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I'm giving this movie 10/10. It became one of my favorite movie & below are reasons why: First, it's original, different from other horror movies, which brings interesting story, where crowd of few people seek historic relic & treasure. Movie was very eerie & creepy, especially when they go deeper & deeper close to hell. Some very strong & intense moments. Atmosphere was also eerie cause whole movie happens in damn catacombs. If you have Claustrophobia I don't recommend to watch it. If you're fan of movies like The Tunnel(2011) or The Devil's pass, you gonna like it.
Great watch, would watch again, and can recommend. It is found footage in the catacombs of France so in addition to shaky cam and odd angles, it does feel really claustrophobic at points. If you were okay with "The Descent", then you're likely fine. This is based off of a real thing that people do, exploring existing structures, some lost through history, others unused, and even more that are assumed inaccessible from the the layman. Personally, instead of making these places a crime, people should be able to add infrastructure as needed, but it is the primer for the events of the actual movie. Chased down into the catacombs, they basically just keep going towards insanity. There are so many good points in the psychological horror of it all, and the great unknown of the caves plus random acts of terror makes a great formula for the events of this movie. Probably the best "philosopher's stone" story I've ever seen.
Expected very little going in and was pleasantly surprised by how much I liked it. “As Above, So Below” will keep you on the edge of your seat from start to finish. The attention to detail in this film is impressive, with each scene meticulously crafted to create a sense of unease and tension while maintaining an internal consistency unusual in the horror genre. There’s a chance that this was lost on some viewers. Perhaps it’s just the found-footage fatigue. It’s a shame that the ratings fail to reflect the film’s merits; it’s one of the more inventive entries in the found-footage horror subgenre. The frights are expertly staged, with little reliance on cheap jump scares, instead creating a foreboding mood that keeps you on the edge of your seat until the very end. The setting, an underground maze of catacombs beneath the streets of Paris, adds to the film’s eerie atmosphere and gives it a unique twist on the typical haunted house tale. As a thriller, “As Above, So Below” succeeds on most fronts and should please audiences. It’s a must-watch for fans of the genre because of its meticulous attention to detail and expertly constructed suspense. Rating: 7.2/10 (Good)
A diplomatic couple adopts the son of the devil without knowing it. A remake of the classic horror film of the same name from 1976.
American tourists David and Jack are savaged by an unidentified vicious animal whilst hiking on the Yorkshire Moors. Retiring to the home of a beautiful nurse to recuperate, David soon experiences disturbing changes to his mind and body.
Aliens have landed and are hiding on Earth, but need Earth’s scientists to help them fight an inter-planetary war.
A woman moves into an apartment in Manhattan and learns that the previous tenant's life ended mysteriously after they fell from the balcony.
On the set of his amateur short film, Tim unwittingly meets a certain Stéphane, a gruff, loud-mouthed man with stories that smack of a competition mythomaniac. Tim is convinced that he has a golden documentary subject.
In postwar Vienna, Austria, Holly Martins, a writer of pulp Westerns, arrives penniless as a guest of his childhood chum Harry Lime, only to learn he has died. Martins develops a conspiracy theory after learning of a "third man" present at the time of Harry's death, running into interference from British officer Major Calloway, and falling head-over-heels for Harry's grief-stricken lover, Anna.
A self-assured businessman murders his employer, the husband of his mistress, which unintentionally provokes an ill-fated chain of events.
Paul (Macfadyen), a prize-winning war journalist, returns to his remote New Zealand hometown due to the death of his father, battle-scarred and world-weary. For the discontented sixteen-year-old Celia (Barclay) he opens up a world she has only dreamed of. She actively pursues a friendship with him, fascinated by his cynicism and experience of the world beyond her small-town existence. But many, including the members of both their families (Otto, Moy), frown upon the friendship and when Celia goes missing, Paul becomes the increasingly loathed and persecuted prime suspect in her disappearance. As the violent and urgent truth gradually emerges, Paul is forced to confront the family tragedy and betrayal that he ran from as a youth, and to face the grievous consequences of silence and secrecy that has surrounded his entire adult life.
When Nina and her high school friends receive eerie text messages declaring that they will all die within three days, they dismiss it as a hokey prank - until one by one, the pals start turning up dead in the alpine countryside. With the cops stymied, Nina and her remaining friends must scour their past for clues to identify the madman before he kills them all.
An ex-mercenary turned smuggler. A Mende fisherman. Amid the explosive civil war overtaking 1999 Sierra Leone, these men join for two desperate missions: recovering a rare pink diamond of immense value and rescuing the fisherman's son, conscripted as a child soldier into the brutal rebel forces ripping a swath of torture and bloodshed countrywide.
Three filmmakers receive an unsettling postcard from an estranged friend living in a secluded commune. The filmmakers take their cameras into the wilderness of Montana to document the mysterious inner workings of the group. On their disconcerting road to self-sufficiency, witnessing something more shocking than they ever imagined.