his friends on a river-rafting trip they'll never forget into the dangerous American back-country.
Three friends, whose lives have been drifting apart, reunite for the funeral of a fourth childhood friend. When looking through their childhood belongings, they discover a trunk which contained details on a quest their friend was attempting. It revealed that he was hot on the trail of the $200,000 that went missing with airplane hijacker D.B. Cooper in 1971. They decide to continue his journey, but do not understand the dangers they will soon encounter.
With his nephews and niece, everyone's favorite rich uncle, Scrooge McDuck, treks from his mansion home in Duckburg in search of the long-lost loot of the thief Collie Baba. But finding the goods isn't quite what it's "quacked" up to be! Their thrilling adventure leads to comical chaos, magical mayhem, and a lesson about what is far more valuable than money, gold and jewels.