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Frenetic roller-coaster ride - Capra style! The Broadway show this film is based on ran for something like four years, such was the yearning for riotous rompathons in the 40s, and thus here the Capra adaptation is pretty much non stop mania. Led by the perfectly cast Cary Grant, the film barely pauses for breath, stopping only briefly to put a bit of creepy menace into the otherwise insane plot. Oh yes the plot, the elderly Brewster sisters are the dear hearts of the neighbourhood, but what folk don't realise is that they are poisoning elderly male visitors to their home to save them from being lonely! This sets us up for romps as nephew Mortimer (Grant) lurches from one incredulous scene to another upon finding out about his dear Aunt's penchant for murder. Peter Lorre & Raymond Massey add to the madness upon visiting the house, whilst John Alexander almost steals the film as the barmy uncle who thinks he is Theodore Roosevelt! But it's Grant's show all the way, rarely will you see an actor express so many faces of incredulity with such mirthful results as what Grant gives us here. A joyous performance from the great man. Directed with all the sharpness and knowing of tones we expect from Frank Capra, the film is an out and out joy. So be sure to wear a corset to stop your sides from splitting. 9/10
There are thirteen bodies in the cellar! Oh, piffle. Drama critic Mortimer Brewster has just gotten married. But his newfound wedded bliss is interrupted by the disturbing discovery that his sweet old spinster aunts have been murdering lonely old men with their homemade elderberry wine, and burying the bodies in the cellar. This demented screwball comedy was the film that introduced me to Cary Grant. The utterly black comedic treatment never gets old, and the laughs never let up. Every time he gets another surprise, Grant puts on a slightly different flustered expression. Peter Lorre and Raymond Massey, as the villains of the piece, are very amusingly sinister, and the spinster aunts Brewster are utterly charming, in spite of their, uh, somewhat morbid hobby. It's a hilariously insane romp from the brilliant director of some of America's greatest films, Frank Capra. Do yourself a favor and watch it already! Prepare to laugh nonstop. As Mortimer Brewster says, "Insanity runs in my family. It practically gallops!"
**An extraordinary comedy that stands out for its unpretentiousness.** I didn't have high expectations when I decided to watch this film, and I think this increased the impact it ended up having even more: based on a successful play, the film is an extraordinary comedy full of bizarreness and mischief, without a single dead moment and full of twists and turns that make us laugh and amuse us. The script begins with the sudden marriage of Mortimer Brewster, a famous theater critic known for being a bachelor. When preparing his bags for his honeymoon trip, the young man discovers that the two elderly aunts he has been living with are two remorseless killers, who believe they are doing enormous good by speeding up the deaths of lonely men. and sad people who will knock on their door to rent a room and sleep. Furthermore, their brother, who lives in that house, firmly believes that he is President Theodore Roosevelt and is digging the Panama Canal in the basement. And as if the madness wasn't enough, Mortimer has a crazy, murderous brother. The dialogues and situations are memorable, and the humor is contagious. I can understand why Cary Grant didn't like the work he did in this film: he really exaggerates his performance, he's histrionic, he spends almost half the film hysterical. However, this is funny and the character, and the script, asked the character to be this way. The actor, despite himself, knew how to understand what the character was asking of him and act accordingly. Veterans Jean Adair and Josephine Hull don't disappoint, offering us a truly brilliant interpretation, and the same can be said of Raymond Massey. The film also features the participation and worthy efforts of Peter Lorre and John Alexander. On a technical level, the film is reasonably discreet and focuses on effectiveness. The setting – the house where everything happens – is the most striking element that catches our attention. Apparently, it was made entirely in the studios, and it was a colossal, huge set. The costumes are also good, and the cinematography is quite pleasant and well executed.
Riny (Biju Menon) is the right hand man of jeweller Lolappan (Innocent). He is extremely selfish and doesn't worry about the consequences of his actions as long as it contributes to his growth. He becomes estranged even with his family, but despite this, his rise up through the ranks continue.
An opulent beach resort provides a scenic background to this amusing whodunit as Poirot attempts to uncover the nefarious evildoer behind the strangling of a notorious stage star.
Paris, France, during the First World War. While thousands of soldiers die every day on the battlefields, Henri Landru, a seemingly respectable furniture dealer, married and father of four children, relentlessly feeds his own sinister factory of death.
In this horror parody, a masked serial killer menaces the town of Bulimia Falls with various sharp objects. Attention-seeking television personality Hagitha Utslay is soon on the scene, reporting on the ever-growing body count. Former mall security guard Doughy shows up to protect the teenage population, but he's clearly not much help, allowing the murderer to pick off even more hapless kids as numerous scary movies are referenced.
A year after the murder of her mother, a teenage girl is terrorized by a masked killer who targets her and her friends by using scary movies as part of a deadly game.
In the third installment of the Scary Movie franchise, news anchorwoman Cindy Campbell has to investigate mysterious crop circles and killing video tapes, and help the President stop an alien invasion in the process.
Following a robbery in a circus, a young mobster, Jean, is arrested by Inspector Borelli. The thug denies involvement. To compel him to sign a full confession, Inspector Muller encourages the suspect to get married for - he says - to move the jury. This being done, he lets Jean believe that he can spend a moment alone with his wife; but then, Inspector Borelli blackmails him: "If you sign your confession, you can spend a moment with her." After being beaten, Jean signs a confession. It is then that a new blackmail intervenes: "the name of the accomplice?", asks the inspector. But the thug refuses to denounce the latter and ends up refusing the bargain dupes. While the guards drive him back to prison, his wife cuts his veins, breaking the career of the bad policeman.
Detective Jon Louroy Chance investigates a string of murders in Los Angeles and uncovers a ruthless kidnapping scheme.
Six people travel by train overnight from Marseilles to Paris. When the train arrives at its destination, one of the passengers, a girl, is found dead in a sleeping berth. The police led by Inspector Grazzi investigate the other five passengers, suspecting that one of them was responsible. However, as the investigation is stepped up, the other passengers start turning up dead. It is then up to the last remaining two to solve the case, before they become the next victims.
The wife of an abusive criminal finds solace in the arms of a kind regular guest in her husband's restaurant.
After losing the woman of his dreams, Anderson is convinced he'll never fall in love again. But at the urging of his best friend, he spontaneously proposes to a dissatisfied waitress named Katie and an innocent dare evolves into the kind of love that both have been looking for all along.